958 resultados para Fritchie, Barbara, 1766-1862


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El presente trabajo tiene por objeto estudiar la aplicación de la Real Cédula de 13 de noviembre de 1766, sobre separación de corregimientos e intendencias, en el caso concreto del Ayuntamiento de Granada, durante un período de especial complejidad, el de la Guerra de la Independencia.

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Legislation conferring copyright protection on paintings, drawings, and photographs for the life of the author plus a seven year post mortem term. The Act was also innovative in de-coupling the copyright term from the event of publication, in providing artists with a new form of ‘moral rights' protection, and in introducing the concept of "originality" as the standard threshold for copyright protection.
The commentary explores the background to the legislation, and in particular, the international copyright regime, the nature of the art market in eighteenth and early nineteenth centuries, the role of the Society of Artists in lobbying for legislative protection, and the impetus which the International Exhibition provided for securing the same. The commentary also considers how the 1862 Bill, in its earliest incarnation, incorporated elements that would have signalled a radical departure from established copyright norms. In particular, the Bill proposed: that copyright protection should not be contingent upon registration; and that protection should be offered on a universal basis, regardless of an artists' nationality, and regardless of where the work in question was created.

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This chapter considers the radical reimaginings of traditional Irish step dance in the recent works of Jean Butler and Colin Dunne, in which the Irish step-dancing body is separated from its historical roots in nationalism, from the exhibitionism required by the competitive form, and from the spectacularization of the commercialized theatrical format. In these works the traditional form undergoes a critical interrogation in which the dancers attempt to depart from the determinacy of the traditional technique, while acknowledging its formation of their corporealities; the Irish step-dance technique becomes a springboard for creative experimentation. To consider the importance of the creative potential revealed by these works, this chapter contextualizes them within the dance background from which they emerged, outlining the history of competitive step dancing in Ireland, the “modernization” of traditional Irish dance with the emergence of Riverdance (1994), and the experiments of Ireland’s national folk theater, Siamsa Tíre.

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Rezension von: Barbara Stambolis (Hrsg.): Jugendbewegt geprägt, Essays zu autobiographischen Texten von Werner Heisenberg, Robert Jungk und vielen anderen, Göttingen: V&R unipress 2013 (819 S.; ISBN 978-3-8471-0004-1; 74,99 EUR)

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Rezension von: Karin Bock / Ingrid Miethe (Hrsg.): Handbuch Qualitative Methoden in der Sozialen Arbeit. Opladen: Barbara Budrich 2010 (711 S.; ISBN 978-3-8664-9255-4)

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Rezension von: Leonie Herwartz-Emden / Verena Schurt / Wiebke Waburg (Hrsg.): Mädchen in der Schule, Empirische Studien zu Heterogenität in monoedukativen und koedukativen Kontexten, Opladen: Barbara Budrich 2010 (289 S.; ISBN 978-3-8664-9139-7)

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Rezension von: Silke Trumpa: Elternperspektiven – Rekonstruktionen an einer Freien Schule, Studien zur Bildungsgangforschung, Band 31, Opladen & Farmington Hills, MI: Barbara Budrich 2010 (276 S.; ISBN 978-3-86649-346-9)