1000 resultados para Personalidade criativa


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This paper presents the basic trends by which psychoanalytical thought understands the subject of death and mourning: the melancholic identification and the death instinct. The implications of these concepts to the comprehension of death and mourning are discussed, specially showing that the death instinct, differently than a wish to die, must be understood as a traumatic potentiality to the psychic apparatus, which needs to be bound and represented. In this sense, it is argued that the narcissist personality configurations in place on post-modernity lead to violence explosion on the field of culture. One of the results of this process can be traced in the lack of psychic elaboration work of mourning and death, which demonstrate the relevance of the definition of "wide-open death" as a social representation of death nowadays.

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Although the use of countertransference is a controversial topic and the debate on the participation of the analyst’s mind may go back to the old conception of aptness for the analytical task based on personality or psychological makeup, the fact is that the psychoanalyst’s education involves the elaboration of his unconscious conflicts, turning conscious the pathways of his desire and his symptoms through a process of personal analysis and a long theoretical and technical training in the field of psychoanalysis. This study is a literature review based on studies about the maternal function, which aims at showing the path of recovery of countertransference in psychoanalytic theory and technique and the implication of the analyst’s abilities in the analytical process. This development is tributary of the appreciation of maternal function as a model for interpersonal and therapeutic relationship in Psychoanalysis, due to the paradigm of object relations in the British psychoanalytic tradition, being Donald W. Winnicott and Wilfred R. Bion two of its main authors.

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This study aims to recognize the Surface Design as specialty hybrid and clarify the relationship between surface and design through projetual creative act and technical. The study shows that there projetual hybridity in the design of the Surface Design and the same occurs in two distinct stages: the creative phase , where the inherent design specialties together for their training , and executive process in which the diversity of technical information and construction procedures to assist the integration of design with other productive areas . Identify the products presented its projected surface condition , based on concepts checked the state of the art Surface Design was an action that enabled the verification of functional, aesthetic and symbolic object concepts . To evaluate this condition are presented six case studies to verify the levels of cooperation and implementation of the specialties of Design in objects that are highlighted by presenting different surfaces. Among the products are: DKR chair, bench Pai João, bench R540, Híbridos table, Facetas table and bench Xique-xique.

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The use of images as a mean of human knowledge transmission dates from the earliest records of visual communication with the cave paintings. Throughout history, the communicating function remained and was extended for a variety of approaches, including illustration, which plays an important role by transmitting a content to be communicated on a creative and unique way. The advertising area relies largely on the communicative power of illustration, using it as a visual aid on different ways and medias. The advertising pieces aimed at the automotive sector – especially those developed by BMW for the Mini Cooper model – broadly employs illustrations to spread the word about the product and its attributes, seeking to communicate it using an original way. With a qualitative approach to the case study, this article analyzes the illustrations produced by the South African design studio Am I Collective as part of a video prepared by South African advertising agency Blackriver FC as a celebration campaign for the fifty years of vehicle Mini Cooper, celebrated on 2009, and it aims to identify the illustrations visuals and compositions used in the construction of the covered temporal panorama.

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This article aims to seek new forms of creative and artistic expression origami nowadays. After crossing many generations and countries, we noted that the functions of origami are much broader than simply making folding paper: the folding has promoted a number of new buildings within the hybrid design and creativity. Modularity, the collective, the build conscious, contemporary and innovation are intrinsic relations to artistic praxis that configure an adjacent scenario and subordinate to the main structure that govern this research project. We believe in the essence of origami as a tangible functionality for creative thinking.

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Pós-graduação em Televisão Digital: Informação e Conhecimento - FAAC

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Pós-graduação em Direito - FCHS

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Skateboarding gets practitioners and followers all over the world and it's still growing. Thus performing a detailed analysis of its tracks becomes exciting. This study has a purpose of investigation about the evolution of the skateboard as a leisure activity and as a sport, supported by historical and social factors analysis that influenced their growth. Furthermore to understand the sport history and its influence in the socialization process, and also in the insertion of individuals in a social context within the body movement culture. The methodology used in this study was based on a literature review, analyzing articles, books, documents, websites and reports of the genre. It was concluded that the practice of skateboarding is unique and it's promoted to be and to have self identity and it is directly related to an activity that is characterized as free and creative without any molded identity. And also promote the insertion of this kind of skateboarding as a universal phenomenon about the body movement seeking social interactions in different educational views through a sharing attitude

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O presente trabalho pretende levantar algumas características e reflexões a cerca da construção e sobre os prazeres no medo, procurando partir de uma ótica deste sentimento como provocador de alguns outros. Ou seja, o sentimento de medo é aqui abordado com a face de estímulo para a curiosidade (revelando mistérios) e para a empatia com o diferente, o estranho, levando-nos a questionar o normal. O objetivo deste estudo é o de entender, problematizar e discutir o sentimento de medo como possibilitador de busca, de procura, de instigador da curiosidade, construindo assim, uma relação positiva do medo com a infância, apresentando-o como uma relação prazerosa (pelas superações que elevam a coragem para explorar e experienciar a vida, com cuidado e respeito ao diferente), de afeto (pois o medo e o enfrentamento nos transformam) e de descoberta (conhecendo o desconhecido). Para tal, faremos um levantamento mais aprofundado da história do medo, analisando sua evolução, bem como a evolução de seus elementos subjetivos. Desta forma buscaremos também evidenciar em como os elementos de dar medo, na figura dos monstros, acabam sendo subvertidos pelas crianças e passam a perder força na barganha da obediência da criança para com o adulto, para busca de experiências e para servir de potência criativa. Ou seja, tentaremos entender em como as histórias e os elementos que serviam para cercear a experimentação, podem instigar a exploração. Diante disto, algumas questões se levantam: Por que o medo é representado por tantas obras culturais e gera tanto fascínio? Por que muitas vezes sentimos prazer em sentirmos medo? Poderíamos usar, ou já estamos usando, este sentimento para nos desestabilizarmos com o comum, com o normal, com o estranhamento? Para compreender essas questões faremos um levantamento bibliográfico e documental, dentro de uma perspectiva qualitativa, procurando identificar nos personagens do folclore...

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O Karatê-Do é uma das artes marciais mais conhecidas e praticadas em todo o mundo. Esta arte marcial, nascida na ilha de Okinawa, no Japão, passou por profundas transformações ao longo do tempo até alcançar a configuração que tem hoje em dia, assim como toda a sociedade japonesa. Mais do que uma simples forma de luta, o Karate-Do se tornou um caminho, uma doutrina a ser seguida por seus praticantes, ensinando valores e conceitos para a construção da personalidade de indivíduo da sociedade. Através da esportivização desta arte, assim como ocorreu com o Judô e outras formas de combate, e também através da crescente popularização e exposição das artes marciais no cenário mundial pelos chamados eventos de artes marciais (MMA), os valores e atributos intrínsecos ao Karatê e a outras artes marciais não têm sido transmitidos aos alunos. Os treinos visam apenas golpes e ataques utilizados em competições, supervalorizando a técnica em detrimento as filosofias que são a base do Karatê. O objetivo deste estudo é analisar enquanto prática formadora em seu contexto histórico e cultural o Karatê-Do. Neste sentido, procuraremos explorar as características singulares desta modalidade de arte marcial que contribuem para a formação ética e moral de seus praticantes

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)