La réactualisation du testament littéraire et du tombeau poétique dans Testament et Drama Queens de Vickie Gendreau

Le présent mémoire porte sur la réécriture par Vickie Gendreau, auteure québécoise contemporaine, de deux genres funèbres, le testament littéraire et le tombeau poétique. Dans ses deux récits, Testament et Drama Queens, Gendreau met en scène des narratrices qui s'apprêtent à mourir des suites d'une tumeur au cerveau, ce qui soulève plusieurs questions : de quelle manière tisse-t-elle des rapports intertextuels avec les genres évoqués plus haut ? Comment l'appropriation des genres funèbres permet-elle de vaincre l'angoisse associée à la mort proclamée par les médecins ? Comment penser l'écriture du corps et la fictionalisation de soi à l'aune de deux genres datant de l'époque médiévale ou de la Renaissance ? Dans le premier chapitre, nous nous attardons à la construction par Gendreau du testament littéraire dans sa forme médiévale dans Testament et à la reprise dans Drama Queens d'enjeux testamentaires ; l'héritage, la filiation et la transmission. La réécriture permet l'incorporation dans le récit de l'autodérision et de la mise en scène du devenir-cadavre. Dans le second chapitre, nous explorons le tombeau poétique, tant celui de la Renaissance que celui des poètes modernes. Ce faisant, nous abordons les discours de commémoration du défunt et surtout l'appropriation de la commémoration par les deux narratrices, et ultimement par Vickie Gendreau.

«Imagine, c’est le socialisme et personne ne s’en va» : l’intelligentsia littéraire est-allemande et la chute du mur de Berlin

En 1989, la Pologne, la Hongrie, la Tchécoslovaquie et la République démocratique allemande (RDA) furent secouées par des mouvements de protestations qui précipitèrent la dissolution de leur régime communiste. Il est souvent admis, dans l’historiographie comme dans la mémoire populaire, que les intellectuels, dont plusieurs écrivains, ont joué un rôle déterminant lors de ces bouleversements. Or, l’analyse de la révolution en Allemagne de l’Est et des prises de position de son intelligentsia littéraire démontre qu’une telle conclusion s’applique mal à cet État : les auteurs phares de la RDA, qui se sont pourtant présentés pendant et après la révolution comme des victimes et des opposants au régime, n’ont jamais partagé les revendications anticommunistes de leurs concitoyens et ont conservé un discours socialiste. Ce mémoire entend expliquer cette réaction particulière des écrivains les mieux établis de l’Allemagne de l’Est – soit Christa Wolf, Heiner Müller, Stefan Heym, Volker Braun et Christoph Hein. En étudiant leurs textes non fictifs et en analysant la relation qu’ils entretenaient avec le régime, la population et l’idéologie promue en RDA, nous démontrerons que ces auteurs avaient développé, avant l’ouverture du mur de Berlin, une stratégie d’action alliant loyauté socialiste et critique de l’autoritarisme, ce qui leur avait permis de cumuler un important capital social et culturel. À l’automne 1989 et lors du processus de réunification allemande, l’intelligentsia littéraire a en fait agi en fonction de cette même stratégie ; celle-ci, toutefois, n’était pas adaptée aux nouvelles conditions sociales.

Boris Vian adaptateur de la légende arthurienne : étude comparée de la pièce de théâtre et de l'opéra Le Chevalier de Neige

Ce mémoire interroge la posture d'adaptateur de Boris Vian, encore fort méconnue. En 1953, il a repris à son compte la littérature arthurienne afin d'écrire – en réponse à une commande de la part du Festival dramatique de Caen – une pièce de théâtre, Le Chevalier de Neige. Par la suite, cette pièce est devenue un opéra, produit à Nancy en 1957. Malgré le succès de ces deux spectacles, le souvenir de cette œuvre n'a pas dépassé la mort de son auteur. Il n'en reste aujourd'hui que les textes et les partitions musicales, puisqu'aucun des spectacles n'a été enregistré. L'objectif de ce mémoire est de mettre en lumière ce travail d'adaptation et de réécriture d'un auteur phare du XXème siècle, connu principalement pour ses romans et ses chansons, et qui a consacré ses dernières années à la création d'une œuvre globale alliant texte, musique et art de la scène. Qu'est-il possible de savoir sur l'entreprise du Chevalier de Neige? Quel est le poids de l'intertexte médiéval et contemporain dans ces deux réécritures? Quels furent les procédés d'adaptation mis en œuvre dans l'élaboration de cette pièce, puis de cet opéra? C'est à toutes ces questions que nous nous proposons de répondre, afin de découvrir l'importance et l'intérêt du Chevalier de Neige dans le parcours littéraire de Boris Vian.

