996 resultados para Story, Joseph, 1779-1845.


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Tese de doutoramento, História (História dos Descobrimentos e da Expansão), Universidade de Lisboa, Faculdade de Letras, 2014

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Statement signed by Hume Blake of Toronto (2 ½ pages) who has read the will of Joseph Clement dated May 14, 1810 and has also read the will of Mary M. Clement dated Sept. 10, 1842. He states that the devise to James D. Clement and Joseph Clement is void. “The executor therefore take the personal estate … and the lands devised to James and Joseph Clement descend unencumbered to the heir of the testator Joseph Clement.” This document is slightly burned on the edges but text is not affected. The outer page says “Mr. Hume Blake for Brock Woodruff, May 9, 1845.

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Le début du XIXe siècle est une période marquée par de nombreux bouleversements politiques, dont les rébellions des Patriotes et l'Acte d'Union qui s'ensuit, impliquant une forte présence de la censure dans la presse canadienne de l’époque. Afin de contourner ce couperet de la censure, plusieurs journaux politiques effectuent un glissement du factuel au fictionnel. L'exemple le plus remarquable de ce choix de la littérarité est le journal Le Fantasque, édité par Napoléon Aubin et publié de 1837 à 1845 dans la ville de Québec. L'actualité y est rapportée à travers le prisme de la fiction, qui se déploie principalement par le biais des personnages. Le flâneur fantasque constitue la figure centrale et créatrice du journal. Par le récit de ses promenades et rencontres et par l'insertion de lettres presque toujours fictives de protagonistes de l'actualité, le flâneur donne accès à une multitude de voix disparates qui se font les porte-paroles de l'actualité. Ce passage systématique par les personnages fait du journal une œuvre et de l'actualité un récit. Nous étudions le système de personnages qui anime Le Fantasque de 1837 à 1842 et l’effet de son utilisation sur le récit de l’actualité et la lecture. Notre analyse s'inscrit dans le champ prolifique des études sur la presse et s’appuie principalement sur l’analyse de textes. Elle vise à ajouter aux connaissances sur les débuts de la littérature canadienne, à montrer sa vitalité et son ouverture au monde. Nous désirons aussi apporter des outils pour l'analyse de la forme journalistique et la reconnaissance des qualités littéraires de plusieurs textes publiés dans Le Fantasque.

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"Préférence communautaire" is an in-built notion of the CAP since its inception with the Treaty of Rome (1957). Its’ simple objective laid down at the Stresa Conference in 1958 is to prefer community produce over imports wherever possible, while at the same time promoting agricultural exports and FDI (“vocation exportatrice de l’Europe”). Does this contrast or correlate with the notion of “food sovereignty” which originated in 1996 as a notion of small farmer self-sufficiency (Via Campesina), and which now has found its way into the official EC discourse? Recent CAP reforms indeed seem to continue banking on border protection and on the occasional export subsidy. Nonetheless, coming together with claims to mitigate climate change, “food sovereignty” à la CAP fails to acknowledge efficiency losses at home and negative spillover effects on the right to food of food exporting developing countries. This chapter asks whether new non-tariff and domestic support measures are just new wine in the old cask of fortress Europe, together with the FDI promotion instruments of the FED and others. Might the increasing dynamics and new challenges of agricultural trade and investment lead to lower market and production shares for European farms? It concludes that in the medium term the WTO Green Box has the only legal and effective tools to promote EU agriculture and food.

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Resumen: Descripción: escena donde Selin es bautizado en el interior de una habitación enpresencia de dos testigos

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Hay un ejemplar encuadernado con: De foedere sapientiae sacrae ac prophanae oratio (NP26-28/150).

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Author: Torgeir Ehler Title: One of Us: Joseph Conrad's Under Western Eyes and A Personal Record Advisor: Jan Gorak Degree Date: June 2009 Abstract This present work explores the relationship of Joseph Conrad's status as a Polish exile to his creative and biographical work. Its main focus is on the tandem publications of the novel Under Western Eyes and his autobiographical volume A Personal Record, both published within a year of each other and written contemporaneously. The first chapter is a short biographical survey of Conrad's life and addresses some later biographical works by his wife, among others. An overview of critical works that deal with Under Western Eyes is presented in the second chapter. An investigation into narrative structure and its use in creating a heteroglossic text is investigated in the third chapter. How this strategy reflects Conrad's personal stake in the novel and how the novel and its creation affected the author's ability to cope with his own homo-duplex geographies is also addressed herein. The fourth chapter then concerns itself with Conrad's attempt to create a truly heteroglossic, autobiographically based persona for public consumption in Britain, while keeping true to his function as a `cultural bridge'. An early effort at communicating the exile's predicament and failure to bridge the cultural divide in the story `Amy Foster' is taken up in the fifth and final chapter. The legacy of Conrad's effort is also discussed herein as relevant to the work of Milan Kundera and Erich Maria Remarque.

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This bound volume contains excerpts copied by Jonathan Bullard from books he read as a student at Harvard in the mid 1770s. Excerpts include an unattributed poem titled "On Friendship," which appeared in the "poetical essays" section of Volume 36 of the London Magazine in 1767; Joseph Butler, The Analogy of Religion, 1736; The Quaker's Grace; a history of England; Newton's laws; Plutarch's Morals; Benjamin Franklin's writings on the Aurora Borealis. The volume also includes several extracts from articles about the death of John Paddock (Class of 1776), who drowned in the Charles in the summer of 1773, sheet music for two songs, "The Rapture," and "A Song" from Henry Harington's "Damon and Chlora," and a transcription of the satirical "Book of Harvard," written in response to the Butter Rebellion of 1766. Interleaved in the middle of the volume is a transcription from an ecclesiastical event moderated by Ebenezer Bridge in Medford, Mass. on November 20, 1779. The variety of texts suggests the commonplace book was not used solely for academic works.