995 resultados para Guignard, Paul (1876-1965)


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Mode of access: Internet.

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Back Row: Stan Kemp, John Heffelfinger, Frank Nunley, William Hardy, Dick Vidmer, Ray Phillips, Paul D'Eramo, Henry Hanna, Bob Hollway*, Don Dufek*

4th Row: Bob Mielke, Carl Ward, Ernest Sharpe, Joe Dayton, Don Bailey, Clayton Wilhite, John Rowser, Louis Lee, Dennis Fitzgerald*, trainer James Hunt

3rd Row: Rick Volk, Roger Rosema, Paul Johnson, Dennis Morgan, Dave Fisher, Mike Bass, Dick Sygar, Dennis Flanagan, Thomas Pullen, student manager David Muir

2nd Row: Craig Kirby, Floyd Day, Thomas Parkhill, Peter Hollis, Wally Gabler, Charles Kines, Gary Schick, Ken Wright, Charles Rusicka, Jim Detwiler, Bill Yearby

Front Row: Stephen Smith, Richard Wells, Tom Mack, Fritz Crisler, captain Tom Cecchini, coach Chalmers (Bump) Elliott, Jack Clancy, Thomas Brigstock, Bill Keating

* = assistant coaches

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Row 1 (left, front to back): Carl Robie, Bob Hoag, ?, Tom Schwarten,

Row 2: ?, ?, Rich Walls, Bill Groft

Row 3 (on board): diving coach Dick Kimball, swimming coach Gus Stager

Row 4: Paul Sherer, Russ Kingery, Bill Fraley, Clark Nogen(?),

row 5: Orland Rees, , Donald Ewing, Howard Brundage, John Vry

Inset: captain Ed Bartsch

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Description based on: 13th (1876).

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El artículo analiza cómo Paul Celan, utilizando recursos arreferenciales y antimiméticos propios de la poésie pure y la poesía absoluta, desarrolla un modelo poético en el que la temporalidad y la memoria son determinantes. En el nuevo modelo, el lenguaje no constituye una realidad autónoma e inmanente; antes bien, se concreta en una acción dialógica y remite a una realidad extralingüística. El mismo texto poético configura un espacio del recuerdo, se erige en un lugar de memoria que, a través de las sedimentaciones históricas que arrastra el lenguaje, da testimonio de lo ocurrido.

