Paisajes de la sal en Andalucía

Los paisajes protagonistas de esta investigación han sido creados gracias a la actividad de las salinas, explotaciones “donde se beneficia la sal de las aguas del mar o de ciertos manantiales, cuando se ha evaporado el agua.” (RAE). Son lugares de características únicas, tanto por sus valores naturales y medioambientales, como por los valores culturales, patrimoniales, históricos, sociales e identitarios, “resultado de la acción e interacción de factores naturales y humanos en el territorio” (CEP, 2000). Existen salinas en muchos lugares del mundo, pero es en la Península Ibérica donde se encuentra la mayor concentración de estas explotaciones en toda Europa y, por consiguiente, de los singulares paisajes asociados y generados por ellas. Es también la única región europea donde existen salinas de interior que utilizan métodos de evaporación para la obtención de sal: las energías y circunstancias naturales aprovechadas en ellas, sol, viento, gravedad y humedad relativa, propician la evaporación del agua salada, una de las estrategias fundamentales para su funcionamiento. Esta circunstancia determina su posición geográfica en el territorio y su dependencia de los ciclos climáticos estacionales, del régimen hidrológico, la estructura geológica del subsuelo, la geomorfología y la acción humana para potenciar la eficiencia de los procesos productivos, creando para ello un extenso e interesante patrimonio natural y cultural en torno a ellas. Por tanto, son también paisajes culturales, resultado de un proceso artesanal de producción y comercialización de la sal, que se articula a través de la construcción de una serie de instalaciones preindustriales diseminadas y conectadas en puntos estratégicos del territorio costero e interior. La presente tesis aborda la grave situación a la que se enfrentan en la actualidad los paisajes ibéricos de la sal, concretamente los ubicados en la Comunidad Autónoma de Andalucía, que están sufriendo un ávido proceso de abandono y desaparición desde mediados del s. XX, con la consiguiente pérdida para la sociedad de este valioso patrimonio cultural y natural, que se ha ido construyendo durante siglos, prácticamente desde el inicio de la humanidad. De las diversas tipologías de salinas que existen, se han seleccionado las explotaciones, tanto marítimas como de interior, que utilizan o han utilizado en su origen técnicas de explotación artesanal basadas en la evaporación. El interés de esta acotación tipológica se ha basado en las relaciones de dependencia que estas explotaciones de sal establecen con el entorno físico y climático donde se ubican para poder existir y funcionar. El objetivo principal de esta investigación ha perseguido el establecimiento y definición de un marco territorial, global e integrador, para los paisajes culturales salineros andaluces, a través de la observación directa realizada durante el trabajo de campo, el análisis de textos, imágenes, documentos, gráficos, palabras y entrevistas abiertas. Lo anterior ha permitido identificar, clasificar, analizar y valorar sus principales características y su evolución en el tiempo, identificando las causas del deterioro y desaparición del patrimonio salinero, evaluando la efectividad de las iniciativas, públicas y/o privadas, y de las figuras de protección, así como analizar las relaciones que establecen con su entorno próximo, con los núcleos de población y habitantes a los que sirven, la red de carreteas y caminos que las conectan y los ríos y mares que las proveen de materia prima. Finalmente, se ha establecido una sistemática integral de análisis, con el fin de poder actuar, a partir del conocimiento, a favor de la gestión, salvaguarda y pervivencia de los excepcionales valores culturales y naturales, que definen el carácter e identidad de estos singulares paisajes. ----------------------ABSTRACT----------------- The landscapes of this research have been created by the activity of saltworks, sites “where salt from sea water or certain springs is obtained, when water evaporates.” (RAE). They are places with unique characteristics, because of their natural and environmental values, as well as their cultural, historic and social values, their heritage and identity, “the result of the action and interaction of natural and human factors on the territory” (European Landscape Convention, 2000). There are many saltworks in many places around the world, but it is in the Iberian Peninsula where we find the highest concentration of salt industries within Europe and, therefore, the particular landscapes associated and created by them. It is as well the only European region where we can find inland saltworks with evaporation methods to obtain salt: the energies and natural circumstances used in them are sun, wind, gravity and relative humidity, favouring salt water evaporation, one of the main strategies of their functioning. This circumstance determines their geographic position in the territory and its dependence on seasonal climatic cycles, hydrological regimes, geological subsoil structure, geomorphology and human action to strengthen productive processes efficiency, creating an extensive and interesting natural and cultural heritage around them. Therefore, they are also cultural landscapes, result of a traditional salt production process and marketing, organized through the construction of certain preindustrial buildings scattered and connected in strategic inland and seaside spots. This thesis deals with the plight today’s salt landscapes are facing, particularly those within the Andalucian Region, since the middle of the 20th century undergoing an avid process of abandonment and disappearance, meaning a great loss for society of a cultural and natural heritage constructed along centuries, almost since the beginning of mankind. Among the diverse typologies of saltworks, the selection made consists on those inland and seaside ones, which use or have originally used traditional production techniques based on evaporation. The interest in this particular saltwork typology is based on the dependency relationships these industries establish with the environment and climate where they are located, in order to be able to exist and function. The main goal of this research has pursued to establish and define a global and inclusive territorial framework for Andalucian cultural saltworks landscapes, through direct observation carried out during fieldwork, analysis of texts, images, documents, graphs, words and open interviews. All of it has allowed to identify, classify, analyze and evaluate their main characteristics and evolution over time, identifying the causes of deterioration and disappearance of the saltworks heritage, assessing the effectiveness of public and private initiatives, and protection projects, as well as analyzing the relationships with their surroundings, population centers and residents they serve, road networks connecting them and rivers and seas supplying the raw material. Finally, a comprehensive analysis systematic has been established, in order to be able to take action, with knowledge as starting point, for the management, preservation and survival of the unique cultural and natural values that define the character and identity of these singular landscapes.

