Resor och möten i Wuthering Heights : immram, echtrae & Leabhar Gabhála Éireann

Syftet är att fastställa gemensamma drag och paralleller, som återfinns i dels keltiska myter/keltiska texter och dels i Wuthering Heights, för att sedan kunna diskutera hur dessa gemensamma drag möter och interagerar med varandra.Resultat: Jag har funnit att det i Wuthering Heights’ ramberättelse återfinns gemensamma drag och paralleller, mellan voyage-genrerna immram & echtrae och Wuthering Heights. I Wuthering Heights ’ kärnberättelse har jag funnit gemensamma drag och paralleller mellan berättelserna hämtade från Leabhar Gabhála Éireann och Wuthering Heights (samtligt mytologiskt material är hämtat ur den mytologiska cykeln). I diskussionen om det innehållsliga mötet, kommer jag fram till att Mr. Lockwood förändrats i och genom sin resa. Jag finner också att Wuthering Heights förändrats i sitt möte med Mr. Lockwood. Lägger man sedan det mytiska filtret uppe på det innehållsliga mötet kan man tolka in ett att kulturellt möte mellan det keltiska/gamla och det europeiskt-kristna/nya som en fruktbar förening, där ingen av parterna är att ringakta. Genom att låta polariteter som dåtid/nutid, hedniskt/kristet och ödemark/civilisation beblanda sig med varandra, både textmässigt strukturellt sker en sammansmältning. Detta är något som ligger helt i linje med den mytologiska cykelns världsuppfattning, där element från vår värld beblandas med element från the Otherworld.

A Quinta Essência de Agustina Bessa-Luís : la saveur aigre-douce de Macao

In the narrative A Quinta Essência Agustina Bessa-Luís proposes an original reading of the Portuguese postcolonial History, by reinvesting the topics of the intercultural relation and the meeting with the Other. In fact, in the troubled context of April 1974, the character of Jose Carlos Pessanha expatriates towards the East, more precisely towards Macao, one of the last Eastern colonies of the Portuguese colonial Empire. However, the characteristic of this tour of rediscovery of the East is that it makes the destiny of a character in search of himself coincide with the questioning of a country still looking for its own identity. Thus, in this voyage backwards into the Luso-Eastern History, the Author draws the portrait of a Nation-Empire split between the desire of incarnating this “genetic superiority of the Occident” and the fascination for the culture of the Other, symbolizing an “excess of otherness” (B. of Sousa Santos) in the Portuguese identity. Macao, will be the territory of an “entre-deux” and an intercultural circulation, as well as an emblematic ground to the expression of the “ambivalent and hybrid” position (colonizing/colonized) of Portugal in the Occident. As a consequence, the uncomfortable “non-inscription” (J. Gil) and the “nomadism” (Deleuze/Guattari) which characterizes José Carlos Pessanha, would be a reflection of yesterday’s and today’s Lusitanian epopee.

Different rhythms to similar tunes: African beats in action across two continents

In this article I present some theoretical perspectives on reflective practice and African music. As reflection is a voyage of on-going self-discovery and change, and most challenging, I consider the teaching of African music across two continents and institutions. After a recent visit to South Africa (August-October 2006), I describe and discuss some similarities that I as a music educator at Deakin University, share with a music educator from the University of the North West, South Africa regarding the teaching and learning of African music. Through observation and interview data with my colleague, I offer some thoughts on what is African music and why we teach different rhythms to similar tunes across two continents at our tertiary institutions. I see this as a way forward to transmit and promote togetherness in a multicultural society where we respect diversity and the notion of 'other'.

Acting at the Nexus : integration of research, policy and practice

This report is the result of an exciting journey of discovery. As with all journeys, we have been to many exotic places, have met extraordinary people, and at times have been challenged to keep going ahead rather than retreating. Good journeys are also enjoyed best in good company. We would like to thank VicHealth for giving us the opportunity to embark on our voyage, but also specifically to some great VicHealth staff: John Biviano, Siân Lloyd, Barb Mouy and Ali Barr have all been travelers along the way, providing us with encouragement, directions and nourishment. We know that our Project Advisory Committee and the then Chief Executive of VicHealth, dr. Rob Moody, have followed our progress on the journey with great interest. A special word of thanks to professor David Hill, chair of our advisory committee and member of the VicHealth Board of Governance, to sit down with us and critically review our navigation procedures. But we could not have reached our destination without the great assistance of the people and agencies that gave us their time, energy, and sometimes precious resources, to engage in data collection for our case studies. Again, a particular word of appreciation, to professor Brian Head, and to Ruth Belben for her incredibly efficient assistance, in organising the ARACY workshop on 24 November, 2006 in which we were given an opportunity to triangulate our position with colleagues from research, policy and practice.

Night visions

Performance with 3 16mm Projectors and one video projector at Liaison of Independent Filmmakers Toronto, using materials produced in the workshop and the residency. Included was a text spoken in Dutch and English from Abel Tasman's landing on Tasmania's shores during his voyage of expedition.

