997 resultados para Evdokimov, Paul, 1901-1970


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A poem.

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Mode of access: Internet.

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top row: Jim Blanks, Marty Chouinard, Preston Henry, Therlon Harris, Rick Bolhouse, Mitch Mendrygal, Paul Paquin, Roger Ritzman

middle row: ass't coach Rick Bay, Tom Littleton, Jim Hagan, Mark King, Tim Cech, Jim Thomas, Brian Boyce, Marvin Pushman, mgr. Rich Bond

front row: Tom Quinn, Jim Sanger, capt. Lou Hudson, coach Cliff Keen, Jesse Rawls, Jerry Hoddy, Ty Belknap

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back row: Thomas Marra, Murry Shaw, Paul Gamsby, Brian Slack

middle row: manager Chuck McCuen, coach Allan Renfrew, Bernard Gagnon, Michael Jarry, Merle Falk, Brian Skinner, Robert Staub, Jerry LeFebvre, Jean-Yves Cartier, trainer Mike Willie, Richard Mallette

front row: Karl Bagnell, Douglas Heyliger, Donald Deeks, captain David Perrin, Donald Heyliger, Bernard Pashek, William Busch

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Top Row: Al Cornwell, Godfrey Murray, Robert Pincham.

3rd Row: Eric Chapman, Dale Arbour, Greg Syphax, Gene Brown, Trevor Matthews, Tom Swan, Paul Toran, John Mann.

2nd Row: Lorenzo Montgomery, George Drew, Phil Pyatt, Ron Clark, Karl Kruger, Kirk Hansen, Norm Cornwell, Rick Storrey, Ray Eddy

Front Row: asst. trainer Len Paddock, John Lowe, Steve Reynolds, Ken How, asst. coach Ken Burnley, head coach Dave Martin, asst. coach Jack Harvey, captain, Paul Armstrong, Ira Russell, Reggie Bradford.

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Mode of access: Internet.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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El artículo analiza cómo Paul Celan, utilizando recursos arreferenciales y antimiméticos propios de la poésie pure y la poesía absoluta, desarrolla un modelo poético en el que la temporalidad y la memoria son determinantes. En el nuevo modelo, el lenguaje no constituye una realidad autónoma e inmanente; antes bien, se concreta en una acción dialógica y remite a una realidad extralingüística. El mismo texto poético configura un espacio del recuerdo, se erige en un lugar de memoria que, a través de las sedimentaciones históricas que arrastra el lenguaje, da testimonio de lo ocurrido.

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Introducción Este libro de Iván Molina y Fabrice Lehoucq representa un importante aporte a la historia política relegada a un segundo plano desde por lo menos la década de 1970, cuando la renovación de nuestra disciplina se orientó a la historia social y económica. En los últimos años se ha empezado a remozar la historia política utilizando novedosas estrategias teóricas y metodológicas que permiten analizar los procesos políticos desde la perspectiva cultural…

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I have been an academic since joining the University of Natal in 1998 and, following a period as a visiting lecturer in Brisbane in 2001, I joined the staff at QUT on an ongoing basis in 2003. I was appointed as Architecture Co-ordinator in 2006, and this role involves the leadership of the architectur discipline of 17 full time academics. I am currently enrolled in a PhD course in the field of urban morphology. This research proposes a theory on the relevance of mapping the evolutionary aspects of historical urban form to develop a measure for evaluating architecural elements and deriving parameters for new buildings. My participation in a QUT design team contributed to a recent successful invited competition bid for an Urban Transit Centre in Hangzhou, China. The Centre will include retail, business, entertainment, residential and service components at the heart of the Binjiang district on the 11.5ha core area with 32ha surrounding urban design precinct. The project has received the approval to commence and is to be implemented over the next three years!

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Adopting a thematic rather than chronological arrangement, this co-authored book surveys representations of men and masculinity in post-war Australian theater. Its searching and sophisticated analyses draw upon playscripts, critical records and archival material, including screen versions of stage productions. The study is organized around two distinct periods of Australian theater history: the 1950s to 1970, during which time a national theatremovement flourished, and the mid-1980s onward.Whilst some attention is given to different genres, discussion centers primarily on realist works from the mainstream. Several plays usually omitted from orthodox theater histories, such as Barry Pree’s A Fox in the Night (1959), are given detailed treatments.

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This interview (translated and published in Portuguese) was commissioned and conducted by the editors of the Brazilian Guide to Cultural Production 2010-2011 (Edicoes SESC SP, 2010). It covers a range of topics including definitions of the Creative Industries; the value of innovation and creativity in business and education; QUT's Creative Industries Faculty; and the relationship between creative industries and the arts.