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L'industrialisation et l'urbanisation de la ville de Sherbrooke débutent au milieu du 19e siècle grâce à l'énergie hydraulique que fournit la rivière Magog et à l'implication de la British American Land Company. Diverses industries s'installent provoquant ainsi l'arrivée de Canadiens français et d'Irlandais en quête de travail. La population, d'abord anglophone et britannique, devient, dès 1871. majoritairement canadienne-française et elle se répartit dans quatre quartiers distincts. Les conditions de vie à Sherbrooke sont alors difficiles, car la promiscuité, le manque d'hygiène, la maladie et la criminalité sévissent. De plus, le chômage frappe assez fréquemment les familles ouvrières dont la vie est façonnée par les cycles économiques. L'insécurité financière dans laquelle elles vivent les oblige à réclamer l'assistance de leur parenté ou de la charité publique. Pour venir en aide à ces familles démunies, l'évêque fondateur du diocèse de Sherbrooke, Mgr Antoine Racine, réclame, dès 1674, la fondation d'une institution de charité. L'année suivante, l'Hospice du Sacré-Coeur ouvre ses portes, sous la direction des Soeurs de la Charité de Saint-Hyacinthe, pour secourir les malades, les vieillards et les orphelins. Dans le cadre de ce mémoire, nous avons limité nos recherches à l’oeuvre des orphelins de l'Hospice du Sacré-Coeur, laissant dans l'ombre les autres oeuvres de cette institution. Il nous apparaissait impossible d'étudier les deux principales catégories de bénéficiaires, les vieillards et les orphelins, car elles relèvent de circonstances et de phénomènes différents. L'Hospice du Sacré-Cœur n'a jamais fait l'objet d'une analyse historique, seules Louise Brunelle-Lavoie et Jovette Dufort-Caron lui ont consacré quelques pages dans leur livre sur l'Hôpital Saint-Vincent-de-Paul de Sherbrooke. Notre mémoire est donc consacré à un sujet jusqu'à présent inexploité par l'historiographie québécoise. Étant située au carrefour de l'histoire de l'enfance, de l'assistance sociale et de la famille, notre étude contribue à une meilleure connaissance de l'ensemble de la société québécoise. L'historiographie de la protection de l'enfance au Canada anglais est dominée par quatre auteurs : Neil Sutherland, Joy Parr, Patricia T. Rooke et Rodolph L. Schnell, le pionnier dans ce domaine. Neil Sutherland a publié en 1976 Children in English-Canadian Society; Framing the Twentieth-Century Consensus. Cet ouvrage présente les différentes réformes concernant la santé des enfants, le traitement des délinquants et l'éducation dans la communauté anglophone du Canada de 1870 à 1920. Sutherland estime que ces réformes témoignent de l'émergence d'une nouvelle conception de l'enfant à l'aube du 20e siècle. S'intéressant davantage au vécu des enfants qu'à l'organisation de l'assistance, Labouring Children; British immigrant Apprentices to Canada, 1869-1924 de Joy Parr, paru en 1980, retrace les conditions de vie des enfants démunis d'Angleterre qui ont été envoyés au Canada pour être mis en apprentissage chez des cultivateurs. Il faut aussi noter que plusieurs autres historiens et historiennes ont traité ce sujet mais d'une façon plus fragmentaire. En 1982, Childhood and Family in Canadien History, un ouvrage collectif sous la direction de Joy Parr, aborde les questions suivantes : l'enfance en Nouvelle-France, l'éducation en milieu rural, l'exil des jeunes néo-écossais, la (délinquance juvénile et le recours à l'orphelinat comme stratégie familiale en milieu ouvrier. On y retrouve, entre autres, un article de Bettina Bradbury dont nous reparlerons plus loin. Patricia Rooke et Rodolph L. Schnell travaillent en collaboration depuis plusieurs années. Ce sont, sans contredit, les auteurs les plus prolifiques en histoire de la protection de l'enfance. Ils ont étudié, dans quelques articles, les Protestant Orphan Homes, mais ils ne se sont jamais arrêtés sur les institutions catholiques. En 1982, ils ont publié Studies in Childhood History; A Canadien Perspective, un recueil d'articles, mais leur oeuvre majeur demeure Discarding the Asvlum: From Child Rescue to the Welfare State in English-Canada(1800-1950), paru un an plus tard. Fruit de cinq années de recherches, cette monographie retrace l'histoire de l'assistance institutionnelle de l'enfance, ses transformations et finalement son abandon comme méthode d'aide sociale [...].

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I have been an academic since joining the University of Natal in 1998 and, following a period as a visiting lecturer in Brisbane in 2001, I joined the staff at QUT on an ongoing basis in 2003. I was appointed as Architecture Co-ordinator in 2006, and this role involves the leadership of the architectur discipline of 17 full time academics. I am currently enrolled in a PhD course in the field of urban morphology. This research proposes a theory on the relevance of mapping the evolutionary aspects of historical urban form to develop a measure for evaluating architecural elements and deriving parameters for new buildings. My participation in a QUT design team contributed to a recent successful invited competition bid for an Urban Transit Centre in Hangzhou, China. The Centre will include retail, business, entertainment, residential and service components at the heart of the Binjiang district on the 11.5ha core area with 32ha surrounding urban design precinct. The project has received the approval to commence and is to be implemented over the next three years!

