973 resultados para SEMÁNTICA


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Neste trabalho, analiso aspectos da constituição e do uso do juntor que nem, em dados da modalidade de enunciação falada do português. A questão maior é mostrar que a inserção de que nem no paradigma dos juntores, por meio de processos de gramaticalização, resulta em quatro novos padrões funcionais, que refletem uma rede de parentesco semântico no domínio das relações modais. As construções com que nem são descritas a partir do pareamento entre forma e significado, com o propósito de defender que arquiteturas sintáticas diferenciadas contribuem para a interpretação da polifuncionalidade semântica de que nem; e que as fontes sincrônicas do português ajudam a desvendar etapas do processo de reanálise de que e nem, tendo em vista as tendências diacrônicas sobre mudança de juntores nas línguas (Kortmann, 1997).

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In this paper we consider a broad conception of phraseology to propose a description and analysis of phraseological units of stemming diacritical Spanish / Portuguese bilingual dictionaries. The focus of the analysis seeks to show not only the organization of the macro-structure proposed by two different lexicographical works, but also to discuss the use of labels and equivalences presented. Phraseological units are understood here as diacritical phraseologisms containing unique lexias, lacking syntactic and semantic autonomy recognized by speaker only within fixed expressions.

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This paper aims to discuss the approach of sentences concessive on grammars and teaching books in Portuguese in order to ascertain to what extent is closer or more distant from the description of sentences concessive in real interaction from the perspective of Functional Discourse Grammar. Were consulted normative grammars, descriptive and five textbooks used in primary schools. In some, the grant was not addressed, as in others, we note that, in general, have definitions which simply equate concessive clauses a concept syntactic and sometimes semantic, detaching it from the domain of pragmatic language. This level of analysis is not left out, however, by the prospect Functional Discourse, which analyzes the pragmatic as the broader component within which we analyze the semantics and syntax. From this point of view, we intend to propose new emphases in approach given the award by the grammars and the teaching materials.

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Pós-graduação em Odontologia Preventiva e Social - FOA

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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The aim of this paper is to show a cognitive semantic investigation on the idea of expectation, defined as a mental construct which organizes the thinking and works as specific motivation in the process of communication. Expectation is an idea that may be created in the speaker's or in the listener's mind. It may be verbalized or not. Its semantic information may not be realized in real life, bringing frustration to communication. This study of expectation suggested that it is useful to have a theory to explain what other approaches left over. The working methodology focused in the gathering of data related to the phenomenon and the procedures to explain them inside a cognitive approach. The utterances are directly dependent of how the mind words. Therefore, studying speech we can have an access to people's mind. The idea of expectation may be interpreted under different traditional semantic labels. However, there are some peculiarities that can be explained only by a cognitive approach to language. We find words and phrases in the languages which reveal the presence of an expectation, such as "I think that...", "there has been an expectation about..." All answers are expected to fulfill an expectation. This investigation brought evidence that the mental expectation is essential to the act of communication. Therefore, the study of expectation in languages and in people's mind is important for the researches on cognitive semantics.

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This paper examines the historical role that Tesnière’s theory on the centrality of the verb exerted on some theoretical branches that study the way utterances are built in language. The main goal of this paper is to evaluate the impact that such a proposal had in changing the view of the clause being purely logical (a proposition) or purely syntactic (abstractly equated) to a view that embodies semantics and pragmatics to the syntactic organization of the utterance. A close examination of research dedicated to the grammatical and lexicographic description of Portuguese helps to illustrate the here proposed assessment and contributes to support the claim of the influence of Tesnière on current linguistic analyses.

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An analysis of “Pretérito Perfeito Simples” (Simple Past Tense) and “Pretérito Per‐ feito Composto” (Compound Past Tense) in Brazilian Portuguese showed that such tenses must be distinguished according to semantic and pragmatic features other than temporal; both tenses can be used to express a situation that begins in the past and extends up to the present.

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Comitative is a semantic case not much studied. Traditional grammar includes it sometimes as Indirect Object, sometimes as Adverbial Adjunct of Company. In this paper, we show that it is a nuclear element, therefore it is a Complement not an Adjunct; in other words, being a deep semantic case, it constitutes an Argument selected by the verb in the sentence organization.

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This article has been generated by the interface between geography and music. Methodologically, we have used a multidisciplinary bibliography that contemplates cultural geography, history, music, linguistics, literature, anthropology, for we understand that, for the understanding of a polysemous code, as it is in music, we need a diversity of looks. Our main document for an analysis of the construction of Brasília is the “Sinfonia da Alvorada” (Symphony of the Dawn), composed by Antônio Carlos Jobim and Vinícius de Moraes. Here, we attempt mainly to do a textual analysis of the work under an external perspective of the symphonic work, we mean, analyzing more its semantics (considering the product between interlocution and interpretation), and less its instrumental aesthetics, although the latter is also present. Finally, we attempt to understand the connection that exists between the actors and the spaces which are metamorphosing along with the construction of the city and which puts into evidence the idea of social circularity, proposed by the “Sinfonia da Alvorada”. This piece captures social and cultural elements related to the construction of Brasília and repositions and rearranges it through the execution of the music, in such a way that this arrangement can provide a change in the senses which are constructed from the urban experience in Brasília.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Ciência da Computação - IBILCE

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Educação - IBRC