Da imagem poética ao diálogo interartístico

Na poesia de Luiza Neto Jorge existe uma verdadeira poética do olhar, uma espécie de poder de encantação que permite o estabelecimento de nexos de continuidade com as artes visuais. Partindo desta premissa de base surrealista, pretende-se relacionar a poesia de Luiza Neto Jorge com a pintura, o cinema, a música, o teatro, a arquitetura e a escultura Nos ensaios poéticos do século XX, na criação do poema como matéria verbal, o papel da imagem passa a ser o de apresentar e não mais o de representar. Com base na definição de André Breton, a imagem contraria o conceito harmonioso de beleza tradicional, acasalando realidades contraditórias e adquirindo um caráter delirante, fantástico e até diabólico.

POSTDATA – Towards publishing European poetry as linked open data

POSTDATA is a 5 year's European Research Council (ERC) Starting Grant Project that started in May 2016 and is hosted by the Universidad Nacional de Educación a Distancia (UNED), Madrid, Spain. The context of the project is the corpora of European Poetry (EP), with a special focus on poetic materials from different languages and literary traditions. POSTDATA aims to offer a standardized model in the philological field and a metadata application profile (MAP) for EP in order to build a common classification of all these poetic materials. The information of Spanish, Italian and French repertoires will be published in the Linked Open Data (LOD) ecosystem. Later we expect to extend the model to include additional corpora. There are a number of Web Based Information Systems in Europe with repertoires of poems available to human consumption but not in an appropriate condition to be accessible and reusable by the Semantic Web. These systems are not interoperable; they are in fact locked in their databases and proprietary software, not suitable to be linked in the Semantic Web. A way to make this data interoperable is to develop a MAP in order to be able to publish this data available in the LOD ecosystem, and also to publish new data that will be created and modeled based on this MAP. To create a common data model for EP is not simple since the existent data models are based on conceptualizations and terminology belonging to their own poetical traditions and each tradition has developed an idiosyncratic analytical terminology in a different and independent way for years. The result of this uncoordinated evolution is a set of varied terminologies to explain analogous metrical phenomena through the different poetic systems whose correspondences have been hardly studied – see examples in González-Blanco & Rodríguez (2014a and b). This work has to be done by domain experts before the modeling actually starts. On the other hand, the development of a MAP is a complex task though it is imperative to follow a method for this development. The last years Curado Malta & Baptista (2012, 2013a, 2013b) have been studying the development of MAP's in a Design Science Research (DSR) methodological process in order to define a method for the development of MAPs (see Curado Malta (2014)). The output of this DSR process was a first version of a method for the development of Metadata Application Profiles (Me4MAP) (paper to be published). The DSR process is now in the validation phase of the Relevance Cycle to validate Me4MAP. The development of this MAP for poetry will follow the guidelines of Me4MAP and this development will be used to do the validation of Me4MAP. The final goal of the POSTDATA project is: i) to be able to publish all the data locked in the WIS, in LOD, where any agent interested will be able to build applications over the data in order to serve final users; ii) to build a Web platform where: a) researchers, students and other final users interested in EP will be able to access poems (and their analyses) of all databases; b) researchers, students and other final users will be able to upload poems, the digitalized images of manuscripts, and fill in the information concerning the analysis of the poem, collaboratively contributing to a LOD dataset of poetry.

RAIMOUEST : la pêcherie française de raies dans le golfe normand-breton

The landing ban of Raja undulata has raised misunderstanding for French fishermen, particularly for those fishing in the Norman‐Breton gulf (Southeast of ICES Division VIIe) where this species is very abundant. In this context, the RAIMOUEST project was launched as a professional and scientist partnership in order to enhance fisheries data on the main ray species caught in the Norman-Breton Gulf (Raja undulata, Raja brachyura, Raja clavata, Raja montagui and Raja microocellata). The French ray fisheries fleet was identified and a sample of fishermen involved in rays fishing was interviewed. Landings and effort data (logbooks), auctions sales and sampling at sea aboard professional fishing vessels were analysed. This working document presents the current results of this study. The French fleet concerned by ray fishing in the Normand-Breton Gulf in 2012 was composed of 289 vessels, mainly coastal trawlers/dredgers and small length size netters and longliners. R. undulata is the main ray species in this area. This species seems to form a local stock in the Normand-Breton Gulf with some continuity in the Eastern English Channel and the Western part of the Western English Channel. Three ways of analysis were used to provide an indicative level of R. undulata stock: French landings before 2009 were estimated at least at 300 tons in the Western English Channel (VIIe) and 160 tons in the Normand-Breton Gulf; sales at auctions of the Basse-Normandie fleet before 2009 were estimated at 235 tons in the western English Channel and 35 tons in the eastern English Channel (VIId); discards by the French bottom trawl fleet in ICES Division VIIe in 2012 and 2013 were estimated at 750 tons. Information on the spatial distribution of the other ray species in the English Channel was also provided. The coastal localisation of nursery for R. undulata and R. clavata was highlighted.

