992 resultados para Escrita criativa
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In order to contribute to the understanding of the history of the teaching of reading and writing and the history of political movement of textbooks in Sao Paulo, Brazil, we present the results of the analysis of the documents produced by the Review Commission Textbook, established in 1918 by the General Board of Education of São Paulo State. This commission aimed to review which books among the already approved by previous committees, should continue as recommended for use in elementary schools in São Paulo. For this, the commission has prepared various reports, which are representative of the actions of the state government to control the circulation and use of textbooks in elementary schools in the early twentieth century.
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Pós-graduação em Letras - FCLAS
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Este estudo visa aprofundar as reflexões sobre as práticas de leitura e escrita efetivadas por pessoas jovens e adultas pouco escolarizadas. A partir das experiências vivenciadas enquanto educadora do Projeto de Educação de Pessoas Jovens e Adultas: Práticas e Desafios (PEJA) da Universidade Estadual Paulista Júlio de Mesquita Filho (Unesp), câmpus de Rio Claro, que instigaram-me a olhar para as práticas de leitura e escrita de pessoas pouco escolarizadas, surgiram algumas indagações que aqui se colocam enquanto problemas da pesquisa: O que move as práticas de leitura e escrita efetivadas por esses sujeitos, pessoas comuns? E qual o sentido atribuído pelo sujeito que escreve e lê às suas próprias práticas de escrita e leitura? Pautando-se por uma abordagem qualitativa, o presente estudo se organiza iniciando-se pelo levantamento realizado nos trabalhos submetidos e encomendados, no período de 2000 a 2013, nos Grupos de Trabalho GT-18, GT-10 e GT-03, nas Reuniões Anuais da Associação Nacional de Pós-Graduação e Pesquisa em Educação (ANPEd) sobre a temática. Na sequência, aponto as contribuições teóricas de autores tais como Roger Chartier e Michel de Certeau sobre as práticas de ler e escrever, assumidas como práticas culturais. Por fim, apresento e comento tópicos das entrevistas realizadas com uma educanda que se faz poetisa no PEJA - Rio Claro e o levantamento dos escritos por ela produzidos, de modo a constituir um arquivo de sua produção escrita. A análise do material coletado nos faz perceber que tais práticas ultrapassam a esfera escolar produzindo outros sentidos; portanto o ensino escolarizado transcende a prática educativa escolar. Há que se refletir sobre a existência da diversidade de saberes e descobrir modos outros de realização de trabalhos que atrelem os saberes escolares e as práticas culturais
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This paper focuses on the practice of writing in the initial training. The research was conducted from an autobiographical perspective. The instruments used for data collection were the writings produced by me during my participation in the Institutional Scholarship Project Introduction to Teaching (Pibid) and my participation in the extension project Training Group: Dialogue and Otherness, those writings that bring my formative experience as a future teacher. The objectives was to analyze the writings produced by me in these contexts and through this analysis, understand what the issues that I problematized and what knowledge I was building from the experiences lived in the school context and in the university context. In view of understand the writing practices promoted in initial training, I have developed a literature search in the Annals of ENDIPE (National Meeting of Teaching and Teaching Practice) 2008, 2010 and 2012. This research seeks to contribute to the recognition of the training capability of autobiographical teaching writing
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Pós-graduação em Música - IA
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Pós-graduação em Música - IA
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em História - FCLAS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Creative spaces need freedom. Any productions, especially with artistic content, need space to mistakes, that is, for an attempt away from the standard. The independent production environment is recognized in different artistic sectors as a space for innovation, to be free of the serial production logic. The major innovations in the international scenario of games came from the independent productions. Great classics revolutionized the aesthetics and functionality of this new media. This project aims to analyze the productive chains of Brazilian independent games, starting with a regional analysis. The goal is to observe the factors responsible for the innovation that these games can offer, the management aspects of creative processes, articulation of innovative agents and resources mobilized. Brazil currently has the fourth largest gaming market in the world with expectation of strong growth for years to come, but arises in the international market as a consumer. Given this regional demand is necessary to study the tools of production, even to help fill that need. Not only the production of games should be thought, the media coverage is also another important factor, in view of the economic importance of this segment. Understanding the mechanisms of innovation in the gaming universe, its impact on the formation of public and coverage of specialized journalism in this new media are possible outcomes of future studies and research that scientific research can contribute
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Pós-graduação em Educação - IBRC
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The starting point of this paper is a brief report of a specific research about a Brazilian institution called Grupo Escolar. Its main intention, however, lies in the discussion on some methodological procedures and some distinct scientific practices in Human Sciences. Authors make some remarks on the possibilities of alternative research protocols, its boundaries and potentialities, specially focusing the study of school archives and the use of Oral History approach. The discussion about Oral History brings to the scene two others important themes – childhood and elderliness.
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The Creative Economy is an experimental laboratory for the creation , innovation , invention and reinvention of the universe of media - analog and digital . The scenery in the media and converging technologies favors the process of “ creative destruction and destructive creation “ of this field . The mapping of basins and technological corridors distributed through the territory of concentrated areas creates an infrastructural chassis for the production of content , information and entertainment . As locus and logos of immaterial production , digital ecology that gives speed to the flow of production - planning, fundraising , publishing , distribution and enjoyment - and allows the dispossession of their local clusters , the fragmentation and dilution of their creative chains . The collective cultural production and creation appropriating these capilarizados articles and produce content against political, economic and social status quo . The land is fertile and favorable to the emergence of radical media and rebels that recreate the public sphere , and edit poor public spheres , alternative , radical and efficient , the tactical point of view . This article aims to contribute to studies and research that scour the ecosystem of the media for understanding the management of their creative processes, actors and critics of tangible and intangible resources that support their communication actions .
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En este artículo se reflexiona sobre la obsolescencia de la condición de autor de hoy mediante la revisión de los diferentes métodos de licencias públicas y sugiere su adopción como una posible base para la reforma legal en torno al tema, para conciliar la ampliación de la circulación de contenidos y protección de los derechos producción de películas en el nuevo contexto de la economía creativa. A través de la investigación exploratoria, el documento analiza cómo y en qué medida las licencias copyleft y creative commons puede guiar esta reforma. Se considera que las licencias públicas buscan un equilibrio entre el derecho de autor y los preceptos actuales de la sociedad del conocimiento, proporcionando los parámetros más adecuados para la revisión necesaria de ese estatuto.