Curriculum renewal in legal education

This project investigated ways in which the learning experience for students in Australian law schools could be enhanced by renewing final year legal curriculum through the design of effective capstone experiences to close the loop on tertiary legal studies and better prepare students for a smooth transition into the world of work and professional practice. Key project outcomes are a set of final year curriculum design principles and a transferable model for an effective final year program – a final year Toolkit comprising a range of templates, models and specific capstone examples for adoption or adaptation by legal educators. The project found that the efficacy of capstone experiences is affected by the curriculum context within which they are offered. For this reason, a number of ‘favourable conditions’, which promote the effectiveness of capstone experiences, have also been identified. The project’s final year principles and Toolkit promote program coherence and integration, should increase student satisfaction and levels of engagement with their experience of legal education and make a valuable contribution to assurance of learning in the new Tertiary Education Quality and Standards Agency (TEQSA) environment. From the point of view of the student experience, the final year principles and models address the current fragmented approach to final year legal curricula design and delivery. The knowledge and research base acquired under the auspices of this project is of both discipline and national importance as the project’s outcomes are transferable and have the potential to significantly influence the quality and coherence of the program experience of final year students in other tertiary disciplines, both within Australia and beyond. Project outcomes and deliverables are available on both the project’s website http://wiki.qut.edu.au/display/capstone/Home and on the Law Capstone Experience Forum website http://www.lawcapstoneexperience.com/. In the course of developing its deliverables, the project found that the design of capstone experiences varies significantly within and across disciplines; different frameworks may be used (for example, a disciplinary or inter-disciplinary focus, or to satisfy professional accreditation requirements), rationales and objectives may differ, and a variety of models utilised (for example, an integrated final year program, a single subject, a suite of subjects, or modules within several subjects). Broadly however, capstone experiences should provide final year students with an opportunity both to look back over their academic learning, in an effort to make sense of what they have accomplished, and to look forward to their professional and personal futures that build on that foundational learning.

Membership cards of Judith Rosenthal, Elma Rosenthal and Arthur Rosenthal to the Jüdischer Kulturbund Berlin Portraits Family

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Reproduction of oil painting portrait of Judith Danziger nee Nathan Portraits Women

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Ei ole miestä eikä naista : Queer-luenta keskiajan Euroopassa tunnettuja ristiinpukeutuvia pyhimyksiä kuvaavista teksteistä

