943 resultados para Franco-Spanish War, 1635-1659
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The main aim of this chapter is to analyze the social and political effects of dynastic marriages between the Portuguese and Castilian-Aragonese crowns on the configuration of transnational, aristocratic families during the sixteenth and seventeenth centuries. To illustrate these questions we have chosen to follow the Soares de Alarcão family (known in Spain as Suárez de Alarcón) and the paths it took between the royal houses of Portugal and Castile for seven generations. The working hypothesis of the chapter is that the identity of the Iberian nobility during this era was characterized by a shared noble culture rather than by any particular features derived from the family’s land of origin. That assumption allows us to discuss whether the use of a particular language or culture indicates ties or political loyalties based on criteria of nationality, or, at the very least, place of birth. Therefore, this essay discusses the miscegenation of Iberian nobilities derived from dynastic marriages. It articulates the structural characteristics of this group and its political impact with the individual trajectories and historical contexts in which they developed. While these topics can be of interest for the comprehension of Portuguese early modern history, they can also help us to reflect more broadly on processes of identity construction.
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With the aim to provide new insights into operational cetacean-fishery interactions in Atlantic waters, this thesis assesses interactions of cetaceans with Spanish and Portuguese fishing vessels operating in Iberian and South West Atlantic waters. Different opportunistic research methodologies were applied, including an interview survey with fishers (mainly skippers) and onboard observations by fisheries observers and skippers, to describe different types of interactions and to identify potential hotspots for cetacean-fishery interactions and the cetacean species most involved, and to quantify the extent and the consequences of these interactions in terms of benefits and costs for cetaceans and fisheries. In addition, the suitability of different mitigation strategies was evaluated and discussed. The results of this work indicate that cetaceans interact frequently with Spanish and Portuguese fishing vessels, sometimes in a beneficial way (e.g. cetaceans indicate fish schools in purse seine fisheries), but mostly with negative consequences (depredation on catch, gear damage and cetacean bycatch). Significant economic loss and high bycatch rates are, however, only reported for certain fisheries and associated with particular cetacean species. In Galician fisheries, substantial economic loss was reported as a result of bottlenose dolphins damaging artisanal coastal gillnets, while high catch loss may arise from common dolphins scattering fish in purse seine fisheries. High cetacean bycatch mortality arises in trawl fisheries, mainly of common dolphin and particularly during trawling in water depths below 350 m, and in coastal set gillnet fisheries (mainly common and bottlenose dolphins). In large-scale bottom-set longline fisheries in South West Atlantic waters, sperm whales may significantly reduce catch rates through depredation on catch. The high diversity of cetacean-fishery interactions observed in the study area indicates that case-specific management strategies are needed to reduce negative impacts on fisheries and cetaceans. Acoustic deterrent devices (pingers) may be used to prevent small cetaceans from approaching and getting entangled in purse seines and set gillnets, although possible problems include cetacean habituation to the pinger sounds, as well as negative side effects on non-target cetaceans (habitat exclusion) and fisheries target species (reduced catch rates). For sardine and horse mackerel, target species of Iberian Atlantic fisheries, no aversive reaction to pinger sounds was detected during tank experiments conducted in the scope of this thesis. Bycatch in trawls may be reduced by the implementation of time/area restrictions of fishing activity. In addition, the avoidance of fishing areas with high cetacean abundance combined with the minimization of fishery-specific sound cues that possibly attract cetaceans, may also help to decrease interactions. In large-scale bottom-set longline fisheries, cetacean depredation on catch may be reduced by covering hooked fish with net sleeves ("umbrellas") provided that catch rates are not negatively affected by this gear modification. Trap fishing, as an alternative fishing method to bottom-set gillnetting and longlining, also has the potential to reduce cetacean bycatch and depredation, given that fish catch rates are similar to the rates obtained by bottom-set gillnets and longlines, whereas cetacean by-catch is unlikely. Economic incentives, such as the eco-certification of dolphin-safe fishing methods, should be promoted in order to create an additional source of income for fishers negatively affected by interactions with cetaceans, which, in turn, may also increase fishers’ willingness to accept and adopt mitigation measures. Although the opportunistic sampling methods applied in this work have certain restrictions concerning their reliability and precision, the results are consistent with previous studies in the same area. Moreover, they allow for the active participation of fishers that can provide important complementary ecological and technical knowledge required for cetacean management and conservation.
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The years between 1945 and the early 1980s are the most celebrated in Italy’s design history. From the rhetoric of reconstruction to the postmodern provocations of the Memphis design collective, Italy’s architects played a vital role in shaping the country’s encounter with post-war modernity. Yet as often as this story has been told, it is incomplete. Craft was vital to the realisation of post-war Italian design, and an area of intense creativity in its own right, and yet has been marginalised and excluded in design historiography.
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This paper addresses the question of totalising gender power relations that have led to and shaped the wars of the 1990s in Yugoslavia and the emerging ethno-national states on the ‘periphery’ of Europe. I argue that the same type of gender power relations continue to dominate the region, notably Serbia, and to perpetuate gender inequalities and gender based violence in its many everyday and structural forms, causing profound levels of human insecurity. My analysis aims to set in motion a debate on how to tackle these continuing gender inequalities and GBV in post-war societies. In so doing, I propose a shift from focusing on the hierarchy of victimisation that has characterised much of the feminist analyses, activism and scholarly work in relation to these (and other) conflicts, to a relational understanding of the gendered processes of victimisation in war and peace, that is - of both women and men. Such an approach holds a potential to undermine the power systems that engender these varied types of victimisation by ultimately reshaping the notions of masculinity and femininity, which are central to the gender power systems that generate gender unjust peace.
