883 resultados para A19th century novel in Portugal


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Letras - FCLAS

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Pós-graduação em Letras - FCLAS

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Este artigo pretende discutir como se articulam, na estrutura híbrida do romance Como agua para chocolate, alguns gêneros textuais discursivos comumente dedicados à leitura de mulheres – folhetim, almanaque, caderno de receitas e diário íntimo –, cuja presença fica sugerida desde o subtítulo “novela de entregas mensuales, con recetas, amores y remedios caseros”. Esses gêneros se misturam na construção da narrativa, possibilitando, no âmbito da pós-modernidade, uma leitura crítica do papel da mulher na sociedade patriarcal da primeira metade do século XX.

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Posto à venda em Portugal, em fevereiro de 1878, o romance O Primo Basílio, de Eça de Queirós, não demorou muito para chegar às livrarias do Rio de Janeiro. O sucesso quase instantâneo da obra despertou a reação dos meios intelectuais brasileiros, em particular dos críticos literários, divididos entre a acusação e a defesa da obra quanto à moralidade. A recepção do livro de Eça também repercutiu na imprensa brasileira de caricaturas da época, embora aqui, em lugar das charges, tenha prevalecido a sátira verbal, na forma das piadas, poemas e pequenas histórias picantes, sob o influxo da crítica literária, questão discutida no presente artigo.

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No presente artigo, em continuação a outros trabalhos já publicados, a autora procura localizar o romance Canaíma de Rômulo Gallegos no contexto das obras latino-americanas que abordam o tema da selva. Através de alguns componentes – temáticos e estruturais – comuns a elas, mostra as diferenças que situam o romance venezuelano em um ponto ficcional que vai desde Rivera a Carperntier In this paper, in continuation of previously published articles, the authors attempts to situate the novel canaima by romulo Gallegos in the context of the Latim American works which tacks the theme of the jungle. Through some thematic and structural components common to them, she shows the differences which place the Venezuelan novel in an intermediate point in the fictional trajectory which goes from Rivera to Carpentier.

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In this study we intent to contextualize the topic environmental vulnerability on the world stage, highlighting similarities and differences in their conceptions in Portugal and Brazil. In the literature about the vulnerability is already established the contribution of Geotechnologies, especially the Systems of Remote Sensing and Orbital Imaging as well as Geographic Information Systems (GIS) and its potential for modelling physical and socioeconomic aspects for the prevention, mitigation and facing risk manifestations, whether natural, technological or mixed. This paper aims to discuss the methodological framework of vulnerability studies and the results of application in the modelling of socioeconomic and environmental data in the context of the Region Centre of Portugal and the State of Sao Paulo, Brazil. The methodology for analysing the vulnerability of these regions was based on quantitative studies of the capacity of resistance and resilience of populations and territories. The results were consistent with the socio-environmental realities of the study areas and reflect the complexity of facing and recovery of risk situations in case of territories and populations under low economic conditions and urban infrastructure, whether in Brazil and Portugal.

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The school textbook is an important pedagogic resource in the classroom, and it is frequently the only one. But, an analysis of the Maternal Language’s textbooks in Brazil and in Portugal allowed us to detect serious didactic obstacles to the learning of the language in its semiotic omnifuncionality. In this paper we are going to present the results of a project that involves the presence of a children’s literature book in the classroom instead of the textbook adaptations. We developed activities before, during and after the reading in a fourth grade class of an Elementary School in Brazil and Portugal having the aim of build readers.

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We can notice in Brazilian literature —both past and contemporary— the presence of the historical novel in its several modalities which include traditional models but also contemporary formulations that break old models with irreverence. Among them are the historiographical metafictions (Hutcheon, 1991), which propose the rereading not only of history but also of literature itself. Therefore, in the large number of historical characters which are fictionalized by contemporary Brazilian historical novel in the last decades, this essay intends to discuss how Ana Miranda engages in reading the history of Brazilian literature through fiction in three of her novels. The first is Boca do inferno (1989), whose protagonists are two of the main representatives of Brazilian colonial barroque, Father Antônio Vieira and poet Gregório de Matos. Following the chronological order of protagonist writers, the next novel to be discussed is Dias & dias (2002), whose action is centered in Gonçalves Dias, a well known poet of national Romanticism. The third is A última quimera (1995), which makes an outline of Brazilian literature at the beginning of the 20th century, dealing with Augusto dos Anjos and Olavo Bilac. By inverting some traditional viewpoints, Ana Miranda proposes, as in a palimpsest, the rereading and discussion of the national literary cânon and its construction.

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In the 15th and early 16th centuries, when traveling eastward and westward no longer proved extraordinary, travel writings, such as those of Marco Polo or Jean de Mandeville, were printed and reprinted and have been in the world of exchanges and acquisitions both in Portugal and in other parts of Europe. However, although they have played a key role in defining foreign worlds for Europe, reflecting the aspirations of their time and providing news about the universe to be discovered, these reports do not always necessarily tell of trips that were actually taken. Several of them, on the contrary, do no more than draw together, for contemporary readers, passages of interest taken from other writings; passages which, based on their regularity and frequency, would allow for a narrative staged as travel to be taken as truth for contemporaries and immediate successors. In the Iberian Peninsula of the late 15th century, an account written by an author about whom nothing is known, Gomez de Santisteban, who defines himself as a companion of Prince Pedro on a supposed trip to the Holy Land, was among those reports integrated into the description and the perception of the land being discovered. The driving question of this paper is, therefore, how Santisteban, though he wrote memories of trips that he did not take, achieved credibility like those travelers whose trips have been recognized as authentic.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Estudos Literários - FCLAR

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)