A copious phraseological English-Greek lexicon;

Mode of access: Internet.

Arthur's Illustrated Home Magazine

Title varies: 1853-1856, Home Magazine; 1857-1860 Lady's Home Magazine; 1861-1870; Arthur's Home Magazine; 1871-1872, Arthur's Lady's Home Magazine; 1873-1879, Arthur's Illustrated Home Magazine; 1880-1898, Arthur's Home Magazine

Report.

Included also are reports of the Metropolitan School of Art at Somerset House; Metropolitan Female School; Museum of Ornamental Art; Library of Art; Royal Dublin Society; Derby School of art; London Navigation School; Central School of Art; Geological Survey and Museum of Practical Geology; Registrar of Designs; Museum of Irish Industry; Royal Zoological Society of Ireland; Normal Lace School, Dublin; Industrial Museum of Scotland; National Art Training School, South Kensington; Mining Record Office; Royal Hibernian Academy of Arts; South Kensington Museum; Edinburgh Museum of Science and Art; Royal College of Chemistry; Science and Art Museum, Dublin; National Library of Ireland; Royal School of Mines; Royal College of Science, London; Royal College of Science for Ireland; Council of the Royal Hibernian Academy of Arts; Board of Visitors of the Science and Art Museum, and Royal Botanic Gardens, Dublin.

El legado de los flujos migratorios hacia la península de Crimea entre 1860 – 1991 en la crisis política de 2014

La presente investigación propone un análisis sobre la crisis política de Crimea en 2014 a partir del influjo que las migraciones desde Rusia han tenido en la historia reciente. Así, a partir de la evaluación de algunos de los momentos de inmigración más representativos en los últimos dos siglos (1860, 1928 y 1991) se vincula el proceso de construcción de la identidad de los inmigrantes -transversal en diferentes periodos históricos en Crimea- con el desarrollo de los eventos de 2014. Lo anterior permite identificar un cierto legado de la migración hacia Crimea en el desarrollo de la crisis, cuyo resultado principal ha sido la anexión de facto de Crimea a Rusia. Ésta no habría sido posible sin el particular ánimo de afinidad con la idea de Rusia –o Russianness- de la mayoría de los habitantes de la península, cuya presencia en la región se explica en parte, a través de los procesos migratorios antes descritos.

The Eastern question from the treaty of Paris 1856 to the treaty of Berlin 1878, and to the second Afghan war.

Mode of access: Internet.

War papers and personal reminiscences. 1861-1856.

Mode of access: Internet.

Three visits to Madagascar during the years 1853-1854-1856 : including a journey to the capital : with notices of the natural history of the country and of the present civilization of the people /

"Appendix. Brief remarks on the Malagasy language": p. 411-426.

THE PIANO MUSIC OF ROBERT SCHUMANN (1810-1856) AND JOHANNES BRAHMS (1833- 1897): A SURVEY OF CONCERTI, VARIATIONS, AND CHARACTER PIECES

Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

Historia de la revolución de México contra la dictadura del General Santa Anna 1853-1855

UANL

Don't make war, make elections : Franchise extension and violence in XIXth-century Colombia

This paper studies the effect of strengthening democracy, as captured by an increase in voting rights, on the incidence of violent civil conflict in nineteenth-century Colombia. Empirically studying the relationship between democracy and conflict is challenging, not only because of conceptual problems in defining and measuring democracy, but also because political institutions and violence are jointly determined. We take advantage of an experiment of history to examine the impact of one simple, measurable dimension of democracy (the size of the franchise) on con- flict, while at the same time attempting to overcome the identification problem. In 1853, Colombia established universal male suffrage. Using a simple difference-indifferences specification at the municipal level, we find that municipalities where more voters were enfranchised relative to their population experienced fewer violent political battles while the reform was in effect. The results are robust to including a number of additional controls. Moreover, we investigate the potential mechanisms driving the results. In particular, we look at which components of the proportion of new voters in 1853 explain the results, and we examine if results are stronger in places with more political competition and state capacity. We interpret our findings as suggesting that violence in nineteenth-century Colombia was a technology for political elites to compete for the rents from power, and that democracy constituted an alternative way to compete which substituted violence.

Aristodemocracy : from the great war back to Moses, Christ, and Plato ; an essay /

Mode of access: Internet.

The battle of the Boyne, together with an account based on French and other unpublished records of the war in Ireland

Mode of access: Internet.

The Franco-German war of 1870-71,

Mode of access: Internet.

Aristodemocracy : from the great war back to Moses, Christ, and Plato ; an essay /

Mode of access: Internet.