988 resultados para Poesia africana (Português)


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This article presents an investigation of four linguistic phenomena of the Portuguese in different synchronicities. These research are about construction, description and analysis of corpora for the creation of databases that support linguistic description.

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This paper aims to conduct a study on proparoxytones in Medieval Portuguese through an innovative methodology based on the observation of coincidences and no-coincidences of musical and linguistic prominences of poetic texts with musical notation.. This methodology allowed us to verify the existence of a hundred and thirteen proparoxytones words in a corpus constituted by the first hundred Cantigas de Santa Maria. It was possible to locate the stressed syllable in 92,93% of the found words.

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In this article, we analyze only the processes of lexical expansion related to the reuse and recontextualization of words. We selected 50 names of animals in Brazilian Portuguese (PB). These words were found in two dictionaries and only the definitions connoting human actions and attributes were used. Through this study linguistic principles that are practically consensual were confirmed. We highlight the polissemic phenomenon as one of the factors that most contribute to the economy of the linguistic system.

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The aim of this article is to present theoretical-methodological reflections upon the design of the macrostructure of a passive Spanish-Portuguese dictionary for Brazilian learners. In order to fulfill its didactic value, this dictionary have to possess the following characteristics: (i) the function of the dictionary; (ii) the profile of the consumers, and (iii) the similarities between Spanish and Portuguese languages.

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This essay aims to analise the temporal dimension and the temporal instruments which the baroques poets utilized in Italy, especially in Lubrano’s poetry. We intend to demonstrate that Lubrano” made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

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This paper aims to analyze the so-called paratactic verbal constructions, or PVCs, in contemporary European Portuguese. The PVCs are built from the cohesion of two inflected verbs, V1 and V2, connected or not by the conjunction e (and), and only the second verb retains its full semantic content. Our analysis follows the grammaticalization and functional linguistics approaches. The process of grammaticalization of the PVCs allowed the verbs ir (go), chegar (arrive), pegar (take) and agarrar (grab), in specific contexts such as the PVCs, to undergo changes in their morphosyntactic and semantic features, what leads its categorial status and its function to change.

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In this project, we tried to analyze, in a very short way, the relations between Brazilian Visual Poetry and a phenomenon in modern literature known as crises of the verse. In sequence, we tried to situate this poetry in a provisory category which the current criticism sees it as the contemporary Brazilian poetry. For sure, the Concretism and its esthetics deployments assured space for the visually in poetry.

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This essay aims to contribute to a critical assessment of contemporary Brazilian poetry, investigating the relationship between two tendencies: minimalism that verges on silence of speech in Kléber Mantovani’s and Tarso de Melo’s poetry, and the dialogue with the tradition in Armando Freitas Filho’s, Fabiano Calixto’s and Iacyr Anderson Freitas’s poetry.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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By the reading of news, reviews and essays published in Rio de Janeiro’s newspapers and periodicals, one intends to analyse how occured the perception and recognition of esthetic innovations introduced in Brazilian poetry by Fantos, by Lopes Filho, and Broquéis, by Cruz e Sousa.

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Epic poetry in the construction of Dion Chrysostom’s Discourses. The construction of images in the speeches of Dion Chrysostom was drawn from references in Homer. When the orator uses images from Greek epic poetry, Dion Chrysostom intimates the representation of images found in the literature to propagate his philosophical and political ideas during the first century A.D. under the administration of the emperors Domitian, Nerva and Trajan. Current analysis of the author’s works discusses literature as one of the representational forms of Hellenistic identity under Roman domination.

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This paper deals with characteristically anti-authoritarian aspects of Antônio Carlos de Brito’s work, alias Cacaso (1944-1987). It aims to provide evidence on his peculiar poetry writing exercise, which incorporates political and aesthetic tensions into its own language, rather than just refer to them. By anchoring in a poetics of everyday life and by being engaged in a dialogue with Brazilian literary tradition, Cacaso manages image, tone and emotion in order to instantly illuminate the impasses of his generation.