899 resultados para Lumières Suisses
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Mmoire numris par la Direction des bibliothques de l'Universit de Montral.
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Thse numrise par la Direction des bibliothques de l'Universit de Montral.
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Fossil associations from the middle and upper Eocene (Bartonian and Priabonian) sedimentary succession of the Pamplona Basin are described. This succession was accumulated in the western part of the South Pyrenean peripheral foreland basin and extends from deep-marine turbiditic (Ezkaba Sandstone Formation) to deltaic (Pamplona Marl, Ardanatz Sandstone and Ilundain Marl formations) and marginal marine deposits (Gendulain Formation). The micropalaeontological content is high. It is dominated by foraminifera, and common ostracods and other microfossils are also present. The fossil ichnoasssemblages include at least 23 ichnogenera and 28 ichnospecies indicative of Nereites, Cruziana, Glossifungites and ?Scoyenia-Mermia ichnofacies. Body macrofossils of 78 taxa corresponding to macroforaminifera, sponges, corals, bryozoans, brachiopods, annelids, molluscs, arthropods, echinoderms and vertebrates have been identified. Both the number of ichnotaxa and of species (e. g. bryozoans, molluscs and condrichthyans) may be considerably higher. Body fossil assemblages are comparable to those from the Eocene of the Nord Pyrenean area (Basque Coast), and also to those from the Eocene of the west-central and eastern part of South Pyrenean area (Aragon and Catalonia). At the European scale, the molluscs assemblages seem endemic from the Pyrenean area, although several Tethyan (Italy and Alps) and Northern elements (Paris basin and Normandy) have been recorded. Palaeontological data of studied sedimentary units fit well with the shallowing process that throughout the middle and late Eocene occurs in the area, according to the sedimentological and stratigraphical data.
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Like its title, Pyramus and Thisbe 4 You, Alexandru Dabijas production at the Odeon Theatre, Bucharest, was a tongue-in-cheek invitation to the audience that at once aimed to tease past and recent Romanian endeavours and to tease out the stage potential a Shakespeare play holds today. My examination of the production re-constructs the local cultural contexts the production plays with and against, referring to the Romanian ways of making Shakespeare this production enters into dialogue with. Take 1, an all-female version casting the mature stars of the Odeon, I read against both Elizabethan all-male stage practice and Andrei Serbans all-female Lear at the Bulandra (2008). Take 2, an old device (V.1.50): a teacher-student devising session at the Academy of Theatre and Cinema, I read against critics more strange than true (V.1.2) parlance on theories of perception and reception and against hi-tech Shakespeare dominating the Romanian stages in the first decade of the third millennium. Take 3, local political banter on ethnic discrimination, I read as satire keen and critical (V.1.54) on both communist censorship and the recent rise of nationalism in Romania. Take 4, a cold reading-cum-improvisation performed by the technical crew this productions mechanicals I read as palpable-gross play (V.1.376) on both acting and spectating practices. What I argue in this article is that Dabijas production goes beyond its local context and mores, and proposes a re-assessment of Shakespeares cultural currency in (European) Romania and Europe at large by exposing current tyrannies in Shakespeare studies: from translation and adaptation, through directing and acting, to viewing and reviewing.
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Mme si les Humanistes et les Lumières tentrent de rhabiliter le personnage de Julien lApostat, leurs tentatives furent somme toute vaines. En effet, encore au dbut du sicle dernier on parlait de lApostat sans mme quil soit ncessaire de nommer Julien. Systmatiquement, il tait qualifi de suppt de Satan, de magicien, dimpie pratiquant des sacrifices humains. Le prsent travail se propose danalyser lvolution de la figure de lempereur Julien durant les deux sicles qui suivirent sa mort, en 363, et se divise en trois chapitres. Le premier se concentre sur les faits historiquement attests dans les diffrentes sources (pigraphiques, numismatiques, littraires) au sujet de lhomme et traite des pisodes principaux de sa vie - sa naissance, son csarat, sa proclamation - sous la forme dune analyse historique. Le deuxime tudie lvolution de son image travers les sources littraires paennes et chrtiennes du IVe au VIe sicle, en analysant, dans un premier lieu, le portrait-bilan que les auteurs ont peint (portrait de Julien par lui-mme ; portrait physique ; portrait psychologique). Le troisime chapitre est consacr au Roman syriaque de Julien lApostat et ltude du personnage dsormais lgendaire, o des extraits illustrant les thmes du deuxime chapitre sont analyss. Le mmoire sert principalement mettre en place le contexte des sicles prcdant la mise par crit du Roman.
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[en] This article aims at examining the theoretic and literary models of sexuality offered in the libertine novel Thrse philosophe, focusing on its representation of the Cadire-Girard affair. During this scandalous trial that took place in the Parliament of Aix-en-Provence in 1731, Jean-Baptiste Girard (Jesuit priest) was accused by Marie-Catherine Cadire (penitent) of sorcery and sexual abuse, while he claimed these charges were calumnies. We seek to show the development of a rationalist, demystifying, scientific perspective on this affair, characteristic of Enlightenment in the eighteenth century, which tended to neutralize and obliterate charismatic religiosity. [fr] Cet article a pour but dexaminer les modles thoriques et littraires de la sexualit offerts par le roman libertin Thrse philosophe, en se concentrant sur la faon dont laffaire Cadire-Girard y est reprsente. Pendant ce procs judiciaire qui a eu lieu au Parlement dAix-en-Provence en 1731, Jean-Baptiste Girard (pre jsuite) a t accus par Marie-Catherine Cadire (pnitente) de sorcellerie et abus, ayant reu elle-mme une dnonciation pour calomnies. On cherche montrer le dveloppement, autour de cette affaire, dune perspective rationaliste, dmystifiante et scientifique, propre des Lumières au XVIIIe sicle, partir de laquelle la religiosit charismatique se neutralise au point de loblitration.
