250 resultados para czasopismo naukowe


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The aim of the paper is to present the specificity of oral argumentative competence in a foreign language and to propose a tentative model of task-based learning of argumentative discourse. It is assumed in the paper that the communicative situation tasks proposed during classes of French as a foreign language in the French Philology Department should contribute to the academic discourse learning. In the paper we present an analysis of two fragments of argumentative situations; the first one concerns the so-called everyday argumentative situation and another one illustrates an argumentative orientation of academic discourse.

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In this article, we present a short historical summary of the following terms: the aspect and the imperfective /perfective opposition to answer the question if the imperfective /perfective opposition has an aspectual or temporal character. We distinguish two types of the aforementioned opposition: the temporal imperfective /perfective opposition expressed by the Spanish tenses Pretérito Indefinido / Pretérito Imperfecto that is characterized by the property of [± temporal delimitation]; and the aspectual imperfective /perfective opposition recognizable in the aspectual system of the Slavonic languages that is characterized by the property of [± conclusion of the process].

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The paper presents, on the one hand, various terms that assign the categories of aspect and Aktionsart and, on the other hand, emphasizes that the concepts regarding them are not homogeneous. The confusions are supposed to have originated in the past. Therefore, we'll sketch briefly the history of aspect and Aktionsart in order to show that the term and the concept of aspect should be related exclusively to the Slavonic languages.

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This article presents the classification and description of borrowings from the English language in the sector of special languages with reference to contemporary Italian. The present times are characterized by multiplicity of linguistic variants. Different, ready-made solutions to are observed this complex situation.

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This paper is relating a practical experience of teaching Romance philology students the translation from ancient French into Polish. The main scope is a restitution of an ancient text respecting not only the equivalence at the Iexical and syntactical level, but also the discourse structures, such as the linear sequence of events and events related from different points of view: some examples of solving particular problems are discussed. The whole procedure resembles that of translating from Latin, rather than a translation from one modern language to another.

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Anno Mungen focuses on “films made for music” and on the rare phenomenon of ‘music depicted by picture’ (S. Kracauer). The narration about historical metamorphoses of varied forms of coexistence between music and picture is accompanied by a reflection on the laws of audiovisual perception. The main examples are discussed, these concentrating on the artistic ideas of Walt Disney’s animated film Fantasia and – first of all – on Edgard Varèse’s bold ideal of spatial music, attained post mortem in Bill Viola’s Déserts (1994). After a detailed analysis of Viola’s film the author admits that the movie pictures deduced from music are able to render the latter its own substantial visual power.

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The identification of an original and idiosyncratic style in the work of the Spanish filmmaker Pedro Almodóvar provides the tone of the speech with a semantic function: linguistic variation and specific registers help to transmit the message and intention of the author. As a consequence of this, the possibilities for the translation being carried away in similar linguistic terms to those of the original text will be higher than in texts without linguistic peculiarities or stylistically unmarked. The purpose of this paper is to reflect on the influence exerted by the original author in the reception of his work abroad and, consequently, in its translation. In this sense, we will analyse the informative value of certain linguistic uses as well as the importance of enriching stylistically the subtitles in these connotative texts through the example of Almodóvar’s film "Volver" and its translation into Polish (2006).

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On the basis of two indecidable texts (Thomas Clerc, “Paris, musée du XXIe siècle. Le dixième arrondissement”, Gallimard 2007 and Philippe Vasset, “Un livre blanc”, Fayard 2007), we will reflect on new approaches to the city in contemporary French litterature. Clerc and Vasset, in their respective texts, suggest considering litterature as a series of practices connected with the exploration of the city (Clerc) and of the urban area (Vasset) according to the idea of an arbitrary itinerary. The image of the city whose space, subject to a permanent process of museifi cation, is constantly considered to be a work of art (Clerc) contrasts with a project of viewing the deserted areas of the city and of its surroundings as an infinite collection of “artistic installations” created in daily life (Vasset). Clerc’s and Vasset’s artistic mentality leads them to the fascination with “works of involuntary art”, both concrete signs and tangible proof of the transitional period which they try to describe systematically, following, at the same time, the principles of an axonometric city map.

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The author tries to attract attention for the careers ant the education of that what we call applied Cultural Studies after the cultural turn in the Humanities. He refers to some empirical studies and tries to put it out how differs the several institutes especially in the German spoken academic world. After all the conclusion of the author could be that there is an big demand for specialists in the area of applied cultural studies. The formation or education has to refer widely to a conception or the terminus of every-day-culture, so that it could be a big help in economic, social and education professions.

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Jednym z wyników prognoz wykonywanych z zastosowaniem globalnych i regionalnych modeli klimatycznych jest odkrycie wysokiego prawdopodobieństwa wzrostu częstości oraz natężenia ekstremalnych opadów. Poznanie prawidłowości ich powtarzalności i zasięgu przestrzennego ma oczywiście bardzo duże znaczenie gospodarcze i społeczne. Dlatego, niezależnie od wprowadzania nowych technik pomiarowych należy dokonywać analizy i reinterpretacji archiwalnych danych, korzystając z możliwości stwarzanych przez rozwój GIS. Głównym celem opracowania jest analiza prawidłowości przestrzennej i czasowej zmienności miesięcznych oraz rocznych maksymalnych dobowych sum opadów (MSDO) z lat 1956-1980, z obszaru Polski. W pracy wykorzystano nowe w geografii polskiej metody geostatystyczne. Do publikacji dołączono dysk DVD ze źródłową bazą danych i najważniejszymi wynikami w postaci numerycznej i kartograficznej.

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The author examines several passages from Homer, Hesiod and the Hymns for content appropriate for religious instruction, a function both traditionally attributed to those works (by Herodotus) and denied them (at the earliest, by Xenophanes). The issues cover theodicy, the nature of deities and their honours, the efficacy of prayer and the meaning of sacrifices and food offering.

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This article aims to give various examples that illustrate the use of a bipolar and joint perspective – diachronic and synchronic – for the semantic study of certain items of the language. We are initially interested in the adverb carrément, which currently seems to bear little relation to any meaning as an adverb of manner. Nevertheless, the diachronic study shows how the latter stages of its development with respect to its root carré pave the way for its becoming a polyphonic adverb. It is a similar case with apparemment: it has four clear stages of semantic development, each of which is related to the various values of this adverb in synchrony. However what is perhaps even more revealing is the diachronic approach in the case of the delocutive adverbs (diablement, bigrement, fichtrement...), whereby it might be seen that these elements can have no nominal or adjectival base, which is one of the criteria that helps to illustrate their origin.

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Antysemicki dyskurs wcale nie potrzebuje obecności Żydów jako racji swojego bytu i legitymizacji istnienia. Zwalcza Żydów wyimaginowanych i symbolicznych. Żydów z nadania, a zwłaszcza wszystko to, przeciwko czemu występuje i na różne sposoby stara się z Żydami skojarzyć. Praktyka taka niejednokrotnie dała o sobie znać w toku prezydenckich kampanii wyborczych w Polsce po roku 1989. Efektów płynących z instrumentalizacji antysemityzmu, choć samo zjawisko jest godne wyłącznie pogardy, nie należy jednak przeceniać i nadawać mu nadmiernego znaczenia przy interpretacji decyzji powziętych przez wyborców. Gdyby w istocie miał on stanowić instrument o przemożnym oddziaływaniu, to ironizując Aleksander Kwaśniewski nie zostałby dwukrotnie prezydentem Polski.