954 resultados para Djuna Barnes
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Includes index.
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Includes index.
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Includes index.
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Includes index.
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"May 1968."
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Mode of access: Internet.
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"January 1974."
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(crop from team photo)
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Includes bibliographical references and indexes.
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During the 2004 growing season, five raspberry cultivars were evaluated in terms of their susceptibility to the raspberry cane midge (Resseliella theobaldi Barnes). The trial was carried out at Berkenye, Nógrád County, Hungary. The cultivars evaluated were ‘Rubaca’ from Germany, ‘Fertődi Zamatos’ from Hungary, ‘Tulameen’ from Canada, and ‘Autumn Bliss’ and ‘Golden Bliss’ from the United Kingdom. Every other week, twenty-five split primocanes of each cultivar were randomly collected for laboratory examination. Data recorded for each cultivar included the mean number of larvae, the mean split length, and the mean extent of bark peeling per primocane. Pearson’s linear correlation coefficients were calculated for the correlations between the annual mean number of larvae per primocane on the one hand, and the annual cumulative mean split length per primocane and annual mean extent of bark peeling per primocane on the other hand. There was a weak correlation between annual mean number of larvae and annual cumulative mean split length, and a stronger correlation between annual mean number of larvae and annual mean extent of bark peeling. Annual mean number of larvae per primocane and annual mean extent of bark peeling per primocane were both highest in ‘Rubaca’, which means that the number of larvae per cane largely depends on the extent of stem peeling, although longitudinal splitting may also play a role. Therefore, cultivars with hardly any bark peeling and few and small longitudinal splits can be presumed to be less susceptible to infestation by the raspberry cane midge. Using these criteria, the least susceptible of the five cultivars evaluated would be ‘Tulameen’ and ‘Fertődi Zamatos’. Further research is needed to confirm this conclusion and to gather data on other factors which affect cultivar choice for new plantations, including winter hardiness, and susceptibility to cane diseases.
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Barnes-Krekel Hall was named for the Honorable Arnold Krekel, Judge of U.S. District Court, and also a member of the Lincoln Institutes' Board of Curators as well as a lecturer on Civil Government and Political Economy. The Barnes part of the name was for Howard Barnes, also member of the Board of Curators at Lincoln. This three story brick building served as the first housing for young women. The first part of the building was occupied in 1882 and second part of the building was constructed after 1902. The building was later tore down.
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Julian Barnes, Pat Barker, and Hanif Kureishi are all canonical authors whose fictions are widely believed to reflect the cultural and political state of a nation that is post-war, post-imperial and post-modern. While much has been written on how Barker’s and Kureishi’s early works in particular respond to and intervene in the presiding political narrative of the 1980s – Thatcherism – treatment of how revenants of Thatcherism have shaped these writers’ works from 1990 on has remained cursory. Thatcherism is more than an obvious historical reference point for Barker, Barnes, and Kureishi; their works demonstrate a sophisticated understanding of how Thatcher’s reworkings of the repertoires of Englishness – a representational as well as political and cultural endeavour – persist beyond her time in office. Barnes, Barker, and Kureishi seem to have reached the same conclusion as political and cultural critics: Thatcher and Thatcherism have remade not only the contemporary political and cultural landscapes but also the electorate and consequently the English themselves. Tony Blair’s conception of the New Britain proved less than satisfactory because contemporary repertoires of Englishness repeat and rework historical and not incidentally imperial formulations of England and Englishness rather than envision civic and populist formulations of renewal. Barnes’s England, England and Arthur & George confront the discourse of inevitability that has come to be attached to contemporary formulations of both political and cultural Englishness – both in terms of its predictable demise and its belated celebration. Kureishi’s The Buddha of Suburbia and “The Body” speak to an alteration that has taken place in which historical Englishness and Thatcherism have become complementary rather than contrasting discourses. What Barker’s Border Crossing and Double Vision offer against this backdrop is a subtle interrogation of how renewal itself comes to be a presiding mode of cultural reflection that absorbs revolutionary possibility.