Cambios históricos en el patrón del paisaje agrícola en un sistema de huerta tradicional de la provincia de Alicante: el caso de la Finca Lo Comptador

Este estudio de caso de un paisaje agrícola en un sistema de huerta tradicional de la provincia de Alicante fue llevado a cabo para desarrollar técnicas adecuadas de cuantificación y análisis del paisaje en el período 1883-2007. Los métodos utilizados se derivan del análisis de cambio en la estructura del paisaje, basado en antiguos mapas y fotografías aéreas, siendo adaptados a una escala detallada por medio de herramientas SIG. La base de datos creada para este análisis diacrónico es una pieza fundamental para obtener una clara visión de la evolución de los usos del suelo en el área de estudio. El principal objetivo de este estudio es poner de manifiesto que una aproximación a nivel de parcela, utilizando tecnologías SIG, proporciona valiosos resultados para planificar programas de conservación en paisajes agrícolas a escala local.

TENDENCIA THATCHERITIS OR ENGLISHNESS REMADE: The Fictions of Julian Barnes, Hanif Kureishi and Pat Barker

Julian Barnes, Pat Barker, and Hanif Kureishi are all canonical authors whose fictions are widely believed to reflect the cultural and political state of a nation that is post-war, post-imperial and post-modern. While much has been written on how Barker’s and Kureishi’s early works in particular respond to and intervene in the presiding political narrative of the 1980s – Thatcherism – treatment of how revenants of Thatcherism have shaped these writers’ works from 1990 on has remained cursory. Thatcherism is more than an obvious historical reference point for Barker, Barnes, and Kureishi; their works demonstrate a sophisticated understanding of how Thatcher’s reworkings of the repertoires of Englishness – a representational as well as political and cultural endeavour – persist beyond her time in office. Barnes, Barker, and Kureishi seem to have reached the same conclusion as political and cultural critics: Thatcher and Thatcherism have remade not only the contemporary political and cultural landscapes but also the electorate and consequently the English themselves. Tony Blair’s conception of the New Britain proved less than satisfactory because contemporary repertoires of Englishness repeat and rework historical and not incidentally imperial formulations of England and Englishness rather than envision civic and populist formulations of renewal. Barnes’s England, England and Arthur & George confront the discourse of inevitability that has come to be attached to contemporary formulations of both political and cultural Englishness – both in terms of its predictable demise and its belated celebration. Kureishi’s The Buddha of Suburbia and “The Body” speak to an alteration that has taken place in which historical Englishness and Thatcherism have become complementary rather than contrasting discourses. What Barker’s Border Crossing and Double Vision offer against this backdrop is a subtle interrogation of how renewal itself comes to be a presiding mode of cultural reflection that absorbs revolutionary possibility.

