Notes on coral snakes from Mexico, by Karl P. Schmidt and Hobart M. Smith.

v.29:no.2(1943)

The venomous coral snakes of Trinidad.

v.39:no.8(1957)

Hemprich's coral snake : Micrurus hemprichi / Karl P. Schmidt.

v.34:no.13(1953)

Preliminary account of the coral snakes of Central America and Mexico, by Karl P. Schmidt.

v.20:no.6(1933)

The Amazonian coral snake : Micrurus spixi / Karl P. Schmidt.

v.34:no.14(1953)

Preliminary account of coral snakes of South America, by Karl P. Schmidt.

v.20:no.19(1936)

Some rare or little-known Mexican coral snakes.

v.39:no.19(1958)

Análise comparativa da abundância do coral invasor Tubastraea spp: (Cnidaria, Anthozoa) em substratos naturais e artificiais na Ilha Grande, Rio de Janeiro, Brasil

Os corais exóticos coral-sol (Tubastraea coccinea Lesson, 1829 e T. tagusensis Wells, 1982) invadiram as comunidades biológicas sésseis dos costões rochosos da Baía da Ilha Grande, Rio de Janeiro, Brasil. Estruturas artificiais (piers, decks ou cais) foram selecionadas em quatro locais na Ilha Grande, e comparadas com substratos naturais adjacentes através de quantificação da densidade de cada espécie de Tubastraea, além da porcentagem de cobertura da biota bêntica. A densidade média geral de Tubastraea tagusensis foi de 80,3 indivíduos.m-2, aproximadamente o dobro encontrado para T. coccinea. Tendo em vista que sua presença alterou as abundâncias relativas e a riqueza de espécies, ambas as espécies invasoras modificaram a estrutura das comunidades invadidas. Tubastraea coccinea foi mais abundante em substratos artificiais do que naturais, porém, não foi detectada diferença na abundância de Tubastraea tagusensis entre substratos. A abundância de ambas as espécies variou com a profundidade e o local, e houve uma relação positiva entre a idade do substrato artificial e a abundância dos corais. Aparentemente T. tagusensis é competitivamente superior à T. coccinea, com uma inserção maior nas comunidades nativas em substratos naturais. Ambas as espécies tem grande potencial competitivo e podem utilizar substratos artificiais para iniciar seu estabelecimento em novos locais.

Subcellular investigation of photosynthesis-driven carbon assimilation in the symbiotic reef coral Pocillopora damicornis.

Reef-building corals form essential, mutualistic endosymbiotic associations with photosynthetic Symbiodinium dinoflagellates, providing their animal host partner with photosynthetically derived nutrients that allow the coral to thrive in oligotrophic waters. However, little is known about the dynamics of these nutritional interactions at the (sub)cellular level. Here, we visualize with submicrometer spatial resolution the carbon and nitrogen fluxes in the intact coral-dinoflagellate association from the reef coral Pocillopora damicornis by combining nanoscale secondary ion mass spectrometry (NanoSIMS) and transmission electron microscopy with pulse-chase isotopic labeling using [(13)C]bicarbonate and [(15)N]nitrate. This allows us to observe that (i) through light-driven photosynthesis, dinoflagellates rapidly assimilate inorganic bicarbonate and nitrate, temporarily storing carbon within lipid droplets and starch granules for remobilization in nighttime, along with carbon and nitrogen incorporation into other subcellular compartments for dinoflagellate growth and maintenance, (ii) carbon-containing photosynthates are translocated to all four coral tissue layers, where they accumulate after only 15 min in coral lipid droplets from the oral gastroderm and within 6 h in glycogen granules from the oral epiderm, and (iii) the translocation of nitrogen-containing photosynthates is delayed by 3 h. IMPORTANCE: Our results provide detailed in situ subcellular visualization of the fate of photosynthesis-derived carbon and nitrogen in the coral-dinoflagellate endosymbiosis. We directly demonstrate that lipid droplets and glycogen granules in the coral tissue are sinks for translocated carbon photosynthates by dinoflagellates and confirm their key role in the trophic interactions within the coral-dinoflagellate association.

