Depicting Characters and danced Narratives: Handel, 'The Italian troupe', and Marie Sallé
| Contribuinte(s) |
Landgraf, Annette |
|---|---|
| Data(s) |
2016
|
| Resumo |
Handel’s London career afforded opportunities for responding to dancers working in distinct styles of movement—most notably the Italian troupe resident at the King’s Theatre in 1726-27, and Marie Sallé at Covent Garden in 1734-35. By studying the dances from Admeto (1727) and Ariodante (1735), this paper will explore Handel's response to the serious and grotesque styles, as well as to the character and narrative modes. |
| Identificador | |
| Idioma(s) |
eng |
| Publicador |
Barenreiter |
| Direitos |
info:eu-repo/semantics/restrictedAccess |
| Fonte |
McCleave , S 2016 , Depicting Characters and danced Narratives: Handel, 'The Italian troupe', and Marie Sallé . in A Landgraf (ed.) , Haendel-Jahrbuch . vol. 62 , Barenreiter , Halle International Handel Conference: Handel and his Interpreters , Halle , Germany , 8-10 June . |
| Palavras-Chave | #dance music #eighteenth-century studies #/dk/atira/pure/subjectarea/asjc/1200 #Arts and Humanities(all) |
| Tipo |
contributionToPeriodical |