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This interview (translated and published in Portuguese) was commissioned and conducted by the editors of the Brazilian Guide to Cultural Production 2010-2011 (Edicoes SESC SP, 2010). It covers a range of topics including definitions of the Creative Industries; the value of innovation and creativity in business and education; QUT's Creative Industries Faculty; and the relationship between creative industries and the arts.

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Advances in digital technology have caused a radical shift in moving image culture. This has occurred in both modes of production and sites of exhibition, resulting in a blurring of boundaries that previously defined a range of creative disciplines. Re-Imagining Animation: The Changing Face of the Moving Image, by Paul Wells and Johnny Hardstaff, argues that as a result of these blurred disciplinary boundaries, the term “animation” has become a “catch all” for describing any form of manipulated moving image practice. Understanding animation predicates the need to (re)define the medium within contemporary moving image culture. Via a series of case studies, the book engages with a range of moving image works, interrogating “how the many and varied approaches to making film, graphics, visual artefacts, multimedia and other intimations of motion pictures can now be delineated and understood” (p. 7). The structure and clarity of content make this book ideally suited to any serious study of contemporary animation which accepts animation as a truly interdisciplinary medium.

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This interview with Paul Makeham was conducted in 2010 by Felipe Carneiro from Brazilian business magazine Exame. Structured around Exame's "seven questions" format ("Sete Perguntas"), the interview ranges across topics relating to the creative economy, including the increasingly important role of creativity in business, and the role of education in promoting creativity.

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This volume brings together a number of essays that seek to explore the nature of early modern scholarship, ostensibly with special regard to the themes of interdisciplinarity and collaboration. As one might expect, the essays thus cover a gamut of topics – political manoeuvring, philosophical debates, gift-giving and dramatic performance – and each study is important and useful in its own right. As a whole, however, this collection serves more as a starting point for an exploration of its themes, than as an authoritative overview of the subject at hand.

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In the late 1880s a pre-fabricated Japanese house was shipped from Kobe, Japan, to Brisbane, Australia, and erected in the up-market suburb of New Farm by Japanese tradesmen. This paper is developed from a broader project researching the life of G W Paul, the man who had the house built and subsequently lived in it for the remainder of his life. Paul’s motivation in importing the house represented a unique, but unfulfilled effort to develop a future, hybrid culture for Queensland. This effort took the form of a commercial venture to construct Japanese houses as desirable and climatically suitable dwellings. Against the backdrop of this ambition, this paper presents new research to elucidate and extend previous knowledge, assesses the reception of the house by its nineteenth century Brisbane audience, and considers possible reasons for the limited response which signalled the cancellation of the commercial venture.

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Born in Germany, Dr Paul moved to Australia in 2009 to join UniSA’s Mawson Institute. He is currently the Director of ErgoLab, a research facility dedicated to enhancing the field of ergonomics – where products are designed to better fit the people that use them. Dr Paul plays a major role in ergonomic studies from automotive design, to assistive technologies for the elderly and disabled. He currently supervises several PhD students and regularly consults to industry.

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This is volume 1 in a series of four volumes about the origins of Australian football as it evolved in Victoria between 1858 and 1896. This volume addresses its very beginnings as an amateur sport and the rise of the first clubs. Invented by a group of Melbourne cricketers and sports enthusiasts, Australian Rules football was developed through games played on Melbourne's park lands and was originally known as "Melbourne Football Club Rules". This formative period of the game saw the birth of the first 'amateur heroes' of the game. Players such as T.W. Wills, H.C.A. Harrison, Jack Conway, George O'Mullane and Robert Murray Smith emerged as warriors engaged in individual rugby-type scrimmages. The introduction of Challenge Cups was an important spur for this burgeoning sport. Intense competition and growing rivalries between clubs such as Melbourne, South Yarra, Royal Park, and Geelong began to flourish and the game developed as a result. By the 1870s the game "Victorian Rules" had become the most popular outdoor winter sport across the state. In subsequent decades, rapid growth in club football occurred and the game attracted increasing media attention.