914 resultados para Estructura del sentir
Resumo:
Includes bibliography
Resumo:
Incluye Bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Presentación En virtud del convenio entre la Comisión Económica para América Latina y el Caribe (CEPAL) y la República Federal de Alemania (a través de la agencia de cooperación GTZ), destinado para el subsector de hidrocarburos de América Central, la Unidad de Energía de la Sede Subregional de la CEPAL en México ha venido publicando informes anuales sobre el abastecimiento de hidrocarburos en el Istmo Centroamericano. Dentro de esta cooperación conviene mencionar que en el año 1998 finalizó la VI fase del proyecto para el mejoramiento del abastecimiento de hidrocarburos para la región, pero durante el año siguiente comenzó la ejecución de un nuevo proyecto denominado Uso sustentable de los hidrocarburos, que cubre los temas de uso eficiente y protección ambiental. El presente informe, correspondiente al año 2000, forma parte de las actividades aprobadas por los directores generales de hidrocarburos (o instancias equivalentes) de los países del Istmo Centroamericano para el proyecto mencionado. En el documento se expone una actualización de la estructura del consumo de derivados del petróleo, de las actividades de refinación y almacenamiento, así como de la procedencia de las importaciones de hidrocarburos y los costos del abastecimiento. En esta ocasión, por primera vez se incluye la composición y análisis de la estructura de los precios al consumidor de los principales combustibles. Finalmente, la CEPAL deja constancia expresa de su reconocimiento a las Direcciones Generales de Hidrocarburos (o instancias equivalentes), que dieron toda la información necesaria para la elaboración de este informe.
Resumo:
Incluye Bibliografía
Resumo:
Incluye bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Incluye Bibliografía
Resumo:
Pós-graduação em Serviço Social - FCHS
Resumo:
The indexing is a kind of description whose aim is to establish concepts expressed in a document and representing them according to a documentary language. There are elements that can contribute to a more complete selection of terms that will represent the document, like the observation of its textual structure and the context where the indexing professional acts. The analysis of the book textual structure can be carried out in a way that facilitates the indexing, as the professional can foresee the parts of the text where he localizes and identifies the more representative terms of the textual content. In such a way, it is intended to comprehend and inquire, with the applying of Verbal Protocol, the use that São Paulo libraries indexers do from the textual structure during the determination of subjects in such a way as to obtain the disclosure of their procedures, difficulties and restrictions through the externalization of thoughts during the recording of the indexing task. From the data analysis, it was possible to find out that the right hand page, the back of the title page, the chapters and other parts of the book s structure provided the greater number of terms, becoming the most important ones for the indexing task.
Resumo:
Introduction: The literature about the work with the voice of actors in the theater focuses the research on organic issues involved in the vocal process as “misuse” or “vocal abuse”. To a lesser amount, there are studies that highlight issues of interpretation and expressive resources, as well as others that highlight the linguistic resources of interpretation. This work shows a linguistic feature – the pause – and its collaboration for the theatrical interpretation. Objective: to verify the extent to which similarities and differences occur between the points judged as occurrence of pauses in interpretations of a theatrical text. Method: Subjects of this study were four theater actors, who played individually a same theatrical text. Later, a group of ten judges judged the points where pauses occurred. Based on a criterion of 70% agreement between judges, were searched similarities and differences between the points judged as pause of each recording. Results: the four subjects showed different amounts of pause in the stretch in common that they interpreted: S1= ten occurrences; S2= 14 occurrences; S3= 6 occurrences; and S4= 9 occurrences. In this inter-subject variation, five points of pause in common were detected. Conclusion: we have seen, then, that this variability (featuring subjectivity in interpretation) is built inside given possibilities, with lesser or greater flexibility, by the structure of the theatrical text.
Resumo:
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)