992 resultados para Opfer, George Joseph, 1947-
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Back Row: Howard Yerges, Bump Elliott, Stu Wilkins, Dick Rifenburg, J.T. White, John Anderson, Alvin Wistert, Dick Kempthorn, Bill Pritula, Bob Chappuis, Bob Mann
3rd Row: Irv Small, Henry Fonde, Tom Peterson, John Ghindia, Dan Hershberger, Irv Wisniewski, Jim Atchison, Lenny Ford, Bob Hollway, Don McClelland, Norm Jackson, Kurt Kampe
2nd Row: Ed McNeil, Pete Elliott, Walt Teninga, George Johnson, Ralph Kohl, H.O. Crisler, Bruce Hilkene, Dan Dworsky, Joe Soboleski, Quentin Sickels, Dick Strauss, Bob Erben
Front Row: Chuck Lentz, Jim Brieske, Pete Dendrinos, Don Kuick, George Kiesel, Bob Ballou, Lloyd Heneveld, Gene Derricotte, Dominic Tomasi, Jack Weisenberger
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back row: John McDonald, George Balestri, George Peugeot, Herbert Upton, John Griffin, William Jacobson, Gordon McMillan, Ted Greer, Allan Renfrew, Coach Victor Heyliger
front row: Albert Nadeau, Walter Gacek, captain Conrad Hill, Ossie Phillips, Richard Starrak
missing from team picture, Robert Marshall, Sam Stedman
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Top Row (left to right): ? Nelson*, Aram Nahabedian*, Robert Hicks, George Strong, Bradshaw McKee, James Costa, John Olson, George Sipp, Gene Kiddon, Don O'Connell, Doug Wicks.
Third Row: Barry Breakey, Ross Marshall, Byron Parshall, George Bradley, Herbert Hurell, Leon Hinz, Eugene Freed, James Smith, William Clark, Meryl Englander, Edwin Morey, Edward Rosatti.
Second: Dave Bradbury, James Sakai, Russell Buster, Robert Rodgers, assistant coach George Allen, captain, Charlie Ketterer, head coach Cliff Keen, Dick Mandeville*,? Singer*, Frank Whitehouse,
Bottom Row: John Wilcox*, Larry Shaw, ? Schnider*,? Budick*, Stanley Emerling*
*Did not earn 150 pound letter
Letterwinners not pictured: John Allred
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George W. Taylor, chairman.
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Vols. 1, 3, 1893; v. 2, 5, 1891; v. 4, "Revised edition," 1892; v. 6, "A new edition," 1889.
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First-2d editions by Maurice Lewison and Ellis B. Freilich.
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v.1. Macaulay, on the life and writings of Addison. [Prefaces, etc., to earlier editions] Translations. Poems on several occasions. The campaign. Miscellaneous poems. Dramas: Rosamund; The drummer; Cato. Poemata.--v.2. Dialogues on medals. Travels. Essay on Virgil's Georgics. Discourse on ancient and modern learning. Of the Christian religion. Letters. Political writings.--v.3. The Freeholder. Swift's notes on the Free-holder. The Plebian, by Sir Richard Steele, with The Old whig, by Mr. Addison. The Lover.--v.4. The Tatler. The Guardian.--v.5-6. The Spectator.
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The exponential growth of studies on the biological response to ocean acidification over the last few decades has generated a large amount of data. To facilitate data comparison, a data compilation hosted at the data publisher PANGAEA was initiated in 2008 and is updated on a regular basis (doi:10.1594/PANGAEA.149999). By January 2015, a total of 581 data sets (over 4 000 000 data points) from 539 papers had been archived. Here we present the developments of this data compilation five years since its first description by Nisumaa et al. (2010). Most of study sites from which data archived are still in the Northern Hemisphere and the number of archived data from studies from the Southern Hemisphere and polar oceans are still relatively low. Data from 60 studies that investigated the response of a mix of organisms or natural communities were all added after 2010, indicating a welcomed shift from the study of individual organisms to communities and ecosystems. The initial imbalance of considerably more data archived on calcification and primary production than on other processes has improved. There is also a clear tendency towards more data archived from multifactorial studies after 2010. For easier and more effective access to ocean acidification data, the ocean acidification community is strongly encouraged to contribute to the data archiving effort, and help develop standard vocabularies describing the variables and define best practices for archiving ocean acidification data.