Wrath in Diane Wakoski's Poetry

[Sin resumen]

Everything Appeared (Todo parecia): Contemporary Cuban Poetry on Gay and Lesbian Topics

This flyer promotes a book presentation of the book " Everything Appeared (Todo parecia) : Contemporary Cuban Poetry on Gay and Lesbian Topics" by Coeditor Jesus J. Barquet. The edited volume offers a variety of authors from the 20th Century to the present. The event will be held in Spanish on November 2, 2015 at Books & Books Coral Gables.

Evolution and Permanence in Cuban Poetry- The Poetry of Lazaro Castillo

This flyer promotes the lecture "Evolution and Permanence in Cuban Poetry- The Poetry of Lazaro Castillo" by Lazaro Castillo, a leading young poet in Cuba. His texts are characterized by his interest in daily life, a collection of itinerant anecdotes, and the amorous vocation that precedes pain. This lecture is cosponsored by the Department of Modern Languages and was conducted in Spanish. It was held on November 20,2015 at FIU Modesto A. Maidique Campus, CBC254.

Modelling the generation of customised poetry in Jess

The present paper presents an application that composes formal poetry in Spanish in a semiautomatic interactive fashion. JASPER is a forward reasoning rule-based system that obtains from the user an intended message, the desired metric, a choice of vocabulary, and a corpus of verses; and, by intelligent adaptation of selected examples from this corpus using the given words, carries out a prose-to-poetry translation of the given message. In the composition process, JASPER combines natural language generation and a set of construction heuristics obtained from formal literature on Spanish poetry.

RESISTANCE TO THE COLONIALITY AND COLONIAL SUBSERVIENCE. THE LEGACY OF COLONIALISM IN JORGE BARBOSA AND VIRIATO DA CRUZ AFRICAN POETRY

From the 70's, Africa was a massive wave of independence process. However, such processes are not meant processes of decolonization. According with Fanon (1961) also decolonization is based not only on the territorial and political, but mostly mental. While some former colonies resist colonial hegemony still visible in the local culture, others are colluding with the colonizing process. Thus, it will analyze the subservience and resistance to colonization in Lusophone African poetry, especially with the Angolan Viriato da Cruz, with the poem MaKézú (1961) and Cape Verdian Jorge Barbosa with Prelude (1956).

Poetry and transcendence in the A Túnica Inconsútil, of Jorge de Lima

We intend to study this text as Jorge de Lima establishes the relationship between two distinct activities, poetry and religion, for the elaboration of the A Túnica Inconsútil. In our perspective, the effective union of these two perspectives will be accomplished through the technique of surrealist collage, which makes use of the combination of disparate elements, together with the exploitation of classic tops of literature, such as the trip and the island. Join this practice the metaphysical poet's ideological project, which aims to establish the "poetry in Christ".

THE POETRY OF HELENA KOLODY IN THE PARANÁ LITERATURE CONTEXT

Helena Kolody is a Brazilian poet, daughter of Ukrainian emigrants and was born on October 12th, 1912, in Cruz Machado, state of Paraná. Died on 14th February, 2004, in Curitiba, PR. With twelve published books, a lot of anthologies and complete works, Kolody while realizes a poetic “doing”, looks for the synthesis of her production. She chooses synthetic form poems such as: distiches, tercets, quartets, ephigrams, “tankas and haicais” (Japanese poetry). The recurrent themes into the Kolody’s lyric are: the time; the loneliness; the memory; the transitority; the permanency; the double; the travel among others. The “kolodiana’s work” shows themes and images that contribute to propose (re) significations in Paraná Literature context.

RÔMULO QUIROGA IN THE GALLERY OF MODERN PAINTERS: CONJUNCTION BETWEEN POETRY AND PAINTING IN THE POETRY OF MANOEL DE BARROS

ABSTRACT: This article discusses the poetic creation in the poem “As lições de R. Q.” of the poet Manoel de Barros, and in the note that precedes it, identifying possibilities for interpretation of the poem in relation to the proposed questions, namely: the question of influence in the arts, the question of the interpenetration of technical and glances between poetry and painting, also addressing the issues of primitivism and colonialism.  KEYWORDS: Manoel de Barros. Poetry. Painting.