Generación y resolución de problemas: dos ejemplos

¿Bajo que condiciones una situación matemática es un problema para una persona? Tiene que interesarle y representar un reto, de forma que se sumerja en ella para intentar su resolución. Pero además, se detectan otras características en el proceso de generación y resolución de problemas: —Requiere un tiempo muy variable, imposible de predecir de antemano.— Lo que se busca suele ser bastante impreciso; las preguntas que perfilan un problema van surgiendo sincronizadas con las conjeturas y los resultados parciales o aproximados que se van encontrando. —Un problema puede abordarse con diferentes niveles de rigor y precisión. —La analogía es un recurso valioso, que puede guiar la búsqueda de soluciones.— Los medios disponibles (como una calculadora o un ordenador) abren nuevas vías de resolución y análisis que, de otro modo, estarían vedadas.

Generación automática de ejercicios

El propósito de este trabajo es mostrar cómo se puede usar Mathematica para la generación automática de ejercicios (GAE). Se consigna una colección de programas para álgebra elemental que, mediante esta herramienta, permite dar una buena idea para extender a otras áreas.

The Afroporteña press and Afro-Argentine’s thought in the late nineteenth century

The journalistic boom that occurred in Argentina from the second half of the nineteenth century saw the emergence of an active afroporteña press that defend the interests of the black community. This paper, in addition to reviewing the history of the Afro-Argentines newspapers, emphasizes the role played by the elite of African descent in the promotion of modernity among his brothers, while exploring the possible bases for an identity in the ideas spread.

Luigi Bernabò Brea (1910-1999)

Malone, C.A.T. and S.K.F. Stoddart,

Exposición Internacional 1910. Buenos Aires.: Didactic leisure and international recognition

International exhibitions were greatly responsible for the modernization of western society. The motive for these events was based on the possibility of enhancing the country’s international status abroad. The genesis of world exhibitions came from the conviction that humanity as a whole would improve the continual flow of new practical applications, the development of modern communication techniques and the social need for a medium that could acquaint the general public with changes in technology, economy and society .
Since the first national industrial exhibitions in Paris during the eighteenth century and especially starting from the first Great Exhibition in London’s Hyde Park in 1851 these international events spread steadily all over Europe and the United States, to reach Latin America in the beginnings of the twentieth century . The work of professionals such as Daniel Burnham, Werner Hegemann and Elbert Peets made the relation between exhibitions and urban transformation a much more connected one, setting a precedent for subsequent exhibitions.
In Buenos Aires, the celebration of the centennial of independence from Spain in 1910 had many meanings and repercussions. A series of factors allowed for a moment of change in the city. Official optimism, economical progress, inequality and social conflict made of this a suitable time for transformation. With the organization of the Exposición Internacional the government had, among others, one specific aim: to achieve a network of visual tools to set the feeling of belonging and provide an identity for the mixture of cultures that populated the city of Buenos Aires at the time. Another important objective of the government was to put Buenos Aires at the level of European cities.
Foreign professionals had a great influence in the conceptual and factual shaping of the exhibition and in the subsequent changes caused in the urban condition. The exhibition had an important role in the ways of thinking the city and in the leisure ideas it introduced. The exhibition, as a didactic tool, worked as a precedent for conceiving leisure spaces in the future. Urban and landscape planners such as Joseph Bouvard and Charles Thays were instrumental in great part of the design of the Exhibition, but it was not only the architects and designers who shaped the identity of the fair. Other visitors such as Jules Huret or Georges Clemenceau were responsible for giving the city an international image it did not previously have.
This paper will explore on the one hand the significance of the exhibition of 1910 for the shaping of the city and its image; and on the other hand, the role of foreign professionals and the reach these influences had.

Análisis del potencial energético del río Toachi para la generación hidroeléctrica.

This article details how the primary studies are specified to establish the flow of energy power generation and principally the turbines design flow, starting from the analysis of how determine the flow of a basin and also the methods to define the runoff flow which generates the rainfalls in the basins, analyzing the kind of grounds. When the flow of the river (basin) and design flow are specified, the type of turbine to be used is determined and also define the best efficiency possible, taking into consideration the geography of the zone of the hydroelectric, the abacus help to choose the turbine in agreed to parameters like electricity potency, voltage drops and voltage. By using the above software previously, for the design house Sarapullo and Alluriquín Hydroelectric Project Toachi machines - Pilatón, it was determined that each generating station will have three turbines type Francis of vertical axis with their complementary systems for its operation which are designed to generate 254.4 megawatts (MW) using a flow of 33.33 m3/s. Keywords: flow, basin, electric power, runoff, hydroelectric, turbine.

Maria Teresa Cortez. Os contos de Grimm em Portugal. A recepção dos Kinder-und Hausmärchen entre 1837 e 1910, Coimbra, Minerva (Centro Interuniversitário de Estudos Germanísticos) e Universidade de Aveiro, 2001. 531 pp.

Trabalho que investiga a recepção dos Kinder - und Hausmärchen em Portugal, fruto duma aturada e minuciosa pesquisa documental. Com efeito, Teresa Cortez passa em revista os livros e publicações periódicas enquadrados entre 1837 — data do aparecimento das primeiras traduções de contos dos KHM, no periódico lisboeta Biblioteca Familiar e Recreativa — e 1910, data a que a autora estendeu a sua pesquisa. Cada incidência da presença dos contos dos Grimm em Portugal é cuidadosamente investigada, contextualisada e analisada, Assim, à medida que vemos surgir, primeiro esparsas em revistas destinadas a um público infantil, e sem indicação de autoria, traduções (do francês) dos KHM, vamo-nos inteirando sobre o epírito e motivações do seu aparecimento, quer partindo do estudo comparativo com o texto de origem, quer de um exame da publicação de chegada, alargando-se a pesquisa aos seus editores e autores. Todo o processo de recepção dos contos de Grimm vai sendo examinado pela autora à luz dos movimentos das últimas décadas do séc. XIX e primeira do séc. XX, nomeadamente o nacionalismo neo-romântico e o positivismo.

Where the consumer is not a myth : letters from England describing economic and industrial conditions by Zach McGhee, Washington correspondent : speech of Hon. Wyatt Aiken in the House of Representatives, Tuesday, March 22, 1910

This document contains a speech of David Wyatt Aiken, representative of South Carolina, to the House of Representatives on Tuesday, March 22, 1910. Much of the speech is a letter from Zach McGhee, Washington correspondent of The State newspaper on industrial conditions in England and Europe.