Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 42 - Bericht von Gustav Brecht zum aktuellen Stand der geplanten Fotografie

u.a.: Bürgermeisterwahl in Quedlinburg; "Welt als Wille und Vorstellung"; erbetene Unterstützung bei der Veröffentlichung einer Publikation von Robert Schellwien;

Franz Kutschera als Jonathan Jeremiah Peachum, Rollenbild, Brustbild, in: Bertholt Brecht: Die Dreigroschenoper

Signatur des Originals: S 36/F05097

Introduction

Despite being widely acknowledged as one of the most important German dramatists since Bertolt Brecht, Heiner Muller (1929-95) still remains relatively unknown in the English-speaking world. This collection of plays aims to change that, presenting new translations and opening up his work to a larger audience. Collected here are three of his plays - "Philoctetes", "The Horatian", and "Mauser" - that together constitute what Muller called an "experimental series," which both develops and critiques Brecht's theory of the Lehrstuck, or "learning play." Based on a tragedy by Sophocles, Philoctetes dramatizes the confrontation between politics, morality, and the desire for revenge. The Horatian uses an incident from ancient Rome as an example of ways of approaching the moral ambiguity of the past. Finally, Mauser, set during the Russian civil war, examines the nature and ethics of revolutionary violence. The plays are accompanied by supporting materials written by Muller himself, as well as an introduction by Uwe Schutte that contextualizes the plays and speaks of their continued relevance today.

Turandot in Schiller’s and Brecht’s Dramas

This paper aims to study the subject of Turandot in Friedrich Schiller’s Turandot, Prinzessin von China and Brecht’s Turandot oder Der Kongress der Weißwäscher. We will analyse both theatre adaptations, which have clearly influenced numerous authors through history, by addressing its intertextuality and originality.

Do pouco mais que nada até ao coletivo orgânico (sobre o processo de criação do espetáculo Tem dói-dói?)

Dissertação de Mestrado, Comunicação, Cultura e Artes, Especialização em Teatro e Intervenção Social e Cultural, Faculdade de Ciências Humanas e Sociais, Universidade do Algarve, 2014

Só-mente

Dissertação de mest., Comunicação Cultura e Artes (Teatro e Intervenção Social e Cultural), Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2011

O papel do poema «Correspondances» no Teatro de Vanguarda dos séculos XIX e XX

Ensaio produzido no quadro do Colóquio Internacional "Baudelaire (1821-867) e as Posteridades do Moderno", organizado por Jorge Fazenda Lourenço, Faculdade de Ciências Humanas, Universidade Católica Portuguesa, 2007.

Between truth and traume : the work of art and memory in Adorno

En analysant les processus dialectiques par lesquels l’art repense le passé, Between Truth and Trauma : The Work of Art and Memory work in Adorno traite du concept adornien de la mémoire. Je postule que l’œuvre d’art chez Adorno incarne un Zeitkern (noyau temporel). Je démontrerai que l’immanence réciproque de l’histoire dans l’œuvre d’art et l’immanence de l’œuvre d’art dans l’histoire permettent de repenser le passé. Le premier chapitre examine la manière par laquelle le passé est préservé et nié par l’œuvre d’art. Le deuxième chapitre montre comment, à l’aide du processus interprétatif, le passé est transcendé à travers l’œuvre d’art. Le dernier chapitre évoque la lecture adornienne d’écrits de Brecht et de Beckett dans le but d’illustrer la capacité de l’œuvre d’art à naviguer entre la vérité et le trauma.

Conversación con Buero Vallejo.

Entrevista con Antonio Buero Vallejo sobre su obra, su vida y las corrientes teatrales del siglo XX como Brecht, Shaw, Visen, Strindberg y Beckett.