987 resultados para Livre I


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Pós-graduação em Ciências da Motricidade - IBRC

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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The free-end removable partial dentures (RPD) shows a complicated and peculiar biomechanical behavior that impose high occlusion forces to the abutment teeth. By this way, the aim of this study was to evaluate the several factors that influence the clasps indication to free-end RPD. It was analysed 84 designed and planned study models of 71 patients, involving 130 clasps near-by a free-end; followed by clinical and radiographical informations. It was observed that bar clasps (“T”, “Tmod”, “i”) were used in 88.46% of abutment teeth. In the others (11.55%), it was used simple, combinated or ring circumferential clasps, and MDL. In abutment teeth with high equator line the “i” clasps were predominant (48.48%). The “Tmod” clasps were predominant in abutment teeth with low equator line (50%) or in middle third (51.35%) and “T” clasps were predominant in inclined equators with mesio-buccal (56.52%) or disto-buccal (66.66%) retention. In the posterior abutment teeth, it was prevalent the distal rest (63.52%) and embracing to the adjacent tooth. Some others factors like long clinical crown (5.38%), wrong position of abutment teeth (4.61%), aesthetics (3.07%), retention in alveolar ridge (2.3%), fragility of abutment teeth (1.53%), short clinical crown (0.76%) and short space to the clasp (0.76%) influenced directly during the clasps selection. Factors like mobility of abutment teeth, height of muscular insertions, depth of buccal fornix and antagonist arch acted like secondary factors. After the informations analysis it may be concluded that the bar clasps with distal rest and embracing to the adjacent tooth were the most indicated to free-end RPD

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My purpose is to reflect critically on how Benjamin Libet interprets his experiments, which are focused primarily on the question of free will. These experiments have often been considered as scientific evidence against free will, to the extent that they would have shown that the intention and will result from conscious brain processes, which are unconscious and precedents. But that is not the position of Libet, which distinguishes intention and conscious will, arguing that only the first results from previous and unconscious brain processes, while the second is autonomous and able to act causally on brain. Thus, Libet choose to ignore the suggestion of its initial experiments, that is, that all mental events result of specific brain processes. I argue that Libet ignores it because he is not able to understand how mental events, being essentially separated and at the same time the result of brain activity, could act causally on the brain.

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Les lecteurs de La Ceppède seront contents de recevoir le livre de Julien Gœury car son étude représente une addition importante aux ouvrages récents sur le poète aixois. Faisant partie de la redécouverte critique des Théorèmes initiée par les travaux de Jean Rousset dans les années 50, L'Autopsie et le théorème jette un nouveau regard sur l'oeuvre laceppédienne en adoptant ce que l'on peut appeler une perspective néo-structuraliste. L'exposé se divise en quatre parties: 1) Morphologie, 2) Anatomie, 3) Physiologie et 4) Psychologie. Une telle répartition suggere le désir de dégager le caractère organique du texte dans le cadre d'une organisation bien schématisée. Concernant la première categorie, Gœury met en exergue la construction générale du texte, signalant au départ “l'architecture extérieure” (23) ainsi que “l'architecture intérieure” (54) dans la composition des livres et des recueils qui édifient l'ouvrage. Ici, le lecteur note l'accent mis sur la signification du frontispice, des pages de titres, et sur d'autres éléments paratextuels. Toujours dans la première partie, Gœury suit l'exemple de plusieurs critiques en examinant l'emploi du sonnet comme mode de discours. L'auteur met en avant des “lois de composition” (141) qui renforcent “l'engagement formel” (151) du texte ainsi que son “architecture phonetique” (157). S'ajoutent à l'examen morphologique des observations sur les différentes formes “d'enjambement” (168) et de “fragmentation” (174) qui se manifestent dans les sonnets.

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A partire dalla volontà di proporre una traduzione dal francese all'italiano della graphic novel Moby Dick, di Chabouté, in questo elaborato verranno esaminate quelle che sono le caratteristiche del Fumetto, le sue proprietà, impostando la ricerca attorno alla domanda 'esiste un linguaggio dei Fumetti?' L'analisi delle fonti per giungere alla risposta permetterà di evidenziare i meccanismi attraverso cui il Fumetto crea la narrazione. Una volta stabiliti, verranno esaminati i problemi traduttivi legati all'opera e ne verrà proposta una traduzione di alcune tavole.

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pages trad. du chaldai͏̈que par Jean de Pauly

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Ce livre, en deux tomes, est une introduction à la topologie algébrique et plus particulièrement à la théorie de l'homologie. Celle-ci associe à chaque espace topologique un module dont les propriétés algébriques reflètent celles de l'espace considéré. Nous l'appliquons principalement à l'étude des variétés, qui interviennent de manière fondamentale tant en mathématiques qu'en physique. Nous discutons de manière détaillée les divers concepts de dimension et d'orientation des variétés et établissons les résultats fondamentaux que sont les dualités de Poincaré et de Lefschetz.

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Latin text, with French translation; editorial matter in French.

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Includes bibliographical references (p. [117]-128) and indexes.

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Vol. 1 (fasc. 18) bound with fasc. 19; v. 2 (2. ser. fasc. 10) bound with 2. ser. fasc. 13.

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En port.: Ouvrage qui commence la seconde série des oeuvres de l'auteur.