Bericht an das Publikum : [Werbeblatt für einen heilenden Balsam]

Mit gnädigster Bewilligung E. Hochedeln und Hochweisen Magistrats der Stadt Frankfurt giebt der Herr Algeroni aus der Levante, privilegirter Operateur und Chymicus des Französischen Hofes ... nachfolgenden Bericht ...

Christliche Anred Nächst dem Scheiter-Hauffen, Worauf der Leichnam Mariae Renatae, einer durchs Schwerdt Hingerichteten Zauberin, den 21. Junii Anno 1749 Ausser der Stadt Würtzburg verbrennet worden

An ein zahlreich-versammletes Volck gethan ... Von Georgio Gaar

[Nichtärztliches Tagebuch: Januar - März 1763]

Handschrift

Nachmittags-Lied : So in der Armen- und Waeysenhauß-Kirche Sonntags gewöhnlich abgesungen wird

Eingebunden in: Senckenberg, Johann Christian: Nicht-ärztliches Tagebuch: Januar - Mai 1753

Personalia [des Landgrafen Friedrichs IV. von Hessen-Homburg : Nachruf]

Eingebunden in: Senckenberg, Johann Christian: Ärztliches Tagebuch: 1751

Mus Hs 1626 - Musicalien aufs Clavier : pro Johann Henrich Stannarius ; angefangen zu Nordenstadt d. 1te Decem. 1760

Online-Ausgabe der Musikhs. (Abschrift von 1760) Mus Hs 1626 der Universitätsbibliothek Johann Christian Senckenberg. - Widmungsträger: Johann Heinrich Stannarius

Briefe an Johann Heinrich Merck von Göthe, Herder, Wieland und andern bedeutenden Zeitgenossen : mit Merck's biographischer Skizze

herausgegeben von Karl Wagner

Briefe an und von Johann Heinrich Merck : eine selbständige Folge der im Jahr 1835 erschienenen Briefe an J. H. Merck ; mit Facsimilien der Handschriften von Göthe, Herder, Wieland ...

aus den Handschriften herausgegeben von Karl Wagner

Bey der höchst-beglückten Wiederkunfft des Durchlauchtigsten Fürsten und Herrn, Johann Wilhelms Hertzogen zu Sachsen, Jülich, Cleve und Berg nebst dero .. Frau Gemahlin ... aus Dero Saynischen Landen in Dero Residenz zu Eisenach : welche den 22. Augusti 1722 ... erfolgte ; wollte ihre untertänigste Devotion in einer Cantata zur Tafel-Music bezeugen ; die sämmtliche Hoch-Fürstliche Capelle

[Georg Philipp Telemann]

Christliche Leich- und Trost-Predigt : gehalten zu Darmstatt, den 13. Tag Decembr. 1664. als die ... Fraw Anna Margretha Felsin, geborne Hermannin, deß ... Herrn Johann Martin Felsen, ... eheliche Haußfraw, nach deme sie vorigen Sambstags den 10. Tag bemelten Monats, ... beygesetzt wurde

Von M. Phillippo Schlossern, fürstl. Hoff- und ältern Statt-Predigern daselbsten

Die musikalischen Reisen des Herrn von Uffenbach : aus einem Reisetagebuch des Johann Friedrich A. von Uffenbach aus Frankfurt a.M. 1712 - 1716

Eberhard Preußner

[Johann Georg Schramm].

Handwritten purchase agreement for a barn in Merzbach, Franconia (photocopy of the original and typed transcript).

Pietismin kuva - ikkuna yksityiseen hengellisyyteen : Johann Arndtin opetukset pietistisen embleemin perustana

The image of Pietism a window to personal spirituality. The teachings of Johann Arndt as the basis of Pietist emblems The Pietist effect on spiritual images has to be scrutinised as a continuum initiating from the teachings of Johann Arndt who created a protestant iconography that defended the status of pictures and images as the foundation of divine revelation. Pietist artworks reveal Arndtian part of secret, eternal world, and God. Even though modern scholars do not regarded him as a founding father of Pietism anymore, his works have been essential for the development of iconography, and the themes of the Pietist images are linked with his works. For Arndt, the starting point is in the affecting love for Christ who suffered for the humankind. The reading experience is personal and the words point directly at the reader and thus appear as evidence of the guilt of the reader as well as of the love of God. Arndt uses bounteous and descriptive language which has partially affected promoting and picturing of many themes. Like Arndt, Philipp Jakob Spener also emphasised the heart that believes. The Pietist movement was born to oppose detached faith and the lack of the Holy Ghost. Christians touched by the teachings of Arndt and Spener began to create images out of metaphors presented by Arndt. As those people were part of the intelligentsia, it was natural that the fashionable emblematics of the 17th century was moulded for the personal needs. For Arndt, the human heart is manifested as a symbol of soul, personal faith or unbelief as well as an allegory of the burning love for Jesus. Due to this fact, heart emblems were gradually widely used and linked with the love of Christ. In the Nordic countries, the introduction of emblems emanated from the gentry s connections to the Central Europe where emblems were exploited in order to decorate books, artefacts, interiors, and buildings as well as visual/literal trademarks of the intelligentsia. Emblematic paintings in the churches of the castles of Venngarn (1665) and Läckö (1668), owned by Magnus Gabriel De la Gardie, are one of the most central interior paintings preserved in the Nordic countries, and they emphasise personal righteous life. Nonetheless, it was the books by Arndt and the Poet s Society in Nurnberg that bound the Swedish gentry and the scholars of the Pietist movement together. The Finnish gentry had no castles or castle churches so they supported county churches, both in building and in maintenance. As the churches were not private, their iconography could not be private either. Instead, people used Pietist symbols such as Agnus Dei, Cor ardens, an open book, beams, king David, frankincense, wood themes and Virtues. In the Pietist images made for public spaces, the attention is focused on pedagogical, metaphorical, and meaningful presentation as well as concealed statements.

La traducción vista desde la perspectiva del concepto de "literatura universal" de Johann Wolfgang von Goethe (1749-1832)

Eguíluz, Federico; Merino, Raquel; Olsen, Vickie; Pajares, Eterio; Santamaría, José Miguel (eds.)