Tarkastelen työssäni sitä, mitä ja miten myöhäisantiikin ja keskiajan Euroopassa liikkuneista ristiinpukeutuvista ja muuten sukupuolirajoja rikkoneista pyhimyksistä on kirjoitettu. Nostan näistä pyhimyksistä esille erityisesti Teklan, Marinan/Margareetan, Eufrosynen ja Wilgefortisin. Sovellan heidän legendoihinsa ja legendoista tehtyihin tulkintoihin queer-luentaa. Kysyn, miten pyhimysten sukupuoli on nähty ja millaisia kysymyksiä siihen liittyen on kysytty - ja mitä jätetty kysymättä - modernissa tutkimuskirjallisuudessa. Tarkastelen erityisesti, millaisia sukupuolen ylittämisen ja sukupuolettomuuden mahdollisuuksia tutkijat ovat legendoista löytäneet, ja kokeilen, mitä uusia tai toisenlaisia mahdollisuuksia oma luentani tuo esille. Käsittelen aihepiiriä koskevaa aiempaa tutkimusta paitsi osana pyhimyslegendojen tulkintahistoriaa myös tuoreina toisintoina legendoista. Queer toimii työssäni sekä näkökulmana että lukutapana. Queer-näkökulman ytimessä on ajatus sukupuolen performatiivisuudesta: sukupuoli on ilmiönä yhtäältä merkityksellisten tekojen ja eleiden toistoa ja toisaalta selviytymisstrategia. Ajatus sukupuolesta selviytymisstrategiana viittaa siihen, miten ihminen elää sekä kulttuuristen normien vaikutuksen alla että niihin vaikuttaen ja uusia merkityksiä antaen. Performatiivinen käsitys sukupuolesta kyseenalaistaa modernin sukupuolikäsityksen, jonka Judith Butler kiteyttää heteroseksuaalisen matriisin käsitteeseen. Queer-luennalla etsin ja täytän uudelleen sellaisia teksteistä löytyviä aukkoja ja analysoin sellaisia riitasointuja, jotka kertovat heteroseksuaalisesta matriisista. Lukutapani on sukua fenomenologisen sulkeistamisen harjoitukselle. Luentaani voi kuvata kokeilevaksi, erityisen sukupuoli- ja seksuaalisensitiiviseksi sosiaalisen konstruktionismin ajatuksiin perustuvaksi lähiluvuksi. Yhtenä lähtökohtana luennalleni on ajatus, että menneisyyden tuominen postmodernin läheisyyteen voi tuoda uutta valoa sekä menneisyyteen että postmoderniin. Työni sijoittuu uskontotieteen ja queer-tutkimuksen kenttien välillä paikkaan, jota ei ole Suomessa aikaisemmin kokeiltu. Teklan, Marinan/Margareetan, Eufrosynen ja Wilgefortisin legendoista nousee työssäni esille erityisesti neljä teologista Kristukseen liittyvää teemaa: kaste Kristukseen pukeutumisena, Kristuksen sukupuolittaminen, mieheksi tuleminen edellytyksenä Kristuksen seuraamiselle ja askeesi Kristuksen ruumiillisena imitoimisena. Queer-luennassani nämä teemat tarkentuvat ja osoittautuvat tärkeiksi tulkinta-avaimiksi ristiinpukeutuvien pyhimysten legendoihin. Nämä tulkinta-avaimet, queer sekä taustatiedot keskiajan sukupuolikäsityksistä valottavat sekä toinen toisiaan että työni kohdetta. Yhdessä ne tuovat esille kysymyksiä, jotka ovat aiemmassa tutkimuksessa jääneet yleensä kysymättä. Erityisesti queer-luentani nostaa esille kysymyksen sukupuolettomuuden mahdollisuudesta. Aiemmissa tutkimuksissa sukupuolen ylittäminen ohitetaan "tosiasiassa mahdottomana" asiana. Queer-luennassani kuitenkin näkyy, että sukupuolettomuus ei ole vain mahdollista, vaan myös uskonnollisesti erityisen merkityksellinen olemisen tapa. Työni perusteella sukupuolen ambivalenssi ja sukupuolettomuus voidaan lukea marginaalin sijasta aivan kristinuskon ytimeen. Myös Kristuksen hahmoa voidaan - ja ristiinpukeutuvien pyhimysten kohdalla kannattaa - katsoa nimenomaan kulttuuristen sukupuolirajojen ylittämisen kautta. Pyhimysten vaatteiden vaihtamisen voi lukea mieheksi naamioitumisen sijaan (sukupuoleltaan ambivalenttiin tai kokonaan sukupuolettomaan) Kristukseen pukeutumisena ja sitä kautta sukupuolesta riisuutumisena tai lapsen sukupuolettomaan tilaan jäämisenä. Queer-näkökulmasta voi puhua performatiivisesta sukupuolettomuudesta.

Patriarkkana ikuisuuden performanssissa : Maskuliinisuuden ja miehen ruumiillisuuden rakentuminen mormonien Duties and Blessings of the Priesthood -opetuskäsikirjassa

