One hundred lectures on the ancient and modern dramatic poets,... down to the 19th century, commencing with Thespic, 6th century B.C.

Each v. contains nine lectures.

Le livre du diable, recueil de satires et de pamphlets sur les hommes et les choses de la Révolution belge,

"Vente Campan, 25 fevrier 1881."

My pocket book : or, Hints for "a ryghte merrie and conceitede" tour, in quarto; to be called "The stranger in Ireland," in 1805.

A burlesque on Sir John Carr's "Stranger in Ireland".

The miscellaneous works of Tobias Smollett, M.D., with a life of the author.

v. 1. Life of Smollett. Roderick Random, 1st pt.--v. 2. Roderick Random, 2nd pt.--v. 3. Peregrine Pickle, 1st pt.--v. 4. Peregrine Pickle, 2nd pt.--v. 5. Peregrine Pickle, 3d pt.--v. 6. Peregrine Pickle, 4th pt. The regicide, a tragedy. The reprisal, a comedy. Advice, asatire. Reproof, a satire. Tears of Scotland. To fix her were a task, a song. Burlesque ode. Ode to mirth. Ode to sleep. Ode to Blu-ey'd Ann. Ode to independence.--v. 7. Count Fathom, 1st pt.--v. 8. Count Fathom, 2nd pt. Expedition to Carthagena.--v. 9. Sir Launcelot Greaves.--v. 10. Travels through France and Italy.--v. 11. Humphry Clinker, 1st pt.--v. 12. Humphry Clinker, 2nd pt. Adventures of an atom.

The treasure-trove series /

Also published under title: Half-hours with the humorists.

Mémoires du cardinal de Retz, de Guy Joli, et de la duchesse de Nemours; contenant ce qui s'est passé de remarquable en France pendant les premières années du règne de Louis XIV ...

t. 1. Notice sur le cardinal de Retz ... Portrait de Retz par Saint-Évremont. Portrait de Retz par La Rochefoucault. Mémoires du cardinal de Retz.--t. 2. Mémoires de Retz (cont'd)--t. 3. Mémoires de Retz (cont'd) Procès verbal de la conférence, faite à Ruel. Le trictrac. Lettre présentée au Sacré collége de la part du cardinal de Retz, pendant sa prison. Le courrier burlesque de la guerre de Paris. Sermon de Saint Louis, roi de France ... par J.F.P. de Gondi. La conjuration du comte Jean-Louis de Fiesque. Avis à M. le cardinal Mazarin, sur les affaires de M. le cardinal de Retz.--t. 4. Notice sur Guy Joli. Mémoires de Guy Joli.--t. 5. Mémoires de Guy Joli (cont'd) Mémoire concernant le cardinal de Retz ... par Claude Joli. Mémoires de la duchesse de Nemours.

Revaloracion de la comedia de Pedro Munoz Seca: Un teatro menospreciado

The comedies of Pedro Muñoz Seca (1879-1936) received extraordinary public acclaim for over thirty years, yet critics rejected them. Although several experts have recently begun to study his plays in an objective manner, this author has generally either been underrated or omitted from theater histories. This study identifies the merit, contributions and relevance of Muñoz Seca's works so that the unwarranted void that now exists in Spanish theater annals is justly filled. Historical and biographical backgrounds and a brief sketch of the development of comedy in Spain serve to introduce the literary, political and social contexts in which the author develops the subgenre known as "astracán" and introduces the "fresco" character type. ^ This analysis illustrates Muñoz Seca's verbal comic techniques---the use of regional dialects and individuals' speech peculiarities, double entendres, incongruence, periphrasis, and ingenious plays on words. It also explores the author's profound theatrical sense manifested in inter-textual references and self-reflexivity within the content of his plays. In addition, it identifies the scenic creativity he displays through the use of cinematography, the removal of color from stage decor (or the elimination of scenery altogether), and the original application of music to create comic effect. Furthermore, this study comments the satirical tone projected in Muñoz Seca's characters' idiolect and barbarisms as socio-political conditions worsen. Finally, it brings forth the author's use of parody to criticize his society and to deride other theatrical genres in vogue during his time. ^ While the polarization between Muñoz Seca's popular success and the critics' rejection can be explained by esthetic and ideological prejudices, this dissertation ascertains that the true nature of the author's plays has not been properly identified. The "astracán" is a double parody; however, since it caricaturizes a comic subgenre that is already burlesque, its defining parodic features have been consistently misinterpreted as mere exaggerations and defects. What is more, as its critical content is not recognized, its renewing function goes unnoticed. Muñoz Seca's "astracán" illustrates an era of the Spanish comic stage and paves the way for the theater of the absurd. Its merit and relevance must be recognized. ^

