826 resultados para Software Culture, Spatial Practice, Social Software
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Pós-graduação em Serviço Social - FCHS
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Pós-graduação em Geografia - FCT
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Mycobacterium bovis infects the wildlife species badgers Meles meles who are linked with the spread of the associated disease tuberculosis (TB) in cattle. Control of livestock infections depends in part on the spatial and social structure of the wildlife host. Here we describe spatial association of M. bovis infection in a badger population using data from the first year of the Four Area Project in Ireland. Using second-order intensity functions, we show there is strong evidence of clustering of TB cases in each the four areas, i.e. a global tendency for infected cases to occur near other infected cases. Using estimated intensity functions, we identify locations where particular strains of TB cluster. Generalized linear geostatistical models are used to assess the practical range at which spatial correlation occurs and is found to exceed 6 in all areas. The study is of relevance concerning the scale of localized badger culling in the control of the disease in cattle.
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El punto de inicio del razonamiento desarrollado para la construcción de lo que se denomina metageografía, parte con el reconocimiento de un estado de crisis en la Geografía, y en segundo lugar, de su rol como posibilidad, a pesar de ser una ciencia fragmentada, de comprender el mundo moderno, pues su conocimiento puede constituirse en un movimiento hacia la totalidad. En un sentido más amplio, se reflexiona sobre el lugar de la Geografía en la explicación de la realidad en constante cambio. ¿Es posible pensar que, a pesar de sus avances, la Geografía se encuentra en un estado de crisis? Nos enfrentamos con la obligación de revelar sus indicios y, por consiguiente, la necesidad de construir un camino hacia adelante en la necesidad de comprender la realidad desde o por la Geografía. La metageografía es una propuesta teórico-metodológica para la superación de la situación de crisis en que la disciplina se encuentra, a partir de la práctica socioespacial como modo explicativo.
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Our workshop aims at a deeper understanding of various itineraries of pottery and dif-ferent forms of human mobilities in which pottery is relevant, bringing together archae-ological and anthropological perspectives. For thousands of years, pottery has been an important part of many societies’ material culture and therefore a major research topic in both disciplines. In past and present societies the material existence of ceramic vessels is informed by various movements across time and space but also by periods of stasis: from the mo-ment of their production until their exclusion from daily practices, either disposed as waste, excluded as funerary objects or stored as collectibles. In their seemingly endless material durability, ceramic vessels might outlive their human producers, distributors or consumers and travel farther and longer. Still they are embedded in the regimes of human mobility, ranging from daily subsistence-based mobility to long-term migrations. In such processes, pottery shifts between spatial, temporal, social, economic and cultural contexts. Thereby ceramic vessels are appropriated and integrated in new contexts of action and meaning, sometimes leading to material transformations. This workshop takes place in the context of our archaeological research project „Mobili-ties, Entanglements and Transformations in Neolithic Societies on the Swiss Plateau (3900-3500 BC)“ to which our PhDs are connected. We address the above outlined topic by analysing the production of pottery. Based on dendrochronologically dated settle-ments between 3900 and 3500 BC, two regional pottery styles and their local variations are well known, Pfyn and Cortaillod. The vessels share the same habitus and were made of clays and temper deriving from the settlements’ surroundings. However, some vessels specific to other pottery styles are also present on the sites. They are characteristic for pottery styles known from more or less far off regions (Michelsberg, Munzingen or Néo-lithique Moyen Bourguignon). Some of them were travelling objects, as their non local raw materials show. Others seem to have been produced locally, pointing to long-term mobility and a change of residence from neighbouring social groups.
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El artículo analiza las representaciones fílmicas de la conciencia social y la experiencia de clase, en relación a varias series de películas del cine clásico, tanto europeo como hollywoodense, que ponen en escena a sujetos sociales colectivos y conflictos sociales. Se intenta responder a la pregunta sobre la posibilidad y alcances de la representación visual y fílmica de las categorías teóricas de las ciencias sociales En esta dirección se examina la homogeneización de las masas en la epopeya de multitudes anónimas en la época del cine mudo, en el cine épico-histórico de la Italia fascista y en las superproducciones históricas estadounidenses de los años cincuenta, así como la aparición fílmica del sujeto histórico proletariado en el cine de la vanguardia rusa de la década de 1920 y su preocupación por filmar expresamente la conciencia revolucionaria y los conflictos de concientización.