La réactualisation du testament littéraire et du tombeau poétique dans Testament et Drama Queens de Vickie Gendreau

Le présent mémoire porte sur la réécriture par Vickie Gendreau, auteure québécoise contemporaine, de deux genres funèbres, le testament littéraire et le tombeau poétique. Dans ses deux récits, Testament et Drama Queens, Gendreau met en scène des narratrices qui s'apprêtent à mourir des suites d'une tumeur au cerveau, ce qui soulève plusieurs questions : de quelle manière tisse-t-elle des rapports intertextuels avec les genres évoqués plus haut ? Comment l'appropriation des genres funèbres permet-elle de vaincre l'angoisse associée à la mort proclamée par les médecins ? Comment penser l'écriture du corps et la fictionalisation de soi à l'aune de deux genres datant de l'époque médiévale ou de la Renaissance ? Dans le premier chapitre, nous nous attardons à la construction par Gendreau du testament littéraire dans sa forme médiévale dans Testament et à la reprise dans Drama Queens d'enjeux testamentaires ; l'héritage, la filiation et la transmission. La réécriture permet l'incorporation dans le récit de l'autodérision et de la mise en scène du devenir-cadavre. Dans le second chapitre, nous explorons le tombeau poétique, tant celui de la Renaissance que celui des poètes modernes. Ce faisant, nous abordons les discours de commémoration du défunt et surtout l'appropriation de la commémoration par les deux narratrices, et ultimement par Vickie Gendreau.

La adaptación teatral de textos narrativos en España, 1972-2012

Novel or story adaptations and also dramatic texts versions, that need to be translated and updated to modern audiences are quite frequent in today`s theatre. This study aims to show the state of contemporary stage adaptation of narrative texts and, specifically, its evolution in Spain in the last forty years (1972-2012). To do this, I have tried to gather, first, all the terminology associated with the concept of stage adaptation: version, dramaturgy, rewriting, translation, interpretation, updating and consolidation. The theoretical part of the work begins with the various definitions of the concept of dramatization. All the positions reflected by theorists and specialists in the field come together when explaining the term adaptation or theatre version: the intervention on the original text is based on the transformation or change, radical or superficial, for its effective representation in the theatre. In contemporary times, the concept of adaptation applies to any kind of intervention, from the translation of the original (and rewriting) to the dramaturgical work involved in creating a new sense. In turn, any theatre adaptation requires a dramaturgical operation and supports all possible moves: reorganization of the story, breakage, reduced characters, dramatic concentration, incorporation of foreign texts, installation and collage, changes to the plot, etc. Although there is no definitive model for the theatre adaptation of works, several authors and theatrical theorists propose guidelines and types of adaptation to the transformation of a work into another or one genre into a different one; and regarding narrative texts, provide criteria for interpreting the original text. The issue for many authors is the danger of modifying or betraying the sense or the form of the original text, considering it as simple material for the play. Finally, it follows that there is affinity of thought among authors finding that there is no differentiation between adaptation and version: both terms refer to the same in the theatrical event and are also terms used equally for the countless film adaptations of novels and plays...

Pais gays/ bissexuais e mães lésbicas/ bissexuais: Experiências de discriminação e enquadramento social das famílias

Dissertação de Mestrado apresentada no ISPA – Instituto Universitário para obtenção de grau de Mestre na especialidade de Psicologia Clínica

O sono em adolescentes portugueses: Proposta de um modelo tridimensional

O sono é uma necessidade básica que influencia e é simultaneamente influenciada pela diversidade de atividades, papéis e contextos de vida, assumindo particular importância nos adolescentes. Apresenta-se um estudo com 400 alunos do 9º e 11º ano de escolaridade, de duas escolas da região de Lisboa, avaliados através do Questionário Sobre Sono para Adolescentes – QSSA. Os resultados quantitativos da caracterização do sono incidiram sobre hábitos, auto perceções e conhecimentos. Da exploração qualitativa dos fatores invocados por uma subamostra de 100 adolescentes como fundamento das suas auto perceções, emergiram as categorias de qualidade, importância e atitudes. Com base nestes resultados, propõe-se um modelo tridimensional acerca do sono dos adolescentes que contempla hábitos de sono, fatores pessoais e fatores ambientais.

A influência do jogo dramático na compreensão de textos narrativos no contexto do 1.º Ciclo do Ensino Básico

Relatório de Estágio apresentado à Escola Superior de Educação do Instituto Politécnico de Castelo Branco para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Educação Pré-Escolar e Ensino do 1.º Ciclo do Ensino Básico.