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Drawing on post-marxist discourse theory inspired by the writings of Ernesto Laclau and Chantal Mouffe, this article puts the case for a literature on communism situated at the crossroads of critical theory, cultural studies and historiography. Specific illustration is provided by the author's own research on British communism and the Spanish Civil War. However, the scope of the article is much broader and it is intended as a contribution to the theoretical discussion of future possibilities for communist history-writing. The article concludes that discourse should be regarded neither as a flat surface of tightly knit signifiers nor as an impenetrable monolith of meaning systems. Rather, it should be seen as an inherently dynamic phenomenon, with its own condensations and dispersions along the historical continuum. In this lies its significance for historians of communism.
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L’adaptation de romans à la scène au XIXe siècle dans la dramaturgie franco-portugaise passe par l’étude des relations et des contaminations intergénériques et interculturelles qui s’établissent entre les genres romanesque et dramatique dans les deux cultures. Pour ce faire, nous nous sommes consacrés dans une première partie aux questions théoriques qu’un tel exercice soulève. Effectivement, nous ne pourrions pas prétendre étudier et cerner un tel phénomène littéraire et artistique sans un abordage pluridimensionnel qui nous mène vers son approche à la lumière des études de Traduction et de Réception, d’un côté et, de l’autre, des études sociologiques. Questionner les fondements théoriques de l’adaptation théâtrale, sa production et sa circulation dans les deux pays supposait, pour nous, dès le départ, délimiter non seulement l’horizon d’attente d’une telle pratique artistique mais aussi sa place et son impact dans le champ littéraire et le polysystème culturel de l’époque. En contrepoint, nous nous sommes ensuite intéressés à la question de l’adaptation théâtrale et des contact zones, cette fois en passant par la problématique de la transculturation qu’engendre le contact de deux littératures différentes, s’affrontant dans le champ culturel et littéraire d’arrivée. Dans une deuxième partie, nous nous sommes concentrés sur la contextualisation historico-générique de l’adaptation théâtrale. Le recours à la transposition scénique de romans révèle un désir de gloire au niveau financier et artistique. La pratique est courante, voire généralisée dans le champ littéraire français du XIXe siècle. Parmi les adeptes de l’exercice de transposition, Dumas père est certainement l’auteur le plus prolifique. En outre, la transmodalisation générique s’insère dans un mouvement de création collective, puisque la collaboration entre auteurs dramatiques est très répandue. Par la suite, nous nous sommes intéressés à la genèse des textes à travers la transmodalisation du roman au théâtre : du roman-feuilleton au roman naturaliste. Nous avons constaté que le genre romanesque comme le genre dramatique sont empreints de contaminations intergénériques qui passent par la théâtralisation du roman puis par la romanisation du théâtre. Ainsi, l’adaptation apparaît comme la concrétisation de la fusion des genres romanesque et dramatique qui donnent lieu à un genre hybride. L’adaptation est alors le résultat d’une série de procédés et de techniques : la transmodalisation du roman s’adapte aux nécessités génériques du théâtre. De la sorte, nous avons distingué cinq types d’adaptations : l’adaptation fidèle, l’adaptation partielle, l’adaptation libre, l’adaptation pastichée et l’adaptation de l’adaptation. Dans une troisième partie, nous avons abordé le phénomène de l’adaptation dans le contexte littéraire portugais au XIXe siècle. À travers la présence accrue du théâtre français sur les scènes lisboètes, nous avons observé les rouages de la transposition d’un modèle étranger qui peut passer par différents processus, comme la traduction ou l’appropriation par l’adaptation théâtrale. Cela nous a amené à présenter cinq modèles d’adaptations théâtrales issues d’hypotextes français : l’adaptation française, la traduction fidèle de l’adaptation française, la traduction libre de l’adaptation française, l’adaptation à la couleur locale de l’adaptation française et l’adaptation portugaise d’un roman français. Nous avons également présenté quelques exemples de cas concrets, notamment Le Comte de Monte-Cristo adapté au répertoire lisboète. L’étude de ce phénomène culturel nous a permis de mieux cerner son impact sur le champ théâtral lisboète du XIXe siècle, dans la mesure où il contribue à la transculturation de la dramaturgie portugaise de l’époque.
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This handbook issued by the South Carolina State Council of Defense provides a listing of contacts for the Council and 36 essays about the history of the war, current events, the role of America in the war, and peace efforts. The handbook concludes with essays and quotes from South Carolinians and with reports on how citizens can help with the war effort.
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This is a due date card for the book titled History of the World War, with stamped dates from 1939-1941.
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US presidents have expanded executive power in times of war and emergency,sometimes aggressively so. This article builds on the application of punctuated equilibria theory by Burnham (1999 and Ackerman (1999). Underpinning this theory is the notion that rapid changes in - or external shocks to - domestic and international society impose new and insistent demands on the state. In so doing, they produce important and decisive moments of institutional mobilization and creativity, disrupt a pre-existing, relatively stable, equilibrium between the Congress and the president, and precipitate decisions or nondecisions by the electorate and political leaders that define the contours for action when the next crisis or external shock occurs. The article suggests that the combination of President George W. Bush's presidentialist doctrine, 9/11 and the 'war' on terror has consolidated a new, constitutional equilibrium. While some members of Congress contest the new order, the Congress collectively has acquiesced in its own marginalization. The article surveys a wide range of executive power assertions and legislative retreats. It argues that power assertions generally draw on precedent: on, for example, a tradition of wartime presidential extraconstitutional leadership extending to presidents, such as John Adams and Abraham Lincoln,as well as to Cold War and post-Cold War presidentialism.