Analecta anglo-saxonica : selections in prose and verse, from the Anglo-Saxon literature : with an Introductory ethnological essay, and notes, critical and explanatory /

Mode of access: Internet.

French prose of popular science and descriptive literature.

Mode of access: Internet.

Passages in prose and verse from German literature of the nineteenth century, 1800 to 1870,

Mode of access: Internet.

Art, literature, and the drama

Spine title: Margaret Fuller's works

The crown book of the beautiful, the wonderful, and the wise : presenting in attractive forms some of the most notable things in poetic literature, in science and in art, in history and biography, in earth, sea and sky, in philosophy and music /

Title within ornamental border, title in red and black.

The casquet of literature : being a selection in poetry and prose from the works of the most admired authors /

Added title-pages engr.

A manual of German literature, containing classical specimens of German prose and poetry, systematically arranged.

Mode of access: Internet.

The flowers of Persian literature : containing extracts from the most celebrated authors, in prose and verse, with a translation into English : being intended as a companion to Sir William Jones's Persian grammar : to which is prefixed an essay on the language and literature of Persia /

Mode of access: Internet.

From Chaucer to Arnold; types of literary art in prose and verse, an introduction to English literature,

"Notes" containing short bibliographies: p. 621-662; "Books of general reference": p. 664; "Critical and suggestive": p. 665-667.

Handbook of German literature : containing Schiller's Maid of Orleans, Goethe's Iphigenia, Tieck's Puss in Boots, Xenien by Goethe and Schiller, with critical introductions and explanatory notes ; to which is added an appendix of specimens of German prose from the middle of the sixteenth to the middle of the nineteenth centuries /

Mode of access: Internet.

Handbook of German literature : containing : Schiller's Maid of Orleans, Goethe's Iphigenia in Tauris, Tieck's Puss in boots, The Xenia by Goethe and Schiller : with critical introductions and explanatory notes : to which is added an appendix of specimens of German prose from the middle of the sixteenth to the middle of the nineteenth centuries /

Mode of access: Internet.

A lecture on the writings : prose and poetic, and character, public and personal, of John Milton, delivered at several metropolitan literary institutions /

Mode of access: Internet.

Intersubjectivity and poetic translation

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Telling stories of culture through literature

Grounded on Raymond Williams‘s definition of knowable community as a cultural tool to analyse literary texts, the essay reads the texts D.H.Lawrence wrote while travelling in the Mediterranean (Twilight in Italy, Sea and Sardinia and Etruscan Places) as knowable communities, bringing to the discussion the wide importance of literature not only as an object for aesthetic or textual readings, but also as a signifying practice which tells stories of culture. Departing from some considerations regarding the historical development of the relationship between literature and culture, the essay analyses the ways D. H. Lawrence constructed maps of meaning, where the readers, in a dynamic relation with the texts, apprehend experiences, structures and feelings; putting into perspective Williams‘s theory of culture as a whole way of life, it also analyses the ways the author communicates and organizes these experiences, creating a space of communication and operating at different levels of reality: on the one hand, the reality of the whole way of Italian life, and, on the other hand, the reality of the reader who aspires to make sense and to create an interpretative context where all the information is put, and, also, the reality of the writer in the poetic act of writing. To read these travel writings as knowable communities is to understand them as a form that invents a community with no other existence but that of the literary text. The cultural construction we find in these texts is the result of the selection, and interpretation done by D.H.Lawrence, as well as the product of the author‘s enunciative positions, and of his epistemological and ontological filigrees of existence, structured by the conditions of possibility. In the rearticulation of the text, of the writer and of the reader, in a dynamic and shared process of discursive alliances, we understand that Lawrence tells stories of the Mediterranean through his literary art.

Ghosts in contemporary African diasporic literature : re-visioning history, memory and identity

Starting from the observation that ghosts are strikingly recurrent and prominent figures in late-twentieth African diasporic literature, this dissertation proposes to account for this presence by exploring its various functions. It argues that, beyond the poetic function the ghost performs as metaphor, it also does cultural, theoretical and political work that is significant to the African diaspora in its dealings with issues of history, memory and identity. Toni Morrison's Beloved (1987) serves as a guide for introducing the many forms, qualities and significations of the ghost, which are then explored and analyzed in four chapters that look at Fred D'Aguiar's Feeding the Ghosts (1998), Gloria Naylor's Mama Day (1988), Paule Marshall's Praisesong for the Widow (1983) and a selection of novels, short stories and poetry by Michelle Cliff. Moving thematically through these texts, the discussion shifts from history through memory to identity as it examines how the ghost trope allows the writers to revisit sites of trauma; revise historical narratives that are constituted and perpetuated by exclusions and invisibilities; creatively and critically repossess a past marked by violence, dislocation and alienation and reclaim the diasporic culture it contributed to shaping; destabilize and deconstruct the hegemonic, normative categories and boundaries that delimit race or sexuality and envision other, less limited and limiting definitions of identity. These diverse and interrelated concerns are identified and theorized as participating in a project of "re-vision," a critical project that constitutes an epistemological as much as a political gesture. The author-based structure allows for a detailed analysis of the texts and highlights the distinctive shapes the ghost takes and the particular concerns it serves to address in each writer's literary and political project. However, using the ghost as a guide into these texts, taken collectively, also throws into relief new connections between them and sheds light on the complex ways in which the interplay of history, memory and identity positions them as products of and contributions to an African diasporic (literary) culture. If it insists on the cultural specificity of African diasporic ghosts, tracing its origins to African cultures and spiritualities, the argument also follows gothic studies' common view that ghosts in literary and cultural productions-like other related figures of the living dead-respond to particular conditions and anxieties. Considering the historical and political context in which the texts under study were produced, the dissertation makes connections between the ghosts in them and African diasporic people's disillusionment with the broken promises of the civil rights movement in the United States and of postcolonial independence in the Caribbean. It reads the texts' theoretical concerns and narrative qualities alongside the contestation of traditional historiography by black and postcolonial studies as well as the broader challenge to conventional notions such as truth, reality, meaning, power or identity by poststructuralism, postcolonialism or queer theory. Drawing on these various theoretical approaches and critical tools to elucidate the ghost's deconstructive power for African diasporic writers' concerns, this work ultimately offers a contribution to "speciality studies," which is currently emerging as a new field of scholarship in cultural theory.