The material I analyze for my master's thesis is a teaching manual used by the Mormons (the Church of Jesus Christ of Latter-day Saints), called "Duties and Blessings of the Priesthood". This work includes numerous lesson plans, each one with a separate topic. The manual is intended especially for teaches, but can also be used for individual study. The main target of my research is to find out how men and their bodies are constructed in the manual. Prescriptive texts together with narrative stories and illustrations create a multifaceted picture of Mormon notions of masculinity and corporeality. I approach my research material from a constructivist perspective. I build my interpretative reading upon Critical Discourse Analysis. I am especially interested in how the manual interprets and understands connections between gender, embodiment and religion. I understand gender in Judith Butler's terms, as a performance of styled and repeated gestures. Some of the discussions I raise in my work draw upon the disciplines of Critical Men's Studies and Sociology of Religion. In Mormonism, gender is thought to be an elementary part of human ontology. It is an eternal trait inherited from God the Father (and God the Mother). The place of men in Mormon cosmology is determined by their double role as patriarchs, fathers and priests. The main objective of mortal life is to gain salvation together with one's family. The personal goal of a Mormon man is to one day become a god. Patriarchs are responsible for the spiritual and material well-being of their family. The head of a household should be gentle and loving, but still an unconditional authority. In the manual, a Mormon man is depicted as a successor of mythical and exemplary men of sacred history. The perfect and sinless body of Jesus Christ serves as an ideal for the male body. Mormon masculinity is also defined by priesthood - the holy power of God - which is given to practically all male Mormons. Through the priesthood, a Mormon man serves as the governor of God on Earth. The Mormon priest has the authority to bind the immanent and the transcendent worlds together with gestures, poses and motions performed with his body. In Mormonism, the body also symbolizes a temple or a space where the sacred meets the profane. Because the priesthood borne by a man is holy, he has to treat his body accordingly. The body is valuable in itself, without it one cannot be saved. Men are forbidden of polluting their bodies by using stimulants or by having sexual relations out of wedlock. A priesthood holder must uphold healthy habits, dress neatly, and conduct himself in a temperate manner. He must also be outgoing and attentive. The manual suggests that a man's goodness or wickedness can be perceived from his external appearance. The Church of Jesus Christ of Latter-day Saints is a hierarchical and man-led organisation. The ideals of gender and corporeality are set by a homogenous priesthood leadership that consists mainly of white heterosexual American men. The larger Mormon community can control individual men by sanctioning. Growing as a Mormon man happens under the guidance of one's reference group.

The Politics and Policies of Reproductive Agency

This study examines the politics and policies of reproductive agency through a redescription of three Finnish policy documents dealing with the declining birth rate: the Government report on the future 'Finland for people of all ages' (2004), Business and Policy Forum EVA report 'Condemned to Diminish?' (Tuomitut vähenemään?) (2003), and the Family Federation's 'Population Policy Program' (2004). The redescription is done with the help of the notion of reproductive agency, which draws on Drucilla Cornell's concepts of the imaginary domain and bodily integrity. The imaginary domain is the moral and psychic space people need in order to form their personality, which is created in constant identificatory processes. The aim of the processes is imaginary coherence. As the personality is embodied, forming one s imaginary coherence always includes attempts for bodily integrity, also entailing attempts to arrive at an understanding of one's procreative capacities. Besides Cornell, I draw on Judith Butler's thinking and comprehend gender performatively as doing, and in relation to that agency as part of the performative process of one's personality. Reproductive agency is understood in this study as the possibilities to live differently the hegemonic forms of procreative life. I deal with three redescriptive themes: the family, economics and gender. The family is a central element in that it is considered the main location of reproduction. With regard to reproductive agency, the documents include problematic conceptions of the family. It is defined as a heterosexual, monogamous, conjugal relationship, which affects reproductive agency in that these notions do not allow for different modes of family life. The second prominent aspect, economics, features on two levels: the macroeconomic level of GDP, employment and competitiveness, and the level of family policies and concern about family finances. Macroeconomic-level argumentation is problematic in the context of reproductive agency because it implies that procreation is a duty of citizens, and thus has effects on values attached to reproductive potential. On the other hand, family policies may advance reproductive agency in supporting families financially. However, such policies also define how the family is understood, thereby affecting reproductive agency. The third theme, gender, intersects with many issues in the policy documents. All three texts consider the roles of men and women differently: women are primarily responsible for the family, and both men's and women's reproductive agency is affected in that the roles in the procreative process are predefined. EVA and the Family Federation see women as the main target of population policies, and consider it legitimate to try to change women s reproductive decisions. Implicit in the notion of reproductive agency is the idea that it should be possible to overcome and live differently the sex difference, but the three documents do not open up opportunities for that. The notion of reproductive agency makes it also possible to question the legitimacy of population policies in general and offers new perspectives on the vocabularies used in the three policy texts, providing insights into the values and logics that support the concepts.

