994 resultados para Sevigne, Marie de Rabutin-Chantal, Marquesa de, 1626-1696


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This study maps the extent of Sallé's influence while identifying her self agency in moulding her image and developing her career.

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Sallé's ballets en action are evaluated in terms of Enlightenment dramaturgical principles, and her role in shaping this aesthetic is mooted.

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Paradigmatic analysis reveals that these two composers developed distinct responses to creating narrative in dance music

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Considers Handel's musical response to a dancer-choreographer in line with then-current styles of dance

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A letter from dancer Marie Salle to her patroness dated 1731 reveals her ambitions to dance at the English opera.

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This dictionary entry, which highlights the choreographer's significance to the historical study of music, is placed in a very high profile and reputable online resource.

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Handel’s London career afforded opportunities for responding to dancers working in distinct styles of movement—most notably the Italian troupe resident at the King’s Theatre in 1726-27, and Marie Sallé at Covent Garden in 1734-35. By studying the dances from Admeto (1727) and Ariodante (1735), this paper will explore Handel's response to the serious and grotesque styles, as well as to the character and narrative modes.

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Variante(s) de titre : La Terre sainte et les églises orientales