H.D. et le groupe Pool : des avant-gardes littéraires au cinéma " visionnaire "

Résumé Cet essai retrace l'implication de l'écrivaine américaine Hilda Doolittle (qui signe H. D.) au sein du groupe Pool (1927-1933), dont les activités sont centrées sur le cinéma. Nous mettons ainsi en évidence les points de convergence entre les théories de l'image dans les mouvements littéraires imagistes, vorticistes ou encore objectivistes, et les débats qui portent sur les moyens d'expression et la fonction du film dans les milieux émergents de la cinéphilie. H. D., dont les premiers poèmes ont été médiatisés par Ezra Pound et la revue Poetry, transpose son expérience de l'espace littéraire dans le contexte du cinéma. La logique du long-métrage Borderline (Kenneth Macpherson, Suisse, 1930) et les points de vue qui s'expriment dans la revue Close Up (juillet 1927-décembre 1933) sont surdéterminés par le mythe expressif d'un renouvellement de l'écriture idéogrammatique, traversant la poésie d'avant-garde anglo-saxonne depuis les années 1910. L'enjeu de cette recherche est double. D'une part, nous soutenons qu'une dynamique cinématographique sous-tend les manifestes et les poèmes publiés dans le contexte des premières avant-gardes historiques anglo-américaines. En un sens, les recherches sur l'objectivation des images et la fragmentation du rythme trouvent un point de résolution dans le caractère indiciel des photogrammes et les procédés du montage discontinu. D'autre part, nous démontrons que les expérimentations sur le vers libre et les formes poétiques ouvertes conditionnent les réflexions du groupe Pool sur le cinéma et leur pratique filmique. Nous analysons dans le détail deux «textes » : nous rapportons Borderline au genre surréaliste du scénario intournable, et nous relisons le dernier poème de H. D. en regard des théories du montage d'Eisenstein. Le modèle princeps du hiéroglyphe, qui est convoqué par Eisenstein et par Pound, mais que H. D. et Freud s'approprient également, constitue le fil rouge qui permet de nouer ces différents liens.

Eduard Toldrà : sis sonets per a violí i piano

Eduard Toldrà i Soler fou una persona important i significativa per a la societat catalana de principis del segle XX. La seva vida musical és increïblement ampla, ja que abasta facetes de violinista, compositor, director i pedagog. A més, Toldrà va estar sempre immers en la cultura catalana, en l'art en general, i en particular en la poesia. És per aquest motiu que trobem tanta poesia en la seva música. En el següent treball aprofundeixo en l'estudi d'una de les seves obres, Sis Sonets per a violí i piano. A través de l'anàlisi d'aquestes sis peces, coneixerem també al personatge d'Eduard Toldrà i el seu context cultural. Veurem que la seva música se situa fora dels trets estilístics “hispànics” de l'època i que, sota els tòpics de música española, les etiquetes no hi fan cap mena de justícia.

Les traduccions de Carles Riba i Marià Manent al Corpus Literari Digital

Els objectius del projecte “Les traduccions de Carles Riba i Marià Manent al Corpus Literari Digital” són diversos: d’una banda, digitalitzar totes les edicions originals de les traduccions publicades per Carles Riba i Marià Manent; d’altra banda, fer un inventari de tots els textos continguts en aquestes traduccions (de poesia, de narrativa i de teatre); i finalment, introduir els registres dins la plataforma del Corpus Literari Digital de la Càtedra Màrius Torres. La digitalització ha permès de preservar digitalment el patrimoni literari constituït per aquestes traduccions de dos dels autors i traductors més importants de la literatura catalana del segle XX. L’inventari dels textos de cadascun dels seus volums de traduccions (poemes, narracions i obres de teatre) ha permès de constituir una base de dades en la qual es registren totes les versions diferents de cadascun dels textos traduïts que Riba i Manent van anar revisant al llarg de la seva vida. Finalment, la inclusió d’aquests registres bibliogràfics dins la plataforma del Corpus Literari Digital de la Càtedra Màrius Torres permet la seva consulta en línia i la possibilitat de trobar, per a cada text, totes les seves versions i de visualitzar la imatge del document original, la qual cosa facilitarà als investigadors l’estudi de la història textual de les traduccions, la de l’evolució de la llengua literària dels autors, entre altres possibilitats.

Matka serkamolaiseen teatteriin : kohti sanatonta kerrontaa

A travelogue to serkamoan theater deals, just like its name implies, with the molding process of one theater opinion. It has been influenced by both Aristotle's poetry and Bertold Brecht's epic theater. Side by side with theater goes dance, whose development the thesis also considers briefly. Of today's theater makers, Päivi Ketonen (playback theater), Juha Hurme and Nigel Charnock (dance theater) have had a definitive impact on the Serkamoan theater view. Their relation to theater and dance is clarified in the interviews conducted by the writer, which can be found in their entirety among the appendices of this thesis. Serkamoan theater has also been influenced by the writer's studies in Portuguese theater school in 2004. In Portugal the writer had a chance to work a theater piece in a new cultural environment where, for example, a novel and paintings were used as inspiration. The strongest legacy from Portugal however was the desire to do theater that can be understood without words. Serkamoan theater considers the combinations of theater and dance in performing arts, agreeing with, among others, Pina Bausch's footsteps. Serkamoan theater ladles its inspiration from theater, dance, human being, human body and movement. It is theater that cannot be understood through intellect but through the heart.

