984 resultados para 1998


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En este trabajo se presentan algunos resultados obtenidos del análisis de la variabilidad de la altura de la superficie del mar a partir de las anomalías del nivel del mar proporcionadas por los datos del altímetro a bordo del satélite ERS-2. La finalidad del estudio has sido la determinación de la variación estacional que las estructuras oceanográficas mesoescalares presentan en las proximidades del archipiélago canario durante el año 1998. En esta zona, caracterizada por la generación de remolinos ciclónicos y anticiclónicos al sur de las islas debida a la perturbación que experimenta la corriente de Canarias a su paso por los canales entre las islas, y por los filamentos de agua fría procedente del afloramiento, el altímetro se muestra como una herramienta importante en la detección y posterior análisis de estas estructuras oceanográficas. Los resultados muestran que la variabilidad espacial y temporal del nivel del mar es máxima en el segundo semestre del año, y ésta se centra, fundamentalmente, en una estrecha banda situada al sudoeste del archipiélago. ABSTRACT: Some results obtained from the analysis of the sea surface height variability using sea level anomalies given by ERS-2 altimeter data are shown in this work. The aim of the study is to work out the seasonal variations of the mesoscale oceanographic features that appear in the vicinity of the Canary Archipelago during 1998 year. This area is characterized by cyclonic and anticyclonic eddies southward of the islands, which are generated by the interference suffered by the Canary Current through the canals between the islands, and also owing to cold water filaments coming from the Upwelling. The altimeter demonstrates to be an important tool in the detection and posterior analysis of these features. The results show that the temporal and spatial variability of the sea level is associated, fundamentally, to a narrow band located to the southwest of the archipelago, and which has been clearly seen with greater intensity during the periods of summer and autumn of 1998.

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[ES]Se presentan los resultados de los trabajos biológicos y ecológicos realizados desde 1992 a 1998 en el Charco de Maspalomas, laguna costera situada en la costa sur de la isla de Gran Canaria. Este ecosistema, localizado en plena zona de desarrollo turístico de la isla de Gran Canaria, alberga en sus aguas una biocenosis única. En este trabajo se plasman los resultados de dos equipos de investigación que han estado trabajando en la vegetación acuática del ecosistema y en la fauna ictiológica.

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This research argues for an analysis of textual and cultural forms in the American horror film (1968- 1998), by defining the so-called postmodern characters. The “postmodern” term will not mean a period of the history of cinema, but a series of forms and strategies recognizable in many American films. From a bipolar re-mediation and cognitive point of view, the postmodern phenomenon is been considered as a formal and epistemological re-configuration of the cultural “modern” system. The first section of the work examines theoretical problems about the “postmodern phenomenon” by defining its cultural and formal constants in different areas (epistemology, economy, mass-media): the character of convergence, fragmentation, manipulation and immersion represent the first ones, while the “excess” is the morphology of the change, by realizing the “fluctuation” of the previous consolidated system. The second section classifies the textual and cultural forms of American postmodern film, generally non-horror. The “classic narrative” structure – coherent and consequent chain of causal cues toward a conclusion – is scattered by the postmodern constant of “fragmentation”. New textual models arise, fragmenting the narrative ones into the aggregations of data without causal-temporal logics. Considering the process of “transcoding”1 and “remediation”2 between media, and the principle of “convergence” in the phenomenon, the essay aims to define these structures in postmodern film as “database forms” and “navigable space forms.” The third section applies this classification to American horror film (1968-1998). The formal constant of “excess” in the horror genre works on the paradigm of “vision”: if postmodern film shows a crisis of the “truth” in the vision, in horror movies the excess of vision becomes “hyper-vision” – that is “multiplication” of the death/blood/torture visions – and “intra-vision”, that shows the impossibility of recognizing the “real” vision from the virtual/imaginary. In this perspective, the textual and cultural forms and strategies of postmodern horror film are predominantly: the “database-accumulation” forms, where the events result from a very simple “remote cause” serving as a pretext (like in Night of the Living Dead); the “database-catalogue” forms, where the events follow one another displaying a “central” character or theme. In the first case, the catalogue syntagms are connected by “consecutive” elements, building stories linked by the actions of a single character (usually the killer), or connected by non-consecutive episodes about a general theme: examples of the first kind are built on the model of The Wizard of Gore; the second ones, on the films such as Mario Bava’s I tre volti della paura. The “navigable space” forms are defined: hyperlink a, where one universe is fluctuating between reality and dream, as in Rosemary’s Baby; hyperlink b (where two non-hierarchical universes are convergent, the first one real and the other one fictional, as in the Nightmare series); hyperlink c (where more worlds are separated but contiguous in the last sequence, as in Targets); the last form, navigable-loop, includes a textual line which suddenly stops and starts again, reflecting the pattern of a “loop” (as in Lost Highway). This essay analyses in detail the organization of “visual space” into the postmodern horror film by tracing representative patterns. It concludes by examining the “convergence”3 of technologies and cognitive structures of cinema and new media.

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Particulate matter is one of the main atmospheric pollutants, with a great chemical-environmental relevance. Improving knowledge of the sources of particulate matter and of their apportionment is needed to handle and fulfill the legislation regarding this pollutant, to support further development of air policy as well as air pollution management. Various instruments have been used to understand the sources of particulate matter and atmospheric radiotracers at the site of Mt. Cimone (44.18° N, 10.7° E, 2165 m asl), hosting a global WMO-GAW station. Thanks to its characteristics, this location is suitable investigate the regional and long-range transport of polluted air masses on the background Southern-Europe free-troposphere. In particular, PM10 data sampled at the station in the period 1998-2011 were analyzed in the framework of the main meteorological and territorial features. A receptor model based on back trajectories was applied to study the source regions of particulate matter. Simultaneous measurements of atmospheric radionuclides Pb-210 and Be-7 acquired together with PM10 have also been analysed to acquire a better understanding of vertical and horizontal transports able to affect atmospheric composition. Seasonal variations of atmospheric radiotracers have been studied both analysing the long-term time series acquired at the measurement site as well as by means of a state-of-the-art global 3-D chemistry and transport model. Advection patterns characterizing the circulation at the site have been identified by means of clusters of back-trajectories. Finally, the results of a source apportionment study of particulate matter carried on in a midsize town of the Po Valley (actually recognised as one of the most polluted European regions) are reported. An approach exploiting different techniques, and in particular different kinds of models, successfully achieved a characterization of the processes/sources of particulate matter at the two sites, and of atmospheric radiotracers at the site of Mt. Cimone.