Violência na intimidade nos relacionamentos homossexuais, gays e lésbicos

A violência íntima entre parceiros do mesmo sexo assume-se como um problema bastante preocupante, trando-se de um fenómeno imensamente complexo e constituído por diversos fatores, nomeadamente de índole psicológica, ideológica e sociocultural. Assim a violência íntima entre parceiros, como que pode constatar, trata-se de um fenómeno que não se encontra inerente ao género ou à orientação sexual. Existe, de facto, uma necessidade de se desenvolver literatura científica sobre esta temática, mais precisamente no contexto nacional, uma vez que as repercussões destas vivências são nocivas tanto a nível individual como a nível social. A revisão sistemática de literatura, apresentada no primeiro artigo da presente dissertação, é composta por 38 artigos que abordam a temática da prevalência da violência entre parceiros íntimos homossexuais e a temática dos fatores de risco nessa mesma população. Do estudo da revisão de literatura, pode concluir-se que existem diversas tipologias de abuso, sendo que a agressão psicológica é a que assume maior destaque, e as percentagens de prevalência do fenómeno encontram-se dispersas. É de salientar que o estudo da prevalência assume diversas lacunas metodológicas, as quais podem ser a explicação para as diferenças nas taxas de prevalência, e por conseguinte, nos resultados constatados. No que diz respeito aos fatores de risco, são diversos os fatores de risco de violência entre parceiros do mesmo sexo, contudo a existência de literatura que incida exclusivamente no estudo dos fatores de risco é confusa e escassa. Seguindo como linha orientadora este pressusposto, o segundo artigo é composto por um estudo empírico, de carácter exploratório e descritivo, de natureza quantitativa, com recurso a medida de autorrelato, com o método de amostragem por conveniência, cujo objetivo é estudar a prevalência do fenómeno em relacionamentos homossexuais, gays e lésbicos, e estudar um número limitado de fatores de risco encontrados na literatura, nomeadamaente, a idade, a educação, o historial de violência familiar, a presença de perturbações mentais e a presença de consumos. Para o efeito, o instrumento utilizado foi a Escala de Relações Abusivas em Casais Gay e Lésbica (Osório, Soeiro, Sani, & Domingues, 2016, adaptado de Violence and Abuse in Same-Sex Relationships de Noret & Richards, 2003). A amostra do estudo é constituída por 48 participantes, com idades compreendidas entre os 18 e os 55 anos (M=26.50; DP=8.011), sendo que 72.9% (n=35) da amostra se identifica como lésbica (sexo feminino) e 27.1% (n=13) se identifica como gay (sexo masculino). Os resultados apresentam elevados índices globais de vitimação e perpetração de violência, nomeadamente na vertente de vitimação (97.6% psicológica; 88.1% física; 47.6% socioeconómica e 33.3% sexual) e perpetração (66.7% psicológica; 45.2% física; 2.4% socioeconómica e 2.4% sexual). A violência psicológica foi a tipologia de abuso mais presente no estudo.

A literary approach to teaching english language in a multicultural classroom

Literature is not generally considered as a coherent branch of the curriculum in relation to language development in either native or foreign language teaching. As teachers of English in multicultural Indian classrooms, we come across students with varying degrees of competence in English language learning. Although language learning is a natural process for natives, students of other languages put in colossal efforts to learn it. Despite their sincere efforts, they face challenges regarding pronunciation, spelling, and vocabulary. Indian classrooms are a microcosm of the larger society, so teaching English language in a manner that equips the students to face the cutthroat competition has become a necessity and a challenge for English language teachers. English today has become the key determinant for being successful in their careers. The hackneyed and stereotypical methods of teaching are not acceptable now. Teachers are no longer arbitrary dispensers of knowledge, but they are playing the role of a guide and facilitator for the students. Teachers of English are using innovative ideas to make English language teaching and learning interesting and simple. Teachers have started using literary texts and their analyses to explore and ignite the imagination and creative skills of the students. One needs to think and rethink the contribution of literature to intelligent thinking as well as its role in the process of teaching/learning. This article is, therefore, an attempt at exploring the nature of the literary experience in the present-day classrooms and the broader role of literature in life.

Gymnasielärares skrivpraktiker : Skrivande som professionell handling i en digitaliserad skola

The aim of this thesis is to contribute to deeper knowledge about the writing practices of teachers in upper secondary school. Schools are under constant pressure to respond to the needs and expectations of an ever-changing society and political intentions. A major factor in this change which is taking place in schools is digitalization. Another factor is the adoption of new governing principles for schools involving management by goals and results, which brings increased demands for written documentation of teachers' work. In order to describe and problematize this development the thesis is based on a combination of Critical Discourse Analysis and New Literacy (Clark and Ivanič, 1997). The theoretical framework rests upon an understanding of writing as social action and the idea that texts both affect and are affected by the social environment. The empirical study focuses on twelve teachers and their writing practices, analyzed during week-long field visits over three years. The teachers' talk about their writing is used together with analyses of texts and images to investigate parts of teachers' writing which, according to the teachers, are considered complex and problematic. The findings indicate significant differences between the writing practices of the individual teachers, where each teacher has his or her own system of texts fulfilling different purposes. Despite these differences it is still possible to identify recurrent themes in the discursive conditions for teachers' writing: efficiency, reuse, authority, audit, relationships to addressees, and room to maneuver. The study illustrates possible dilemmas for teachers' writing at the intersection of teachers' professional responsibility and demands for accountability.