Cattle, crops and clearing: Regional drivers of landscape change in the Brigalow Belt, Queensland, Australia, 1840-2004

Landscape change occurs through the interaction of a multitude of natural and human driving forces at a range of organisational levels, with humans playing an increasingly dominant role in many regions of the world. Building on the current knowledge of the underlying drivers of landscape change, a conceptual framework of regional landscape change was developed which integrated population, economic and cultural values, policy and science/technology. Using the Southern Brigalow Belt biogeographic region of Queensland as a case study, the role of natural and human drivers in landscape change was investigated in four phases of settlement since 1840. The Brigalow Belt has experienced comparable rates of vegetation clearance over the past 50 years to areas of tropical deforestation. Economic factors were important during all phases of development, but the five regional drivers often acted in synergy. Environmental constraints played a significant role in slowing rates of change. Temporal trends of deforestation followed a sigmoidal curve, with initial slow change accelerating though the middle phases then slowing in recent times. Future landscape management needs to take account of the influence of all the components of the conceptual framework, at a range of organisational levels, if more ecologically sustainable outcomes are to be achieved. (c) 2006 Elsevier B.V. All rights reserved.

Palm Cottage Garden Historic Preservation

Historic landscapes are vital elements of our nation's cultural continuum and must be protected as a part of living fabric of the community. This thesis addressed the preservation of historic landscape gardens, focusing on design strategies that can make historic time legible in landscape. It proposed a landscape plan for the preservation of Palm Cottage Garden in Gotha, Florida, a significant historic landscape resource. To determine the criteria used to establish how and to what period the estate should be restored, the Secretary of the Interior's Guidelines for the Treatment of Cultural Landscapes was followed. This process involved documenting the current site conditions and evaluating natural and cultural resources. For the garden to continue to keep its historic fabric, rehabilitation was selected. The garden was designed to preserve existing features and make efficient contemporary use of the garden possible. The landscape plan focused on strategies that reveal the site's significant past through new design elements while adapting to current and future needs.

Mountain lake colony pinewood estate garden historic preservation

Pinewood Estate is a significant resource in the history of the theory and practice of landscape architecture. The purpose of this thesis is to provide a landscape plan to restore the Pinewood Estate to its historic integrity in order to retain and reflect its past. In order to determine the criteria used to establish how and to what period the estate should be restored to, the Secretary of the Interior's Guidelines for the Treatment of Cultural Landscapes was followed. This process involved documenting the existing conditions of the estate. Site inventory and analysis and onsite interviews were conducted. Natural and cultural resources were evaluated. As a case study, McKee Botanical Garden was analyzed and evaluated. The comparison of this case study served as a guideline to determine the best practice for the historical preservation of the estate. Despite the changes in the landscape at Pinewood Estate over the past seventy years, the garden today still retains William Lyman Phillips design criteria. For the garden to continue to keep its historic fabric, rehabilitation was selected to allow for improvements that make possible efficient contemporary use of the estate.

Land Use and Climate Change Impacts on the Hydrology of the Upper Mara River Basin, Kenya: Results of a Modeling Study to Support Better Resource Management

Some of the most valued natural and cultural landscapes on Earth lie in river basins that are poorly gauged and have incomplete historical climate and runoff records. The Mara River Basin of East Africa is such a basin. It hosts the internationally renowned Mara-Serengeti landscape as well as a rich mixture of indigenous cultures. The Mara River is the sole source of surface water to the landscape during the dry season and periods of drought. During recent years, the flow of the Mara River has become increasingly erratic, especially in the upper reaches, and resource managers are hampered by a lack of understanding of the relative influence of different sources of flow alteration. Uncertainties about the impacts of future climate change compound the challenges. We applied the Soil Water Assessment Tool (SWAT) to investigate the response of the headwater hydrology of the Mara River to scenarios of continued land use change and projected climate change. Under the data-scarce conditions of the basin, model performance was improved using satellite-based estimated rainfall data, which may also improve the usefulness of runoff models in other parts of East Africa. The results of the analysis indicate that any further conversion of forests to agriculture and grassland in the basin headwaters is likely to reduce dry season flows and increase peak flows, leading to greater water scarcity at critical times of the year and exacerbating erosion on hillslopes. Most climate change projections for the region call for modest and seasonally variable increases in precipitation (5–10 %) accompanied by increases in temperature (2.5–3.5 °C). Simulated runoff responses to climate change scenarios were non-linear and suggest the basin is highly vulnerable under low (−3 %) and high (+25 %) extremes of projected precipitation changes, but under median projections (+7 %) there is little impact on annual water yields or mean discharge. Modest increases in precipitation are partitioned largely to increased evapotranspiration. Overall, model results support the existing efforts of Mara water resource managers to protect headwater forests and indicate that additional emphasis should be placed on improving land management practices that enhance infiltration and aquifer recharge as part of a wider program of climate change adaptation.

