876 resultados para Kitchen gardens.
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This layer is a georeferenced raster image of the historic paper map entitled: Map of the city and environs of Calcutta : constructed chiefly from Major Schalch's map and from Captain Prinsep's surveys of the suburbs with the latest improvements and topographic details by J. B. Tassin. It was published by J.B. Tassin in 1832. Scale [ca. 1:21,450]. Covers Kolkata and a portion of Haora, India.The image inside the map neatline is georeferenced to the surface of the earth and fit to the 'WGS 1984 UTM Zone 45N' coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, drainage, canals, built-up areas and selected buildings, brick buildings, fortification, ground cover, parks, gardens, cemeteries, rice fields, and more. Includes list of references and legend. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.
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This layer is a georeferenced raster image of the historic paper map entitled: General plan of Franklin Park, [by] City of Boston, Park Dept. ; Fredk. Law Olmsted, landscape architect ; William Jackson, city engineer ; Wm. M. Coombs, del. It was published in 1885. Scale [ca. 1:2,700]. Shows park paths and drives, and park features and areas (fields, hills, gardens, grounds, woods, etc.) Relief is shown by spot heights. The map includes a descriptive text, an index map with key, and tables: distances from park, areas, and lengths of ways. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Massachusetts State Plane Coordinate System, Mainland Zone (in Feet) (Fipszone 2001). All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, or other information associated with the principal map. This layer is part of a selection of digitally scanned and georeferenced historic maps of Massachusetts from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of regions, originators, ground condition dates (1755-1922), scales, and purposes. The digitized selection includes maps of: the state, Massachusetts counties, town surveys, coastal features, real property, parks, cemeteries, railroads, roads, public works projects, etc.
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This layer is a georeferenced raster image of the historic paper map entitled: Yokohama, Japan. It was published by Matsu-Ishi-Ya ca. 1890. Scale [ca. 1:7,200]. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, built-up areas, property lots, and selected buildings, gardens, cemeteries, docks, wharves, and more. Relief shown by hachures. Shows route from Grand Hotel and Club Hotel to Matsu-Ishi-Ya.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.
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It was Christmas day when an intriguing news piece about a kitchen technology was published in the Wall Street Journal in 2013 (Kowsmann, 2013). Immediately after, the piece went viral in the Portuguese (social) media (TV, blogs, press). It reported an odd 'obsession' of Portuguese consumers with a pricey German-made kitchen appliance - the Bimby (Figure 7.1) - during a difficult period of 'painful budget slashing in return for an international bailout'. The news piece served to unveil the irony: how come ''Western Europe's poorest country' could afford such an expensive technology 'that outsells high-end iPads [...] and is more popular on Facebook than the country's best-known rock band?' The journalistic piece advanced explanations for this technology craze: 'But the Portuguese love gadgets and seem determined, despite hard times, to maintain their tradition of regularly getting together for dinner. In this explanatory attempt, Bimby is portrayed as an intermediary that opens up the possibility for thinking about meal practices in a particular way, in this case, linking nation and meals through ideas around commensality.
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Monte Molião fica situado na margem esquerda do estuário da Ribeira de Bensafrim, em Lagos. Teve uma ocupação pré-romana, tendo sido densamente povoado durante toda a época romana. Neste trabalho, analisam-se os fragmentos de cerâmica de cozinha africana recolhidos no sítio, em escavações arqueológicas. O conjunto engloba 2005 fragmentos classificaveis, no entanto, apenas 1767 foram passíveis de tipificação (de acordo com as propostas de Tortorella, Hayes e M. Bonifay), tendo sido analisados também de acordo com a sua posição estratigráfica, o que permitiu retirar informação sobre a sua cronologia absoluta e integração nas diferentes fases de ocupação romana do sítio. Todos foram também abordados do ponto de vista do fabrico, concretamente no que se refere à cor e à estrutura física da pasta, numa tentativa de aproximação aos centros produtores. 161 exemplares, considerados representativos do conjunto, foram desenhados e tintados. O circuito da cerâmica de cozinha africana no sul de Portugal foi proposto com base nos dados do sítio de Lagos, mas também com outros provenientes de distintos locais algarvios, tendo-se concluído que aqueles em que esta cerâmica se tinha registado eram litorais ou facilmente acessíveis por rio.
