The Haptic Aesthetic in Samuel Beckett's Drama

In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, this study examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.

Sir Bernard Spilsbury: a survey and catalogue of his autopsy case cards from the Wellcome Library, London

During his lifetime, Sir Bernard Spilsbury was referred to as the ‘‘father of forensic medicine.’’ He became a household name as a result of several famous cases. Several articles have been written about his life and work, but an objective assessment has proved difficult because of the lack of available material that Spilsbury himself produced. His main legacy has been a series of case cards, but for many years these were unavailable to the researcher. In 2008, a collection of some 4000 of Spilsbury’s case cards was bought by The Wellcome Library in London and therefore entered the public domain. In this article, we report our study of 650 of these cards. We discuss trends in Spilsbury’s work and several specific cases in more detail. These cards allow an objective view to be taken of Spilsbury’s everyday work, and we feel that some reappraisal of his legacy is now timely

Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history

From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of Beckett’s stage plays, to more recent years, the Gate dominated Irish productions of Beckett’s theater. The Gate Beckett Festival was remounted in 1996 at the Lincoln Center, New York, and at the Barbican Centre, London, in 1999, and individual or grouped productions have toured regularly since then in Ireland and internationally. However, since the Irish premiere of Waiting of Godot at the Pike Theatre in 1955, in addition to several Beckett plays mounted by the National Theatre, many independent Irish theater companies, such as Focus Theatre, Druid Theatre, and more recently Pan Pan Theatre, Blue Raincoat Theatre, The Corn Exchange, and Company SJ (under director Sarah Jane Scaife), have produced Beckett’s drama. While acknowledging earlier Irish productions, this essay will consider the role of the Dublin Gate Beckett Festival and the Beckett Centenary celebrations in Dublin in 2006 in greatly enhancing the marketability of Beckett’s work, and will discuss the proliferation of productions of Beckett’s stage plays (as opposed to stage adaptations of the prose work, which is a topic for another essay) in the independent theater sector in the Republic of Ireland since 2006. In addition to giving an overview of these recent productions, the essay will consider some issues at stake in creating or constructing performance histories

Samuel Beckett's digital library

A digital reconstruction of Samuel Beckett's personal library, based on the volumes preserved at his apartment in Paris, in archives (Beckett International Foundation) and private collections (James and Elizabeth Knowlson Collection, Anne Atik, Noga Arikha, Terrence Killeen,...).

Description of two new species of Avicularia Lamarck 1818 and redescription of Avicularia diversipes (C. L. Koch 1842) (Araneae, Theraphosidae, Aviculariinae)-three possibly threatened Brazilian species

Avicularia diversipes (C. L. Koch 1842) known previously only from its original description is redescribed along with Avicularia sooretama sp. nov. and Avicularia gamba sp. nov. The three species are endemic to Brazilian Atlantic rainforest. With other Avicularia species, they share a procurved anterior eye row, slender embolus and medially folded spermathecae, whereas they have unusual characters, such as a very long and spiraled embolus (A. diversipes) and spermathecae with multilobular apex (A. sooretama sp. nov.). Furthermore, the three species lack a tibial apophysis in males and share a distinctive color pattern ontogeny that is not known in any other Avicularia species. The conservation status of the three species is discussed, especially with respect to endemism, illegal trafficking and habitat destruction. The creation of protected areas in southern State of Bahia, Brazil, is recommended, as well as the inclusion of these species in IUCN and CITES lists. Appendices with figures and species information are presented to facilitate correct specimen identification by custom officers, in order to limit illegal traffic.

Establishment of the comet assay in the freshwater snail Biomphalaria glabrata (Say, 1818)

The single cell gel eletrophoresis or the comet assay was established in the freshwater snail Biomphalaria glabrata. For detecting DNA damage in circulating hemocytes, adult snails were irradiated with single doses of 2.5. 5, 10 and 20 Gy of Co-60 gamma radiation. Genotoxic effect of ionizing radiation was detected at all doses as a dose-related increase in DNA migration. Comet assay in B. glabrata demonstrated to be a simple, fast and reliable tool in the evaluation of genotoxic effects of environmental mutagens. (c) 2008 Elsevier B.V. All rights reserved.