Capital formation in machinery and industrialization. Chile 1844-1938

The present paper revisits an old theme in Latin American and Chilean economic history; the early industrialization in the XIX - XX centuries. The difference with previous approaches is the elaboration of new quantitative series of Chilean machinery investment in the long run and its relative prices and composition, in the period when some authors have sited the beginning of the industrialization in the continent. Initial findings, based on the participation of capital formation in machinery imports and GDP, do not reinforce the idea of early industrialization in Chile.

Ecological niche models and patterns of richness and endemism of the southern Andean genus Eurymetopum (Coleoptera, Cleridae)

Eurymetopum is an Andean clerid genus with 22 species. We modeled the ecological niches of 19 species with Maxent and used them as potential distributional maps to identify patterns of richness and endemicity. All modeled species maps were overlapped in a single map in order to determine richness. We performed an optimality analysis with NDM/VNDM in a grid of 1º latitude-longitude in order to identify endemism. We found a highly rich area, located between 32º and 41º south latitude, where the richest pixels have 16 species. One area of endemism was identified, located in the Maule and Valdivian Forest biogeographic provinces, which extends also to the Santiago province of the Central Chilean subregion, and contains four endemic species (E. parallelum, E. prasinum, E. proteus, and E. viride), as well as 16 non-endemic species. The sympatry of these phylogenetically unrelated species might indicate ancient vicariance processes, followed by episodes of dispersal. Based on our results, we suggest a close relationship between these provinces, with the Maule representing a complex area.

A new species of Eccopsis Zeller (Lepidoptera, Tortricidae) from the coastal valleys of northern Chile, with the first continental record of E. galapagana Razowski & Landry

A new species of Eccopsis Zeller (Lepidoptera, Tortricidae) from the coastal valleys of northern Chile, with the first continental record of E. galapagana Razowski & Landry. Eccopsis Zeller, 1852 is reported for the first time from Chile. Eccopsis razowskii Vargas, n. sp. is described and illustrated based on specimens reared from larvae collected on native Acacia macracantha Willd. (Fabaceae) in the coastal valleys of the northern Chilean desert. Eccopsis galapagana Razowski & Landry, 2008, previously known only from the Galapagos Islands, Ecuador, is recorded for the first time from continental South America. Larvae of the latter were collected in northern Chile feeding on Prosopis alba Griseb (Fabaceae).

Redescription of the enigmatic Thoracotropis cypriformis Freeman (Diptera, Mycetophilidae)

The Chilean species Thoracotropis cypriformis, type species of the monotypic genus Thoracotropis, is redescribed based on the only known specimen, the holotype. Habitus, head, wing venation, and male terminalia are illustrated. Comments are made on the diagnostic features of the genus and on its position in the subfamily to which it is usually assigned, the Leiinae.

A new genus and species of leaf miner (Lepidoptera, Gracillariidae) for Chile associated to the native tree Lithraea caustica

A new genus and species of leaf miner (Lepidoptera, Gracillariidae) for Chile associated to the native tree Lithraea caustica. We propose the new genus and species of Gracillariidae (Lepidoptera) Hualpenia lithraeophaga Mundaca, Parra &Vargas gen. nov., sp. nov., leaf miner of Lithraea caustica (Mol.) H. et Arn (Anacardiaceae) occurring in southern central Chile. Aspects of the life cycle, adult and larval morphology, development and feeding habits of the new genus and species are also presented. We emphasise the uniqueness and importance of this new species for broadening the current knowledge on the Chilean fauna of Gracillariidae.

First host plant records for Iridopsis hausmanni Vargas (Lepidoptera, Geometridae) in the coastal valleys of northern Chile

First host plant records for Iridopsis hausmanni Vargas (Lepidoptera, Geometridae) in the coastal valleys of northern Chile. The trees Haplorhus peruviana Engl. and Schinus molle L. (Anacardiaceae) are mentioned as the first host plant records for the little known native moth Iridopsis hausmanni Vargas, 2007 (Lepidoptera, Geometridae, Ennominae) in the coastal valleys of the northern Chilean Atacama Desert. This is also the first record of Anacardiaceae as host plant for a Neotropical species of Iridopsis Warren, 1894.

Prey identification in nests of the potter wasp Hypodynerus andeus (Packard) (Hymenoptera, Vespidae, Eumeninae) using DNA barcodes

Prey identification in nests of the potter wasp Hypodynerus andeus (Packard) (Hymenoptera, Vespidae, Eumeninae) using DNA barcodes. Geometrid larvae are the only prey known for larvae of the Neotropical potter wasp Hypodynerus andeus (Packard, 1869) (Hymenoptera, Vespidae, Eumeninae) in the coastal valleys of the northern Chilean Atacama Desert. A fragment of the mitochondrial gene cytochrome oxidase c subunit 1 was amplified from geometrid larvae collected from cells of H. andeus in the Azapa Valley, Arica Province, and used to provide taxonomic identifications. Two species, Iridopsis hausmanni Vargas, 2007 and Macaria mirthae Vargas, Parra & Hausmann, 2005 were identified, while three others could be identified only at higher taxonomic levels, because the barcode reference library of geometrid moths is still incomplete for northern Chile.