El Rossinyol torna de França : La realitat del cant coral al tombant del segle XXI

Estudi del moviment coral a Catalunya des d'un punt de vista antropològic i social. Fa èmfasi en el paper dels repertoris del cant coral i en la manera com aquests repertoris reflecteixen la història social i cultural del món del cant coral a Catalunya. Estudi d'un microcosmos: l'Orfeó de les Corts, la seva trajectòria musical i la seva trajectòria com a entitat en els darrers 50 anys a Barcelona. S'analitza què hi ha més enllà del fet coral: el tipus de música, el fet de cantar en grup, els tipus d'associacions, la procedència, els objectius i la filosofia, les inquietuds dels cantaires i les preferències dels directors, per tal de copsar les dinàmiques socials i musicals del moviment coral.

La música coral: entre el lleure i el compromís : Aproximació als interessos i pràctiques socials dels joves cantaires del cor Vint & Sing de l'escola de música Ireneu Segarra, de Palma

El tema principal de la nostra recerca és el cant coral juvenil que, per força, implica l'anàlisi de les relacions grupals i dels interessos particulars de cadascun dels cantaires d'un grup coral en relació amb el lleure i l'amistat.

Salvage Regimen With Autologous Stem Cell Transplantation With Or Without Rituximab Maintenance For Relapsed Diffuse Large B-Cell Lymphoma (Dlbcl): Coral Final Report

Times Cited: 0 References: 0 Citation MapAbstract : Background: Chemotherapy followed by autologous stem cell transplantation (ASCT) is the standard treatment for relapsed DLBCL. No study has compared salvage therapies and evaluated maintenance post ASCT.Methods: DLBCL CD 20+ in first relapse or pts refractory after first therapy were randomized between R ICE (rituximab, ifosfamide, etoposide, carboplatinum) or R DHAP (rituximab dexamethasone cytarabine cisplatinum). Responding patients received BEAM and ASCT then randomized between observation or maintenance with rituximab every 2 m for 1 yr (Gisselbrecht J Clin Oncol; 2010).Results: Analysis was made on 477 pts (R ICE: 243 pts; R DHAP: 234 pts): 255 relapses >12m, 213 refractory/early relapses; 306 pts had prior rituximab; secondary(s) IPI 0-1: 281 pts; s IPI 2-3:181pts. There was no difference in response rate between R ICE 63.6% and R DHAP 64.3%. There was no difference between R ICE and R DHAP at 4 yrs for EFS (26% vs 37% p=0.2) and OS (43% vs 51%, p=0.3). Factors affecting 4 yrs EFS, PFS and OS were: prior treatment with rituximab; early relapse< 12 m; s IPI 2-3. ASCT was performed in 255 pts and 242 randomized for maintenance: 122 pts rituximab (R), 120 pts observation (O). Distribution between R/O arms were respectively: median age 54 /53 yrs, Male 76/83; female 46/37; secondary IPI 0-1: 84/81; sIPI 2-3: 36/36. 89/76 relapses >12m., 33/41 refractory/early relapses. Median follow up was 44 m with 111 events. 4 yrs EFS was 52.8 % (CI 46-59) with 63% (CI 56-69) OS. There was no difference in EFS, PFS and OS between R and O arms. In multivariate analysis, sIPI2-3 significantly affected EFS, PFS, OS (p=0.0004). Women (83pts) had a better 4 yrs EFS 63% than male (159pts) 37% (p=0.01). The difference was only in the R arm (p=0.004). Gender was an independent prognostic factor in the R arm. Toxicity was mild with 12% SAE versus 4% for R /O respectively.Conclusions: There was no difference between R ICE and R DHAP and between post ASCT maintenance with R or O. Women did significantly better after ASCT with rituximab. Early relapses to upfront rituximab-based chemotherapy have a poor prognosis.

Women of the beat generation : la traducción de una obra poética coral

Comentario a la traducción por encargo del libro WOTBG, centrado en las muestras de obra poética de las distintas autoras y la necesidad de conservar sus similitudes y sus diferéncias.

Cantant entre guerres : música coral per a veus blanques a França i Catalunya a principis del segle XX

Aquest treball busca definir algunes característiques comunes d'obres musicals escrites a principis del segle XX per compositors francesos i catalans per a cor de veus blanques, mitjançant l'estudi de les seves biografies i l'anàlisi de les pròpies obres. Aquestes peces, compostes en llocs i moments diferents, convergeixen però en alguns punts estilístics, transcendint les fronteres per contribuir a l'elaboració d'un llenguatge propi d'un entorn cultural més ampli, de París a Barcelona.