Tavallisuudesta tyylikkyyteen? : Sukupuoli ja maku kodinmuutosohjelmissa

The study focuses on the Finnish home makeover shows Inno (2004 , Nelonen) and Kodin kääntöpiiri (2001 2005; YLE TV2) and their episodes broadcast in spring 2004. The research material also includes the websites of both shows and messages concerning Inno from an online discussion forum. As people decorate their homes and reflect on them, they engage in negotiations of taste and in the construction of the ideal self. The main question of the study is: how are representations of the gendered self produced in home makeover shows? The broader theoretical and methodological context of the study is based on intersectionality, or simultaneous study of different identity categories. In this study, the main focus is on the intersections of gender, class and sexuality. Hence, the secondary research question is: how do ways of doing gender intersect with producing the ideas of class and sexuality in the representations of home makeover shows? The theoretical framework of the study combines Judith Butler s theory of gender performativity and Pierre Bourdieu s theory of taste. The analysis is founded upon a close reading focusing on the details and ambiguous meanings contained in the televisual representation. Home makeover shows are explored as a part of contemporary television culture, which is characterised by a significant increase in the number of both television channels and global television formats, as well as the hybridisation of programme types. Researchers on lifestyle television have paid attention to male designers and their ability to reconstruct meanings related to domesticity and home decoration as feminine spheres. The dissertation contributes to this discussion by analysing the representations of the male interior decorator in Inno and the four female interior decorators in Kodin kääntöpiiri. The focus is on the professional self and how it is both gendered and defined as an arbiter of taste. The programme concepts produce the impression that the makeover homes and their occupants are ordinary . The manufactured sense of ordinariness often conceals differences between the participants. One argument of the study is that the ordinariness of participants on lifestyle television should not be taken for granted without further reflection on the implications of labeling something as ordinary. Updating of interior decoration in home makeover shows can be interpreted as an area of doing gender that requires deliberation, effort, expert knowledge and a sufficient budget. The ideal lay decorator is portrayed as culturally omnivorous, brave and receptive to new ideas. The ability to reflect on ways of representing masculinity and femininity through decoration is also implied. In home makeover shows, greater self-awareness regarding the ways in which gender is produced does not lead to repeating gender differently. The idea of normative heterosexuality is in a hegemonic position in the representations of the participants. In Inno and Kodin kääntöpiiri questions of class are not made explicit. However, the idea of class is produced indirectly e.g. by describing the apartments and houses of the participants, by discussing their hobbies or interest in cultural products. In Inno, home decoration is primarily depicted as an individualistic consumer choice, while in Kodin kääntöpiiri it is often defined as a way to strengthen the ties of nuclear families. In Kodin kääntöpiiri, the ethos of familism is combined with pleasures gained from consumption and DIY activities. As a whole, the multidisciplinary study indicates a great number of differences between the two shows.