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Se trata de un análisis pormenorizado de los artículos publicados por Francisco Franco en el periódico Arriba entre los años 1945 y 1960 bajo los seudónimos de Jakim Boor, Hispanicus y Macaulay. Se lleva a cabo su disección en dos grandes categorías: enemigos del Régimen y política, economía y sociedad. Para ello, se toma como ejemplo el propio artículo de Hispanicus titulado “Lo político, lo económico y lo social”. En la primera de las dos grandes categorías se agrupan todos aquellos elementos abstractos -instituciones o ideologías- que Franco consideraba perjudiciales para la España que él gobernaba o que históricamente habían sido hostiles a este país; en la segunda se recogen el comentario sobre política en términos actuales o generales, las situaciones económicas y sociales así como los numerosos fragmentos de Historia de España que el dictador gustaba de incluir en sus colaboraciones periodísticas.
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This is a review of "Capitalism, socialism, and democracy", by Joseph A. Schumpeter, New York, Harper Perennial, 1942 (first Harper Colophon edition published 1975). "The public mind has by now so thoroughly grown out of humor with it as to make condemnation of capitalism and all its works a foregone conclusion – almost a requirement of the etiquette of discussion. Whatever his political preference, every writer or speaker hastens to conform to this code and to emphasize his critical attitude, his freedom from ‘complacency’, his belief in the inadequacies of capitalist achievement, his aversion to capitalist and his sympathy with anti-capitalist interests. Any other attitude is voted not only foolish but anti-social and is looked upon as an indication of immoral servitude." We might easily mistake this for a voice weary of contemplating the implications for neo-liberal nostrums of our current global financial crisis were it not for the rather formal, slightly arch, style and the gender exclusive language. It was in fact penned in the depths of World War II by Harvard economist Joseph Schumpeter, who fell off the map only to re-emerge from the 1970s as oil shocks and stagflation in the west presaged the decline of the Keynesian settlement, as east Asian newly industrialising economies were modelling on his insistence that entrepreneurialism, access to credit and trade were the pillars of economic growth, and as innovation became more of a watchword for post-industrial economies in general. The second coming was perhaps affirmed when his work was dubbed by Forbes in 1983 – on the occasion of the 100th anniversary of the birth of both men – as of greater explanatory import than Keynes’. (And what of our present resurgent Keynesian moment?)...
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In the late 1880s a pre-fabricated Japanese house was shipped from Kobe, Japan, to Brisbane, Australia, and erected in the up-market suburb of New Farm by Japanese tradesmen. This paper is developed from a broader project researching the life of G W Paul, the man who had the house built and subsequently lived in it for the remainder of his life. Paul’s motivation in importing the house represented a unique, but unfulfilled effort to develop a future, hybrid culture for Queensland. This effort took the form of a commercial venture to construct Japanese houses as desirable and climatically suitable dwellings. Against the backdrop of this ambition, this paper presents new research to elucidate and extend previous knowledge, assesses the reception of the house by its nineteenth century Brisbane audience, and considers possible reasons for the limited response which signalled the cancellation of the commercial venture.
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There is a category of film about journalism in which journalism is not the star, but the supporting player, and journalists not the protagonists but the Greek chorus, commenting on and also changing the realities they report. In such films the news media are a structuring presence driving the plot, shaping the narrative, constructing what we might think of as a pseudo-reality. Like Daniel Boorstin’s notion of the pseudo-event (introduced in his still-relevant book The Image, 1962), this pseudo-reality is so-named because it would not exist were it not for the demands of the news media’s hunger for stories, and knowledge of the damage they can do with those stories, on the calculations and actions of the key actors. Pseudo-realities form as responses to what political actors think journalists and their organisations need and want, or as efforts to shape journalistic accounts in ways favourable to themselves. Films about politics often feature pseudorealities of this kind, in which the events and actions driving the plot have only a tenuous relationship with important things going on in the everyday world beyond the political arena. Everything we see is about image, perception, appearance.