A Psychoanalytic Reading of Vladimir and Estragon in Samuel Beckett’s Waiting for Godot

Much has been written about Samuel Beckett’s Waiting for Godot, but as far as I am aware no one has compared the two characters of Vladimir and Estragon in order to analyse what makes Vladimir more willing to wait than Estragon. This essay claims that Vladimir is more willing to wait because he cannot deal with the fact that they might be waiting in vain and he involves himself more in his surrounding than Estragon. It is Vladimir who waits for Godot, not Estragon, and Vladimir believes that Godot will have all the answers. This will be explored by examining four topics, all of which will be dealt with from a psychoanalytical point of view and in relation to waiting. Consciousness in relation to the decision to wait; Uncertainty in relation to the unknown outcome of waiting; Coping mechanisms in relation to ways of dealing with waiting; Ways of waiting in relation to waiting-time and two kinds of waiting-characters.

Mémoires d'une attente inachevée : le temps dans Malone Meurt, L'innommable et En Attendant Godot de Samuel Beckett

Minha dissertação consiste em desenvolver a relação estabelecida entre o texto e o leitor no processo de leitura literária como produtividade, considerada como um conjunto, compreendendo o produtor do texto e seu leitor. A leitura vista como ‘‘jogo", em que o retorno do diferente não desdenha a tradição da leitura, conduz o leitor à produzir um texto múltiplo, plural. O texto é o mesmo e um outro ao mesmo tempo. Este estudo compreende três textos singulares da obra de Samuel Beckett: Malone meurt, L’Innommable e En attendant Godot. Tudo o que é assimilado, assim como refutado por Beckett, é convidado a entrar em cena no decorrer deste trabalho. Como via de acesso para a composisão da escritura becketiana, foi necessário seguir os passos da memória de leitura do autor para chegar a uma conclusão, segundo minha própria leitura, a partir da leitura dos três textos escolhidos. Por isso, reencontrei em Proust, a idéia do leitor ‘‘livre’’ e ‘‘independente’’ mantido por Beckett. Seguindo os traços da tradição, foi possível desenvolver uma memória de leitura como uma repetição, conduzindo a um resultado imprevisto. Balzac é a primeira referência da leitura beketiana. O autor é trabalhado como fonte principal da leitura becketiana. Assim, a composição da memória em Beckett não pode ser recuperada senão na articulação dos estudos textuais como ‘‘produção’’ e, cujas imagens repetitivas fornecidas pelos três textos de Samuel Beckett asseguram a continuidade, a produtividade de leitura, em que, esta memória, torna-se inevitavelmente, memória do texto.

A SIR chegou... : Sala de Integração e Recursos e a inclusão na Rede Municipal de Ensino de Porto Alegre

A presente investigação tem como objetivo realizar um estudo a respeito da Sala de Integração e Recursos (SIR), analisando seu papel na garantia da permanência e educabilidade dos alunos com necessidades educativas especiais, nas escolas regulares da Rede Municipal de Ensino de Porto Alegre. Este espaço constitui-se como um serviço de apoio vinculado à educação especial existente no ensino comum, onde atuo como educadora especial. Dentro dessa abordagem, mereceu destaque a perspectiva educacional inclusiva e seus pontos de conexão com a proposta político-pedagógica da referida rede de ensino. A pesquisa tem uma abordagem qualitativa e o instrumento utilizado para a coleta dos dados foi a entrevista semi-estruturada. Os sujeitos entrevistados foram cinqüenta e quatro professores do município de Porto Alegre, divididos em dois grupos, formados pelos professores que atuam na Sala de Integração e Recursos e pelos professores de sala de aula do ensino comum. A perspectiva metodológica utilizada para analisar as entrevistas foi a Análise de Conteúdo. Foram analisadas as concepções dos entrevistados em torno de três grandes eixos: Que espaço é esse? Quem é atendido nesse espaço? A construção de parcerias. Nesses eixos destacam-se aspectos relativos ao conceito e caracterização desse espaço; o perfil dos alunos encaminhados; critérios utilizados para encaminhamento e conclusão do atendimento; aspectos facilitadores e problemáticos presentes no processo de construção do espaço de interlocução entre os professores envolvidos no trabalho da SIR Os resultados indicam que existe um processo de construção de parcerias entre os professores da SIR e aqueles do ensino comum, cujos alunos são atendidos nesse espaço. Apesar das evidências de que a Rede Municipal de Ensino de Porto Alegre tem oferecido apoios relativos à inclusão, a discussão a esse respeito ainda encontra-se muito centrada no educador especial e no espaço da SIR.