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El artículo analiza las representaciones fílmicas de la conciencia social y la experiencia de clase, en relación a varias series de películas del cine clásico, tanto europeo como hollywoodense, que ponen en escena a sujetos sociales colectivos y conflictos sociales. Se intenta responder a la pregunta sobre la posibilidad y alcances de la representación visual y fílmica de las categorías teóricas de las ciencias sociales En esta dirección se examina la homogeneización de las masas en la epopeya de multitudes anónimas en la época del cine mudo, en el cine épico-histórico de la Italia fascista y en las superproducciones históricas estadounidenses de los años cincuenta, así como la aparición fílmica del sujeto histórico proletariado en el cine de la vanguardia rusa de la década de 1920 y su preocupación por filmar expresamente la conciencia revolucionaria y los conflictos de concientización.
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El artículo analiza las representaciones fílmicas de la conciencia social y la experiencia de clase, en relación a varias series de películas del cine clásico, tanto europeo como hollywoodense, que ponen en escena a sujetos sociales colectivos y conflictos sociales. Se intenta responder a la pregunta sobre la posibilidad y alcances de la representación visual y fílmica de las categorías teóricas de las ciencias sociales En esta dirección se examina la homogeneización de las masas en la epopeya de multitudes anónimas en la época del cine mudo, en el cine épico-histórico de la Italia fascista y en las superproducciones históricas estadounidenses de los años cincuenta, así como la aparición fílmica del sujeto histórico proletariado en el cine de la vanguardia rusa de la década de 1920 y su preocupación por filmar expresamente la conciencia revolucionaria y los conflictos de concientización.
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The city of Malaga underwent considerable growth in the 19th and 20th centuries. The territorial expansion paired with a massive influx of immigrants occurred in three waves and as a consequence the city of Malaga remains divided into three different parts up to today. The differences between these three neighbourhoods of the city lie in the type of houses, different cultural and industrial activities, socioeconomic level, and very interestingly, also in speech. Thus, the aim of this study is an examination of the interrelation between speech (phonetic features) and urban space in Malaga. A combination of quantitative and qualitative analysis was used, based on two types of data: 1) production data stemming from recordings of 120 speakers; 2) perception data (salience, estimated frequency of use, attitude, spatial and social perception, imitation) which was collected from several surveys with 120 participants each. Results show that the speech production data divides the city of Malaga clearly into three different parts. This tripartition is confirmed by the analysis of the perception data. Moreover, the habitants of these three areas are perceived as different social types, to whom a range of social features is attributed. That is, certain linguistic features, the different neighbourhoods of the city and the social characteristics associated with them are undergoing a process of indexicalization and iconization. As a result, the linguistic features in question function as identity markers on the intraurban level.
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Includes bibliographies.
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Includes bibliographies.
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The importance of professional disciplines working together to address the critical social and health issues facing society today cannot be overstated. Policy makers, service providers and researchers have long been calling for greater interdisciplinary collaboration. Despite this there has been little systemic analysis of the constraints involved in such collaboration. Far too often disciplines continue to work in silos. This paper aims to analyse the barriers to interdisciplinary collaboration through a case study of the relationship between social work and public health. These two disciplines have a lot more in common than might first appear. There is real potential for social work and public health to work together and enhance each other's efforts to address their common goal of greater social equality. However, this will require a genuine commitment from both disciplines to develop a shared political analysis, common language and a framework for action, which utilises their respective strengths.
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The article explores the possibilities of formalizing and explaining the mechanisms that support spatial and social perspective alignment sustained over the duration of a social interaction. The basic proposed principle is that in social contexts the mechanisms for sensorimotor transformations and multisensory integration (learn to) incorporate information relative to the other actor(s), similar to the "re-calibration" of visual receptive fields in response to repeated tool use. This process aligns or merges the co-actors' spatial representations and creates a "Shared Action Space" (SAS) supporting key computations of social interactions and joint actions; for example, the remapping between the coordinate systems and frames of reference of the co-actors, including perspective taking, the sensorimotor transformations required for lifting jointly an object, and the predictions of the sensory effects of such joint action. The social re-calibration is proposed to be based on common basis function maps (BFMs) and could constitute an optimal solution to sensorimotor transformation and multisensory integration in joint action or more in general social interaction contexts. However, certain situations such as discrepant postural and viewpoint alignment and associated differences in perspectives between the co-actors could constrain the process quite differently. We discuss how alignment is achieved in the first place, and how it is maintained over time, providing a taxonomy of various forms and mechanisms of space alignment and overlap based, for instance, on automaticity vs. control of the transformations between the two agents. Finally, we discuss the link between low-level mechanisms for the sharing of space and high-level mechanisms for the sharing of cognitive representations. © 2013 Pezzulo, Iodice, Ferraina and Kessler.