"Le serment de Procné" (Jean Geschwin, 1962): una alegoría dramática de los horrores de la guerra

Análisis de la tragedia legendaria en tres actos publicada en 1962 por el dramaturgo francés Jean Geschwin, en la que, a partir de una original recreación del mito de Progne y Filomela, se expresa la preocupación y el desasosiego provocados por las dos décadas de sangrientos conflictos bélicos casi ininterrumpidos que estaban desgarrando a Francia.

A produção do mobiliário urbano nos espaços públicos :o desenho do mobiliário urbano nos projetos de reordenamento das orlas do Rio Grande do Norte

This work aims to analyze and evaluate the Urban furniture designed to public areas according to the Revitalization planning for Rio Grande do Norte coastland, defining visual relations among urban elements in the landscape of revitalized public urban areas with cultural, paisagistic and touristic values and the design process used for developing urban furniture to those areas, observing the incoming consequences use to that process in a specific urban context which alters use, functions, cultural images as well as social values attributed to each particular place. Environmental perceptions, legibility of local cultural references and their representation through the design of urban elements, act in a positive or negative manner over the inhabitants cognition process of some particular revitalized area, determining new use and attributions to those areas. Designs for coastal urban interventions try excessively to standardize technical media, construction materials and planning configurations, creating artificial sceneries that segregates users, imposing new structures and usage, generating, consequently, the so called non-places and burlesque regionalism. The research is divided into 4 chapters: 1) Theoretical support (Industrial design; Urban furniture; Public urban spaces; Urban image and environmental perception; Urban occupation and interventions in coastland areas); 2) Methodological procedures and data collection; 3) Analysis of Rio Grande do Norte coastal areas and their urban interventions; 4) Final considerations and Industrial Design contributions to the subject

A produção do mobiliário urbano nos espaços públicos :o desenho do mobiliário urbano nos projetos de reordenamento das orlas do Rio Grande do Norte

This work aims to analyze and evaluate the Urban furniture designed to public areas according to the Revitalization planning for Rio Grande do Norte coastland, defining visual relations among urban elements in the landscape of revitalized public urban areas with cultural, paisagistic and touristic values and the design process used for developing urban furniture to those areas, observing the incoming consequences use to that process in a specific urban context which alters use, functions, cultural images as well as social values attributed to each particular place. Environmental perceptions, legibility of local cultural references and their representation through the design of urban elements, act in a positive or negative manner over the inhabitants cognition process of some particular revitalized area, determining new use and attributions to those areas. Designs for coastal urban interventions try excessively to standardize technical media, construction materials and planning configurations, creating artificial sceneries that segregates users, imposing new structures and usage, generating, consequently, the so called non-places and burlesque regionalism. The research is divided into 4 chapters: 1) Theoretical support (Industrial design; Urban furniture; Public urban spaces; Urban image and environmental perception; Urban occupation and interventions in coastland areas); 2) Methodological procedures and data collection; 3) Analysis of Rio Grande do Norte coastal areas and their urban interventions; 4) Final considerations and Industrial Design contributions to the subject