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This work aimed to make a study for the implementation of an industrial unit for production of olive oil powder. For obtaining this product, which is designed for the gourmet kitchen market, is used the maltodextrin, which allows obtaining the small spheres (micro-droplets) of olive oil. To fulfil the proposed objective, were evaluated all steps that constitute the production process, including the olive oil production and then the transformation into the final product, i.e., in the form of powder. In this way, it will allow establishing all the steps necessary for the final project, which involve: definition of premises and equipment, layout and also some brief considerations regarding the effluents and wastes generated.
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Desde la perspectiva de la genética textual, en este trabajo observamos las representacionesdel personaje de Peter Pan en los textos de J. M. Barrie dedicados a este con respecto a sussemejanzas con el dios griego Pan, para ver de qué manera dialogan con los diferentes sentidosque el dios fue connotando a través de siglos. Analizamos la fotonovela The Boys Castawaysof Black Lake Island (1901); The Little White Bird (1902), novela en la que aparece en seiscapítulos; las "Fairy Notes" (1903) en borrador y el libreto inédito llamado Anon: a play de la obra teatral Peter Pan or The Boy Who Would Not Grow Up (estrenada en 1904); la novela Peter Pan in Kensington Gardens (1906), que consiste en esos seis capítulos de The LittleWhite Bird; la novela Peter and Wendy (1911), adaptación de la obra de teatro; un guion cinematográfico,Scenario for a Proposed Film of Peter Pan (c. 1918), que no se filmó; y ellibreto de la obra, finalmente publicado, con bastantes cambios, en 1928
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Desde la perspectiva de la genética textual, en este trabajo observamos las representacionesdel personaje de Peter Pan en los textos de J. M. Barrie dedicados a este con respecto a sussemejanzas con el dios griego Pan, para ver de qué manera dialogan con los diferentes sentidosque el dios fue connotando a través de siglos. Analizamos la fotonovela The Boys Castawaysof Black Lake Island (1901); The Little White Bird (1902), novela en la que aparece en seiscapítulos; las "Fairy Notes" (1903) en borrador y el libreto inédito llamado Anon: a play de la obra teatral Peter Pan or The Boy Who Would Not Grow Up (estrenada en 1904); la novela Peter Pan in Kensington Gardens (1906), que consiste en esos seis capítulos de The LittleWhite Bird; la novela Peter and Wendy (1911), adaptación de la obra de teatro; un guion cinematográfico,Scenario for a Proposed Film of Peter Pan (c. 1918), que no se filmó; y ellibreto de la obra, finalmente publicado, con bastantes cambios, en 1928
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Title from spine.
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Green cloth binding, with gilt spine titles.
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Richard Bull, architect. Known at various times as Detroit Observatory, Campus Observatory, Old Observatory. Observatory from northwest with pine trees and summer garden. On verso: A.L. Colton, Photographer, Ann Arbor, Michigan. Views of the State University a Specialty.
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Front Row: swimming coach Jon Urbanchek, Rob Silverman, Mike Bayerl, Bill Hayes, Lee Michaud, Alec Campbell, Jan-Erick Olsen, Tim Petsche, Eric Kitchen, Martin Moran, Mike Barrowman, diving coach Dick Kimball
2nd Row: trainer Dave Tomchek, Eric Wise, D, Mott, Rick Reising, M. Smith, Alex Alvizuri, Zeb Esselstyn, Tato Ceresa, D. McNear, M. Curry, E. Gotting
3rd Row: David Parrish, Dan Dewhirst, Sean Gallagher, Steve Pancratz, Scott Van Appledorn, Dave Goch, Bill Kopas, G. Williams, Ron Howard, Rick Wilkening, A. DeLuca
Back Row: assistant coach Joe Parker, Scott Ryan, Bjoern Warland, Jarret Winter, Ron Melnyk, L. Aspenwall, Jeff Heydanek, Mats Nygren, Mike Creaser, graduate assistant Dan Kerska
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Vol. 1-7, title reads : The gardeners' weekly magazine and horticultural cabinet.