The Biopolitics of Gender

This dissertation inquires into the relationship between gender and biopolitics. Biopolitics, according to Michel Foucault, is the mode of politics that is situated and exercised at the level of life. The dissertation claims that gender is a technology of biopower specific to the optimisation of the sexual reproduction of human life, deployed through the scientific and governmental problematisation of declining fertility rates in the mid-twentieth century. Just as Michel Foucault claimed that sexuality became a scientific and political discourse in the nineteenth century, gender has also since emerged in these fields. In this dissertation, gender is treated as neither a representation of sex nor a cultural construct or category of identity. Rather, a genealogy of gender as an apparatus of biopower in conducted. It demonstrates how scientific and theoretical developments in the twentieth century marshalled gender into the sex/sexuality apparatus as a new technology of liberal biopower. Gender, I argue, has become necessary for the Western liberal order to recapture and re-optimise the life-producing functions of sex that reproduce the very object of biopolitics: life. The concept of the life function is introduced to analyse the life-producing violence of the sex/sexuality/gender apparatus. To do this, the thesis rereads the work of Michel Foucault through Gilles Deleuze for a deeper grasp of the material strategies of biopower and how it produces categories of difference and divides population according to them. The work of Judith Butler, in turn, is used as a foil against which to rearticulate the question of how to examine gender genealogically and biopolitically. The dissertation then executes a genealogy of gender, tracing the changing rationalities of sex/sexuality/gender from early feminist thought, through mid-twentieth century sexological, feminist, and demographic research, to current EU policy. According to this genealogy, in the mid-twentieth century demographers perceived that sexuality/sex, which Foucault observed as the life-producing biopolitical apparatus, was no longer sufficiently disciplining human bodies to reproduce. The life function was escaping the grasp of biopower. The analysis demonstrates how gender theory was taken up as a means of reterritorialising the life function: nature would be disciplined to reproduce by controlling culture. The crucial theoretical and genealogical argument of the thesis, that gender is a discourse with biopolitical foundations and a technology of biopower, radically challenges the premises of gender theory and feminist politics, as well as the emancipatory potential often granted to the gender concept. The project asks what gender means, what biopolitical function it performs, and what is at stake for feminist politics when it engages with it. In so doing, it identifies biopolitics and the problem of life as possibly the most urgent arena for feminist politics today.

Applicability of Butler's equation in interpreting the thermodynamic behavior of surfaces and adsorption in Fe-S-O melts

Expressions for various second-order derivatives of surface tension with respect to composition at infinite dilution in terms of the interaction parameters of the surface and those of the bulk phases of dilute ternary melts have been presented. A method of deducing the parameters, which consists of repeated differentiation of Butler's equations with subsequent application of the appropriate boundary conditions, has been developed. The present investigation calculates the surface tension and adsorption functions of the Fe-S-O melts at 1873 and 1923 K using the modified form of Butler's equations and the derived values for the surface interaction parameters of the system. The calculated values are found to be in good agreement with those of the experimental data of the system. The present analysis indicates that the energetics of the surface phase are considerably different from those of the bulk phase. The present research investigates a critical compositional range beyond which the surface tension increases with temperature. The observed increase in adsorption of sulfur with consequent desorption of oxygen as a function of temperature above the critical compositional range has been ascribed to the increase of activity ratios of oxygen to sulfur in the surface relative to those in the bulk phase of the system.

On linear series and a conjecture of D. C. Butler

Let C be a smooth irreducible projective curve of genus g and L a line bundle of degree d generated by a linear subspace V of H-0 (L) of dimension n+1. We prove a conjecture of D. C. Butler on the semistability of the kernel of the evaluation map V circle times O-C -> L and obtain new results on the stability of this kernel. The natural context for this problem is the theory of coherent systems on curves and our techniques involve wall crossing formulae in this theory.

Ele está presente: a obra de Silviano Santiago e as performances do artista perigoso

