The early Christian conception of Christ : its significance and value in the history of religion, expanded from a lecture delivered before the International theological congress at Amsterdam, September 1903 /

Translated from the German.

Architecture, classic and early Christian /

At head of title: Illustrated handbooks of art history.

The blessed Virgin Mary in early Christian poetry, /

Includes index.

Critical edition of the Discours de la vie de Pierre de Ronsard par Claude Binet / [edited] by Helene M. Evers.

"Corrections" (7 p.) inserted.

Manual of the Jarves Collection of early Italian pictures, deposited in the galleries of the Yale School of Fine Arts. Being a catalogue, with descriptions of the pictures contained in that collection, with biographical notices of artists and an introductory essay, the whole forming a brief guide to the study of early Christian art.

Mode of access: Internet.

Hindu literature ... with critical and biographical sketches,

The book of good counsels, selected from the Hitopadesa; translated from the Sanscrit by Sir E. Arnold.--Nala and Damayanti, selected from the Mahabharata"; translation by Sir E. Arnold.--Selections from the Ramayana by Yalmiki, metrical translation by R.T.H. Griffiths.--Sakoontala, by Kalidasa; translation by Sir M. Monier-Williams--Ballads of Hindosian, miscellaneous poems by Toru Dutt.

Report of Commission III: education in relation to the Christianisation of national life; with supplement: Presentation and discussion of the report in the Conference on 17th June 1910, together with the discussion on Christian literature.

Lettered: vol. III.

Studies in early Victorian literature.

"Appeared in the Forum ... and simultaneously in London ... 1894-95."

La música en el desarrollo de la espiritualidad y la religiosidad. Una aproximación al Cristianismo y al Budismo

La música puede afectar al individuo en todos sus niveles –físico, mental y espiritual–. El presente artículo se centra en el papel que ésta desempeña en el desarrollo de la vida espiritual y trascendental. Para ello, realizaremos un repaso histórico de su evolución estética y social, abordaremos dicho fenómeno a nivel fisiológico y presentaremos sus aplicaciones clínicas y sociales. Seguidamente y a modo de ejemplo de las concepciones de pensamiento occidental y oriental, trataremos la forma en que el cristianismo y el budismo conciben la música dentro de su doctrina. Finalizaremos con algunas reflexiones sobre el tema.

Reconsidering the relationship between early Gothic literature and the Greek classics: the cases of William Beckford and Matthew G. Lewis

The view that Gothic literature emerged as a reaction against the prominence of the Greek classics, and that, as a result, it bears no trace of their influence, is a commonplace in Gothic studies. This thesis re-examines this view, arguing that the Gothic and the Classical were not in opposition to one another, and that Greek tragic poetry and myth should be counted among the literary sources that inspired early Gothic writers. The discussion is organised in three parts. Part I focuses on evidence which suggests that the Gothic and the Hellenic were closely associated in the minds of several British literati both on a political and aesthetic level. As is shown, the coincidence of the Hellenic with the Gothic revival in the second half of the eighteenth century inspired them not only to trace common ground between the Greek and Gothic traditions, but also to look at Greek tragic poetry and myth through Gothic eyes, bringing to light an unruly, ‘Dionysian’ world that suited their taste. The particulars of this coincidence, which has not thus far been discussed in Gothic studies, as well as evidence which suggests that several early Gothic writers were influenced by Greek tragedy and myth, open up new avenues for research on the thematic and aesthetic heterogeneity of early Gothic literature. Parts II and III set out to explore this new ground and to support the main argument of this thesis by examining the influence of Greek tragic poetry and myth on the works of two early Gothic novelists and, in many ways, shapers of the genre, William Beckford and Matthew Gregory Lewis. Part II focuses on William Beckford’s Vathek and its indebtedness to Euripides’s Bacchae, and Part III on Matthew Gregory Lewis’s The Monk and its indebtedness to Sophocles’s Oedipus Tyrannus. As is discussed, Beckford and Lewis participated actively in both the Gothic and Hellenic revivals, producing highly imaginative works that blended material from the British and Greek literary traditions.

Syriac–Aramaic words in an early Christian Arabic copy of the Pentateuch (Ms Sin. Ar. 2)

Este artículo se ocupa de las voces siriaco arameas incluidas en las primeras copias del Pentateuco (ms. Sin. ar. 2) del siglo X, que fueron traducidas a partir de la Peshīṭtā. Uno de sus reasgos más característicos es la existencia de residuos siriaco-arameos, especialmente en las palabras siriaco-arameas que no son comunes al árabe.

Strzygowski and his theory of early Christian art ...

From the Harvard theological review, v. III, July, 1910.

Hymnes pascales /

Includes bibliographical references and indexes.

Prosa latina cristiana; pagine scelte ed annotate.

Mode of access: Internet.