Do Not Hold Me

sermon text; MS Word document

A New Awakening

sermon text; MS Word document

Freedom of the Spirit

sermon text; MS Word document

Calling and Sending

sermon text; MS Word document

Homily for Simon Parker's Funeral

sermon text; MS Word document

Call to Ministry

sermon text; MS Word document

Alegoría: su pertinencia en la predicación y uso en "La novena maravilla"

En este artículo se focaliza el recurso de la alegoría como método exegético en la composición de los sermones panegíricos de Juan Espinosa Medrano (Perú, siglo XVII). Se traza el recorrido de la alegoría (y las humanidades en general) en relación –siempre tensa– con el cristianismo a lo largo de su historia; y se llega a la Contrarreforma y el uso exacerbado del método en la predicación barroca; particularmente en la oratoria sagrada de Espinosa Medrano, quien abarca elementos diversos y extraídos de distintas fuentes (filosofía natural, mitología clásica, tradición emblemática, relatos bíblicos), a los que hace funcionar como signos de otra verdad mayor, la sagrada. Si bien las preceptivas sagradas impulsaban una predicación más llana y simple, la profusión de alegorías mitológicas, que el autor resemantiza según su interés de guiar la interpretación, pueden explicarse por varias circunstancias, motivos de estudio en este trabajo.

Preaching to Princes: John Burgess and George Hakewill in the Royal Pulpit

This article examines a previously unnoticed link between the Puritan John Burgess and the Calvinist conformist George Hakewill. In 1604 Burgess preached a court sermon so outspoken and critical of James I’s religious policy that he was imprisoned. Nearly twenty years later, however, Hakewill chose to incorporate extended passages from Burgess’s sermon into the series of sermons, King David’s vow (1621), preached to Prince Charles’s household. This article considers why Burgess’s sermon became so resonant for Hakewill in the early 1620s and also demonstrates how Hakewill deliberately sought to moderate Burgess’s strident polemic. In so doing the article provides important new evidence for the politically attuned sermon culture at Prince Charles’s court in the early 1620s and also suggests how, as the parameters for clerical conformity shifted in the latter years of James’s reign, Calvinist conformists found a new appeal in the works of moderate Puritans. I

Early crime writing and the state: Jonathan Wild, Daniel Defoe and Bernard Mandeville in 1720s London

This article argues that the early development of crime writing needs to be understood in relation to the consolidation of the modern state. It demonstrates that London in the 1720s constitutes a significant moment in this early development for three main reasons. First, the period witnessed a crime epidemic which reached its climax in the 1720s and which precipitated a set of particularly aggressive counter-measures by the state; second, it saw the rise and eventual fall of the infamous Jonathan Wild who acted as both thief and surrogate policeman; and third, it was also marked by a surge in interests on the part of writers like Daniel Defoe and Bernard Mandeville in the related matters of crime and punishment. This article explores the ways in which accounts of crime and punishment in this period deployed and in some instances interrogated the rhetoric of social contract theory and writings on statecraft, particularly by Thomas Hobbes and Mandeville. But while the criminal biographies and gallows sermons produced by the Newgate prison’s ‘ordinaries’ provided crude and reductive accounts of the efficacy of the state, the article shows how two accounts of the life of Jonathan Wild (by Defoe and H.D) responded in highly complex ways to the issues of crime and policing and provided a consistently and self-consciously ambivalent reading of the state and state power. To conclude, I suggest that this ambivalence can be read as a critique of the impartial or neutral state and that it constitutes one of the key features of what we would later understand to be crime writing as a dedicated literary genre.

Homeliarum (partie d'hiver)

F. I. Fragments d'un temporal d'hiver. Extraits d'Isaïe, LV, LVI, LX-LXII : « Omnes sitientes... », « Surge illuminare... », « Gaudens gaudebo... » F. 1-7. Le premier cahier contenant des homélies liées à la fête de l'Ascension, provient certainement d'un homéliaire d'été : sermons sur Matth., XIX, 21 et VIII, 5 (f. 1-2) ; sermons de s. Augustin et de s. Léon sur l'Ascension (f. 3-7). F. 8-224. Partie primitive du manuscrit : temporal d'hiver suivi de la fête de s. André. — Vers sibyllins (Carmen de die Judicii) (40) ; — Oratio Jeremiae (214v)F. 218v, début du sanctoral (9 leçons).

Latin 15168

Contient : I Richardi de Bury Philobiblon ; II Méditations de s. Bernard (47) ; Institution des novices par Hugues de Saint-Victor (61) ; Sermons, etc. (78) ; Summa de officiis ecclesiasticis secundum magistrum Willelmum Altissiodorensem (83) ; Bartholomei Brixiensis questiones (135)

Art épistolaire.

"Ex bibliotheca billiana" (1)

Fragments de mss.

Poésies (1, 8). — Lettres de Gautier de Mortagne (2), Pierre [Abélard] (6v), frère Eudes (59), Yves de Chartres (98). — Concile de Pont-Audemer en 1279 (10). — Ars dictaminis (20). — Sermons (31). — Homélie de S. Césaire (82v). — Canons (87). — Lettres formées (95v). — Lettre de L., abbé de Pouthières, sur la grammaire (107). — Gerbert sur Porphyre (109). — Questions sur l'Écriture Sainte (117). — Préface de Juvencus (119 et 95). — Traité d'Arnoul de Lisieux contre Girard d'Angoulême (121 et 145). — Libellus Hug. de S. Victore de virtute amoris (137). — Miracle de S. Martin par un clerc d'Utrecht (155).