TENDENCIA THATCHERITIS OR ENGLISHNESS REMADE: The Fictions of Julian Barnes, Hanif Kureishi and Pat Barker

Julian Barnes, Pat Barker, and Hanif Kureishi are all canonical authors whose fictions are widely believed to reflect the cultural and political state of a nation that is post-war, post-imperial and post-modern. While much has been written on how Barker’s and Kureishi’s early works in particular respond to and intervene in the presiding political narrative of the 1980s – Thatcherism – treatment of how revenants of Thatcherism have shaped these writers’ works from 1990 on has remained cursory. Thatcherism is more than an obvious historical reference point for Barker, Barnes, and Kureishi; their works demonstrate a sophisticated understanding of how Thatcher’s reworkings of the repertoires of Englishness – a representational as well as political and cultural endeavour – persist beyond her time in office. Barnes, Barker, and Kureishi seem to have reached the same conclusion as political and cultural critics: Thatcher and Thatcherism have remade not only the contemporary political and cultural landscapes but also the electorate and consequently the English themselves. Tony Blair’s conception of the New Britain proved less than satisfactory because contemporary repertoires of Englishness repeat and rework historical and not incidentally imperial formulations of England and Englishness rather than envision civic and populist formulations of renewal. Barnes’s England, England and Arthur & George confront the discourse of inevitability that has come to be attached to contemporary formulations of both political and cultural Englishness – both in terms of its predictable demise and its belated celebration. Kureishi’s The Buddha of Suburbia and “The Body” speak to an alteration that has taken place in which historical Englishness and Thatcherism have become complementary rather than contrasting discourses. What Barker’s Border Crossing and Double Vision offer against this backdrop is a subtle interrogation of how renewal itself comes to be a presiding mode of cultural reflection that absorbs revolutionary possibility.

Turismo rural y paisaje en zonas de montaña. Propuesta metodológica para identificar sus relaciones en las Sierras Meridionales de la Provincia de Albacete

Las zonas de montaña cuentan con especificidades geográficas y socioeconómicas. En ellas, a partir del patrimonio territorial natural y cultural, se ha producido un considerable impulso del turismo rural, que ha centrado el interés en la valoración de la singularidad y variedad de los paisajes. En este caso se presta atención a las sierras meridionales de la provincia de Albacete. El trabajo se apoya en una metodología que combina el uso de encuestas de preferencias de turistas y técnicas cartográficas a partir de algunas variables del sistema turístico en el medio rural. El trabajo se inserta dentro de los paradigmas del desarrollo local y el desarrollo sostenible, aplicado a los espacios rurales y a las zonas de montaña media del sureste de Castilla-La Mancha. La hipótesis se centra en la consideración del paisaje como elemento medular del turismo rural.

Reconnecting the interrupted landscape : a cultural landscape approach to Australian open-cut coal mining landscapes

In the late 20th century, a value-shift began to influence political thinking, recognising the need for environmentally, socially and culturally sustainable resource development. This shift entailed moves away from thinking of nature and culture as separate entities - The former existing merely to serve the latter. Cultural landscape theory recognises 'nature' as at once both 'natural', and as a 'cultural' construct. As such it may offer a framework through which to progress in the quest for 'sustainable development'. This 2005 Masters thesis makes a contribution to that quest by asking whether contemporary developments in cultural landscape theory can contribute to rehabilitation strategies for Australian open-cut coal mining landscapes, an examplar resource development landscape. A thematic historial overview of landscape values and resource development in Australis post-1788, and a review of cultural landscape theory literature contribute to the formation of the theoretical framework: "reconnecting the interrupted landscape". The author then explores a possible application of this framework within the Australian open-cut coal mining landscape.

