959 resultados para Arte brasileira História e crítica


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El autor en este libro reune los estudios hechos por l y publicados en periodicos salvadoreos y guatemaltecos, as como tambin escritos inditos. Los temas en su mayor parte se rozan con la poltica, pero no la poltica con extraviado criterio y mezquinos fines que se pone en prctica en Centro-Amrica, sino con la poltica verdadera, que por sus principios cientficos y elevados ideales, ha de transformar el carcter y la suerte de estos pases. Algunos escritos del autor se enmarcan en el contexto del ideal unionista, suprema aspiracin y gloriosa meta del patriotismo.Esta edicin de Los Nuevos Estudios incluye adems temas relacionados con la historia, la literatura, el arte, la sociologa, el derecho internacional, etc. y en todos ha procurado consignar los mejores y ms avanzadas doctrinas de cada una de las respectivas materias.

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Tese (doutorado)Universidade de Braslia, Instituto de Artes, Departamento de Artes Visuais, Programa de Ps-Graduao em Arte, 2015.

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This work aims to investigate the historical narratives in which the graphic designer Alexandre Wollner assembled about the development of its own profession in Brazil, focusing the ways in which his discourse points relations among design (with greater emphasis in graphic design) and visual arts, the industrial development and notions about technology. Firstly, the theoretical setup searched for dialogues with design historians, with Mikhail Bakhtin, specially his concepts about ideology and discourse, and the theory of Field Autonomy by Pierre Bourdieu applied in the artistic practice. Following, the relation between Wollners own journey and the Brazilian industrial development is shown, and, at last, three of his historical texts are studied, which are written in different moments (1964; 1983; 1998), being those in which the analyzed author wished to point out the origens, events and names that are more remarkable. Throughout the work, it is pointed the importance of Wollners contact with the modernist european ideologies that share an abstract and rationalist matrix found at Hochschule fr Gestaltung Ulm (HfG Ulm), the german design school from the city of Ulm, in the 1950s. Such modernist discourse understood the practice of design as a method with scientific character, being then different of some other more recurring artistic professional practices in some productive sectors. Wollner aimed to apply such ideals in his professional practice, being the foundation of the paulista office forminform, in 1958, one of his first expressions of such posture, and in his academic practice, helping the foundation of the Escola Superior de Desenho Industrial (ESDI), in Rio de Janeiro, in 1963. Such modernist ideals went along with moments of the Brazilian industrial development during the government of Juscelino Kubitschek (19561961) and the Economical Miracle from the military government (19681973). Wollner argued about the need for the development of national design as a technological and productive differential that would help the growth of national industry, based on Ulms project model concept. It is defended that Wollners professional and intelectual path, in his efforts of thinking a history of Brazilian design through the choice of pioneers in the area, was founded on an ideal model of design, leaving aside the modernist experiences from the 1950s. Such posture would indicate a search for validation of his own profession that was beginning to become more evident in Brazilian productive means, aiming the creation of a differential space in comparison with pre-established practices, usually link to graphic artists from the time.

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas

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Dissertao (mestrado)Universidade de Braslia, Faculdade UnB Planaltina, Programa de Ps-Graduao em Meio Ambiente e Desenvolvimento Rural, 2016.

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas

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Acadmico - Licenciaturas