Factors facilitating a national quality registry to aid clinical quality improvement : findings of a national survey

Objectives: While national quality registries (NQRs) are suggested to provide opportunities for systematic follow-up and learning opportunities, and thus clinical improvements, features in registries and contexts triggering such processes are not fully known. This study focuses on one of the world's largest stroke registries, the Swedish NQR Riksstroke, investigating what aspects of the registry and healthcare organisations facilitate or hinder the use of registry data in clinical quality improvement. Methods: Following particular qualitative studies, we performed a quantitative survey in an exploratory sequential design. The survey, including 50 items on context, processes and the registry, was sent to managers, physicians and nurses engaged in Riksstroke in all 72 Swedish stroke units. Altogether, 242 individuals were presented with the survey; 163 responded, representing all but two units. Data were analysed descriptively and through multiple linear regression. Results: A majority (88%) considered Riksstroke data to facilitate detection of stroke care improvement needs and acknowledged that their data motivated quality improvements (78%). The use of Riksstroke for quality improvement initiatives was associated (R2=0.76) with ‘Colleagues’ call for local results’ (p=<0.001), ‘Management Request of Registry data’ (p=<0.001), and it was said to be ‘Simple to explain the results to colleagues’ (p=0.02). Using stepwise regression, ‘Colleagues’ call for local results’ was identified as the most influential factor. Yet, while 73% reported that managers request registry data, only 39% reported that their colleagues call for the unit's Riksstroke results. Conclusions: While an NQR like Riksstroke demonstrates improvement needs and motivates stakeholders to make progress, local stroke care staff and managers need to engage to keep the momentum going in terms of applying registry data when planning, performing and evaluating quality initiatives.

Extending the Simple Knowledge Organization System for Concept Management in Vocabulary Development Applications

In this article, we describe the development of an exten- sion to the Simple Knowledge Organization System (SKOS) to accommodate the needs of vocabulary devel- opment applications (VDA) managing metadata schemes and requiring close tracking of change to both those schemes and their member concepts. We take a neo- pragmatic epistemic stance in asserting the need for an entity in SKOS modeling to mediate between the abstract concept and the concrete scheme. While the SKOS model sufficiently describes entities for modeling the current state of a scheme in support of indexing and search on the Semantic Web, it lacks the expressive power to serve the needs of VDA needing to maintain scheme historical continuity. We demonstrate prelimi- narily that conceptualizations drawn from empirical work in modeling entities in the bibliographic universe, such as works, texts, and exemplars, can provide the basis for SKOS extension in ways that support more rig- orous demands of capturing concept evolution in VDA.

O experimentalismo na produção de documentos animados

Publicação bilingue, em português e em inglês, do II Simpósio Arte e Animação, organizado pela Casa da Animação, Porto, 30 abril/1 maio 2004, com textos e entrevistas dos intervenientes convidados: Keith Griffiths (Illuminations Television); Peter Dougherty (MTV Europe); Clare Kitson (Channel Four). Bilingual edition, in Portuguese and English, on the occasion of the II Symposium on Art and Animation, organized by Casa da Animação, Porto, April 30 / May 1, 2004, with texts and interviews of invited keynote speakers: Keith Griffiths (Illuminations Television); Peter Dougherty (MTV Europe); Clare Kitson (Channel Four).

Aportes a la revisión de literatura sobre la relación entre el arte y la psicosis desde una perspectiva psicoanalítica.

El presente trabajo tiene como propósito hacer una revisión crítica de dos de los trabajos más relevantes que abordan la relación entre salud mental y arte, a saber: Artistry of the Mentally Ill, de Hans Prinzhorn (1922/1972) y Madness and Art, de Walter Morgenthaler (1921/1992). Para ello, se presenta primero un recuento de estos textos, y en un segundo momento, su respectivo análisis. De esta manera, llevo a cabo una revisión crítica de los ya mencionados libros a la luz de diferentes teorías psicoanalíticas que abordan algunos temas cruciales dentro de esta relación, como lo son la psicosis, y desde otras perspectivas, el arte marginal y la creatividad, aportando así a la investigación teórica de este tema particular.