A presente dissertação tem como objetivo refletir sobre a imagem do artista na obra de Silviano Santiago, mais precisamente sobre a figura do narrador-escritor da novela Uma história de família (1992), em abordagem comparativa com outros artistas, cuja produção e aparecimento na mídia problematizaram as primeiras décadas do HIV/AIDS, tais como Cazuza e o artista visual Leonilson, que posavam midiaticamente como perigosos. Pretende-se apontar, na obra de Silviano Santiago, uma performance do artista (soropositivamente) perigoso, na qual a relação entre enfermidade, dor, prazer e labor literário é verificável. Outros artistas são estudados, tais como o escritor Jean-Claude Bernardet, a artista visual Teresa Margolles e o performer Ron Athey, assim como os já citados Cazuza e Leonilson. Partindo da tese de Doutorado e da dissertação de Mestrado de Marcelo Secron Bessa, este trabalho procura avançar com algumas questões que, para tanto, recorrem ao conceito de performatividade, em Judith Butler, à noção do corpo como um Outro radical, de Henri-Pierre Jeudy, e à análise da relação entre AIDS e a discursividade empreendida por Susan Sontag. Os textos críticos de Silviano Santiago também fundamentam o presente estudo, mais precisamente na análise daqueles da relação entre dor e prazer na criação literária e da noção de uma homossexualidade astuciosa em resposta às discursividades heteronormativas

Alteridade e diferença sexual: considerações sobre o debate psicanalítico contemporâneo

A partir da interface entre psicanálise e cultura, este trabalho tem como objetivo analisar o debate contemporâneo acerca das noções psicanalíticas de alteridade e diferença sexual, instaurado pelos deslocamentos ocorridos no campo da sexualidade e pelos desafios que estes impõem à psicanálise. Para isso, propõe-se, em um primeiro momento, examinar a teoria freudiana sobre a diferença sexual, o que é realizado principalmente a partir das formulações acerca da sexualidade feminina. Como a construção do complexo de Édipo apresenta-se como uma tentativa de dar conta da constituição da identidade sexual e da diferença no processo de subjetivação, traça-se o trajeto do autor desde as primeiras menções ao Édipo até o encontro com o impasse do feminino, passando pela teoria das identificações como mecanismo privilegiado de assunção sexual. Em seguida, investiga-se o pensamento de Lacan em relação ao tema da diferença sexual, desde o seu retorno ao complexo de Édipo e a sua estruturação em termos de linguagem até as propostas apresentadas em seu último ensino, em que sublinha o aspecto real da sexuação assim como se valoriza a diferença sexual em termos de gozo. Finalmente, tendo como pano de fundo a nova cartografia das sexualidades, e como fio condutor, o diálogo travado entre Judith Butler e Slavoj iek, considera-se em que medida a psicanálise baseia a constituição da alteridade no modelo binário e hierárquico da divisão sexual, contribuindo para a manutenção normativa do sistema sexo-gênero ou em que medida a teoria psicanalítica proporciona um deslocamento da alteridade do modelo de diferença sexual, contribuindo para a sua compreensão enquanto indeterminação e contingência.

Heteronormatividade e sexualidades LGBT: repercussões dos discursos escolares sobre sexualidade na constituição das sexualidades não normativas