Reconnection : a contemporary development in cultural landscape theory contributing to rehabilitation strategies for Australian open-cut coal mining landscapes

A value-shift began to influence global political thinking in the late 20th century, characterised by recognition of the need for environmentally, socially and culturally sustainable resource development. This shift entailed a move away from thinking of ‘nature’ and ‘culture’ as separate entities – the former existing to serve the latter – toward the possibility of embracing the intrinsic worth of the nonhuman world. Cultural landscape theory recognises ‘nature’ as at once both ‘natural’, and a ‘cultural’ construct. As such, it may offer a framework through which to progress in the quest for ‘sustainable development’. This study makes a contribution to this quest by asking whether contemporary developments in cultural landscape theory can contribute to rehabilitation strategies for Australian open-cut coal mining landscapes. The answer is ‘yes’. To answer the research question, a flexible, ‘emergent’ methodological approach has been used, resulting in the following outcomes. A thematic historical overview of landscape values and resource development in Australia post-1788, and a review of cultural landscape theory literature, contribute to the formation of a new theoretical framework: Reconnecting the Interrupted Landscape. This framework establishes a positive answer to the research question. It also suggests a method of application within the Australian open-cut coal mining landscape, a highly visible exemplar of the resource development landscape. This method is speculatively tested against the rehabilitation strategy of an operating open-cut coal mine, concluding with positive recommendations to the industry, and to government.

Environmental and cultural change on the Mt Eccles lava-flow landscapes of southwest Victoria, Australia

The Gunditjmara people developed a socio-economic system based on the modification of wetland ecosystems associated with the Mt Eccles lava flow primarily for sustainable production and management of the highly nutritious shortfin eel (Anguilla australis). This paper examines the environmental history of these landscapes since their inception about 30 000 years ago, through palaeoecological analysis of sediment cores from associated lakes and swamps, in order to contribute to an understanding of the causes and timing of cultural transformation. Two records cover the whole of the 30 000 year history of the landscape while two others provide evidence of change within the Holocene. A great deal of variation within the landscape is revealed, both temporally and spatially, with opportunities for human exploitation through the whole recorded period. Although most features of the records can be explained by natural landscape development and climate change, some human modification can be suggested from around the Pleistocene—Holocene transition while more obvious indications of management relating to eel aquaculture are evident from about 4000 cal. yr BP that appear to include adaptations to the onset of a drier and more variable climate. The study has implications for the explanation of intensification of settlement in Australia more generally within the mid to late Holocene.

Cultural Science and Methodological Challenge!

The processes of digitization and deregulation have transformed the production, distribution and consumption of information and entertainment media over the past three decades. Today, researchers are confronted with profoundly different landscapes of domestic and personal media than the pioneers of qualitative audience research that came to form much of the conceptual basis of Cultural Studies first in Britain and North America and subsequently across all global regions. The process of media convergence, as a consequence of the dual forces of digitisation and deregulation, thus constitutes a central concept in the analysis of popular mass media. From the study of the internationalisation and globalisation of media content, changing regimes of media production, via the social shaping and communication technologies and conversely the impact of communication technology on social, cultural and political realities, to the emergence of transmedia storytelling, the interplay of intertextuality and genre and the formation of mediated social networks, convergence informs and shapes contemporary conceptual debates in the field of popular communication and beyond. However, media convergence challenges not only the conceptual canon of (popular) communication research, but poses profound methodological challenges. As boundaries between producers and consumers are increasingly fluent, formerly stable fields and categories of research such as industries, texts and audiences intersect and overlap, requiring combined and new research strategies. This preconference aims to offer a forum to present and discuss methodological innovations in the study of contemporary media and the analysis of the social, cultural,and political impact and challenges arising through media convergence. The preconference thus aims to focus on the following methodological questions and challenges: *New strategies of audience research responding to the increasing individualisation of popular media consumption. *Methods of data triangulation in and through the integrated study of media production, distribution and consumption. *Bridging the methodological and often associated conceptual gap between qualitative and quantitative research in the study of popular media. *The future of ethnographic audience and production research in light of blurring boundaries between media producers and consumers. *A critical re-examination of which textual configurations can be meaningfully described and studied as text. *Methodological innovations aimed at assessing the macro social, cultural and political impact of mediatization (including, but not limited to, "creative methods"). *Methodological responses to the globalisation of popular media and practicalities of international and transnational comparative research. *An exploration of new methods required in the study of media flow and intertextuality.