Alumni @ Large

Alumni notes Newsmakers Milestones Maine's Bilingual Education Dynamo: Grayce Hall Studley '61 Voyage of Discovery: Stephen Orlov '71 The Picture of Health: Bianca Belcher '03 Obituaries

O discurso autobiográfico nos relatos de viagem de Nísia Floresta

En plein XIXe siècle, Nísia Floresta Brasileira Augusta a écrit sur deux voyages faits en Europe. Quelques années plus tard, cette norte-rio-grandense a livré au public ses récits de voyage : Itinéraire d un voyage en Allemagne (1857) et Trois ans en Italie Suivis d un Voyage en Grèce (1864/1872). Malgré les particularités qui entourent chacun de ces récits, un aspect y est fortement présent : les marques autobiographiques. Notre travail a comme principal objectif enquêter comment se manifeste ce discours autobiographique. A partir de l‟Analyse du Discours, nous avons travaillé quelques positionnements sur certaines oeuvres littéraires, comme par exemple, le fait qu‟elles aient plus d‟un genre. Ce qui se passe dans les récits de voyage de Nísia Floresta est semblable, car au-délà de raconter le passage de Nísia par ces lieux, nous pouvons trouver des caractéristiques qui appartiennent à l‟écriture fragmentaire, autobiographique et épistolaire. Devant les propositions indiquées par Philippe Lejeune, nous avons pu confirmer que ces récits de Nísia font partie de l‟écriture autobiographique. Sous l‟optique de quelques théories, nous avons parcouru des points intéressants qui enveloppent ces récits et, de cette façon, nous avons voyagé avec Nísia Floresta par l‟Allemagne et ultérieurement par l‟Italie et Grèce, en connaissant ainsi, pas seulement un peu plus sur ces lieux, mais beaucoup de confidences sur cette écrivain potiguar, qui a ouvert son coeur au plublic

Da compreensão novas viagens de Gulliver

Ayant comme opérateur cognitif le livre Les Voyages de Gulliver, de Jonathan Swift, la thése, écrite au format d'un journal de bord, suit dévoilant des indices pour une archéologie de la compréhension, au-delà de problématiser les interconexions entre communication et compréhension à l'actuel procés de planétarism. En suite, réalise quelques essais qui problématisent l'éthique, la science, et la condition humaine, sous l'inspiration du Parlément des Choses, suggéreé par Bruno Latour, où sont présents, symétriquement, les sciences, les scientists, les politiques, les natures, les cultures, et les sociétés. Pour une telle aventure, sont agencées des ideas de penseurs de diverses domaines de la connaissance, comme Edgar Morin, Henri Atlan, Hans-Georg Gadamer, Isabelle Stengers, David Bohm, Maria da Conceição de Almeida, Cremilda Medina, María Zambrano, Michel Serres, Boris Cyrulnik, dentre autres. Lettres de musique, registres littéraires et cinématographiques servent de points d'appuy pour la contextualization du récit de ce voyage qui ne comporte pas seulement la compréhension de la compléxité de l'être-humain, mais aussi, la compréhension des conditions dans lequelles sont forgées les mentalités et pratiques les actions. Ainsi, toule compréhension est un voyage sans fin: arrive à quelques ports, se ré-approvisionne et part à nouveau. Toute compréhension est ponctuelle, parcielle, provisoire, lacunaire et inachevée.

Um visitante inglês na Bahia de 1800

Apresentamos aqui, precedido de uma introdução explicativa, o fragmento de uma narrativa de viagem relativa ao Brasil, escrita pelo comerciante inglês John Turnbull em 1805, intitulada A Voyage round the world in the years 1800, 1801, 1802, 1803 and 1804. Turnbull aportou na Baía de Todos os Santos em agosto de 1800, permanecendo quatro ou cinco dias na cidade. Apesar da brevidade da visita, suas impressões sobre o Brasil trazem, entre outras coisas, curiosas notas sobre a situação de Portugal e de sua rica colônia dos trópicos no então conturbado cenário político europeu.

Peregrinação, conquista e povoamento. Mito e realismo desencantado numa hagiografia medieval portuguesa

O texto pretende realizar uma interpretação da narrativa de viagem ao Paraíso Terrestre cistercience Vida de Santo Amaro, à luz da história portuguesa entre os séculos XIII e XV, apontando as relações existentes entre pensamento histórico e pensamento mítico na passagem do processo de Reconquista para os Descobrimentos, vivenciados ao longo da história das diferentes versões escritas da fonte analisada.

Entre Portugal e São Paulo: um percurso artístico em construção

Pós-graduação em Artes - IA

Os primeiros contornos do Novo Mundo: os relatos sobre a França Antártica e sobre a Flórida Francesa

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Le promeneur littéraire dans le romantisme français

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Tempo e memória em Grande sertão: veredas de Guimarães Rosa

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Nos rastros da história da assistência da psicologia no Pará: a inserção do psicólogo no Hospital Psiquiátrico Juliano Moreira (1978-1984)

A investigação da Inserção do Psicólogo no Hospital Psiquiátrico Juliano Moreira se constitui em uma proposta de resgate do desenvolvimento da Psicologia no Estado do Pará, com o objetivo de analisar tal percurso histórico no período 1978 a 1984, situando a formação e atuação do Psicólogo, posicionando-o historicamente no âmbito da referida instituição de saúde mental e seus reflexos na atualidade. Pretendeu-se, por meio da análise de conteúdo, trazer à tona o trabalho terapêutico, no contexto da Inserção do Psicólogo, desenvolvido por meio do recurso da história oral a ser viabilizada a partir de entrevistas semi-estruturadas com cinco sujeitos ex-estagiários do Hospital Psiquiátrico Juliano Moreira. Os resultados mostram que a Praxiterapia foi a base do trabalho terapêutico utilizado por esses psicólogos naquela época, mas que com o tempo houve avanços que permitiram a eles se posicionarem profissional e politicamente, processo esse possibilitado pelo estudo, pelas lutas, pela consolidação de sua identidade, como também por melhores condições de trabalho e assistência aos pacientes. Concluiu-se que o presente trabalho foi além do percurso histórico da Inserção e do trabalho terapêutico do Psicólogo, considerando o caráter protagonista e mobilizador que residia nesse profissional em prol de melhores condições para o lugar que, na prática, o formou.