As práticas discursivas que constituem e sustentam as concepções de sexo e de sexualidade nas sociedades contemporâneas são fortemente arraigadas no discurso normalizado e normalizador segundo o qual há apenas dois sexos que se evidenciam em corpos masculinos ou femininos, naturalmente distintos biológica e fisionomicamente e reconhecíveis em modos de ser diversos - mas perfeitamente identificáveis com o sexo biológico (nascer com pênis/nascer com vagina). Esse sistema dicotômico afirmou por muitos anos uma concepção inequívoca de o que é e como ser homem ou mulher; restringiu os corpos a uma performance estereotipada de masculinidade e de feminilidade; conformou os discursos sobre gênero e sexo e naturalizou a heterossexualidade. Entretanto, o sistema binário no qual se funda a heterossexualidade encontra fissuras ante as identidades sexuais e de gênero que ora se evidenciam e desestabilizam a (hetero)sexualidade normativa. Sustentadas pela teoria queer e por autores como Judith Butler, Michel Foucault e Beatriz Preciado, minhas discussões nesta tese focalizam as repercussões e marcas dos discursos escolares na produção de corpos, gêneros e sexualidades de lésbicas, gays, bissexuais e transgêneros LGBT. Interessa indagar, a partir das narrativas desses sujeitos, as formas como as sexualidades têm sido trabalhadas como conteúdo escolar e discutir os possíveis efeitos das práticas escolares na constituição das sexualidades LGBT. Como constituir-se como sujeito fora da norma em um espaço-tempo altamente regulado como o currículo escolar? Busco evidenciar que, mesmo às margens dos discursos socialmente legitimados que circulam na escola, cuja pretensão é manter a hegemonia da história universal onde apenas alguns sujeitos são inscritos e reconhecidos como inteligíveis, os sujeitos LGBT produzem suas histórias e criam modos de vida. Minhas contribuições ao debate do tema se referem à possibilidade de desconstrução dos discursos predominantes no espaço-tempo da escola que enfatizam as concepções naturalizadas de sexo, de gênero e de sexualidade. Neste sentido acentuo a necessidade de novas/outras abordagens que incluam todas as sexualidades no espaço de inteligibilidade habitado pela norma heterossexual e apontar indícios de como os discursos predominantes contribuem para a manutenção da heteronormatividade e do heterossexismo. As narrativas dos sujeitos LGBT apontam a necessidade de repensar as práticas escolares, visando desconstruir concepções naturalizadas em torno da vivência da sexualidade e avançar das políticas de tolerância para uma política da diferença na qual a concepção do que é ser humano esteja sempre em aberto.

O currículo na formação de professores em questões de gênero

Esta dissertação está inserida no campo epistemológico do currículo e tem por objetivo analisar o contexto de produção dos documentos curriculares do Curso de Extensão em Diversidade Sexual e Identidades de Gênero, considerando o currículo como espaço-tempo de fronteira e enunciação que possibilita a criação e recriação dos diferentes sentidos fixados nos seus textos. O trabalho é desenvolvido visando a discussão de três questões-problema: (a) quais sentidos de sexo, gênero, identidade e diferença são propostos nos documentos curriculares em questão? (b) de que modo esses sentidos são afirmados nos documentos que orientam o curso? (c) quais concepções de currículo estão expressas nos documentos e entrevistas em análise? Para isso, apresenta interações teóricas, principalmente, com os estudos de Elizabeth Macedo, Guacira Louro, Judith Butler e Stuart Hall. Além de análise documental, considerando os diferentes documentos curriculares do curso, foram realizadas entrevistas com sujeitos envolvidos na construção desse currículo. Entre outros aspectos, concluiu, contingencialmente, que o documento hibridizou discursos enunciados vinculados à biologilização dos corpos, as reivindicações identitárias dos movimentos sociais e às perspectivas teóricas que discutem o pós-estruturalismo

O dispositivo da sexualidade enquanto enunciador do professor-homem no magistério das séries iniciais e na educação infantil

O presente trabalho teve por objetivo investigar de quais maneiras o professor-homem é enunciado e se autoenuncia a partir do dispositivo da sexualidade no magistério das séries iniciais e na educação infantil. Para compreender essa questão, foram utilizados textos virtuais publicados na web com a temática de homens no magistério e uma comunidade virtual composta por professores-homens e estudantes de Pedagogia do site de relacionamentos Orkut. Partindo do conceito de Auto-reflexão (Sobreira, 2006) e tendo por fundamentação teórica Michel Foucault e Gilles Deleuze, a pesquisa procurou compreender como a sexualidade, enquanto um dispositivo, produz os professores-homens a partir da teoria de Performance (Judith Butler) e recorrendo a uma análise crítica e multimodal dos discursos (Moita Lopes, 2009). A pesquisa constatou que tanto os discursos jornalísticos quanto os discursos de estudantes e professores na comunidade virtual revelam que esses sujeitos são produzidos para culturas masculinas hegemônicas. Essa questão também fica evidente mesmo quando alguns enunciados de professores-homens e estudantes tentam romper com as dificuldades e preconceitos por estarem em uma área profissional considerada feminina.