736 resultados para contemporary photography
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Pós-graduação em Artes - IA
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Pós-graduação em Design - FAAC
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Includes bibliography
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Includes bibliography
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Os temas socioambientais têm se consolidado importantes fontes de investigação de estudiosos das mais variadas áreas. Por sua vez, as questões socioambientais se constituem foco de preocupação constante da contemporaneidade, inclusive para o ensino de Ciências. Ademais, o ensino de Ciências tem se pautado na disposição de contribuir para uma percepção mais adequada dos problemas socioambientais, além de favorecer a formação de um cidadão crítico e autônomo, capaz de compreender a complexidade do mundo natural e social, aproximando estes dois campos. Nesse contexto, buscamos apreender as leituras dos alunos de Licenciatura (Biologia e Física) sobre questões socioambientais vigentes na região metropolitana de Belém, a partir da fotografia, e suas possibilidades de uso no ensino de Ciências na percepção desses alunos. Optamos pela abordagem qualitativa e como estratégia metodológica, utilizamos a pesquisa-ação. A pesquisa ocorreu durante a realização da oficina “A Fotografia no Ensino de Ciências”, estratégia de recolha de dados, no período de seis dias, junto a 10 alunos. A fotografia configura-se como instrumento facilitador da apreensão dos aspectos sociais, econômicos, ambientais, políticos, educacionais, entre outros, que permeiam a leitura do ambiente, ou seja, favorece leituras ampliadas (multidimensionais) do contexto socioambiental evidenciado/vivido. Os dados relativos aos conhecimentos, aos entendimentos e as interpretações, entre outros aspectos, dos alunos, foram organizados e analisados mediante análise textual discursiva. Escolhemos produzir metatextos referentes à apreensão das questões socioambientais, a partir da análise dos textos das fotografias. Ao se lançarem na busca das questões atinentes aos problemas socioambientais, os discentes “(re)direcionaram” a presente pesquisa, ou seja, em nossa avaliação alcançou um nível “para além do esperado”, do trivial; em sua edificação, o corriqueiro estagnou-se. Isto porque, durante as construções analíticas dos alunos, observamos a extrapolação dessas questões, para outros campos do conhecimento (social, econômico, entre outros).
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The contemporary individual finds on the Internet and especially on the Web facilitating conditions to build a basic infrastructure based on the concept of commons. He also finds favorable conditions which allow him to collaborate and share resources for the creation, use, reuse, access and dissemination of information. However, he also faces obstacles such as Copyright (Law 9610/98 in Brazil). An alternative is Creative Commons which not only allows the elaboration, use and dissemination of information under legal conditions but also function as a facilitator for the development of informational commons. This paper deals with this scenario.
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New information technologies and new forms of documentary production have led archivists to rethink the role of archival science in the so-called information age. Since the late 1980s, the principles, methods and concepts stated by the well-known manuals of the 19th and the 20th centuries have been reconsidered along with their application to the organic sets of document in the 21st century. In this new scenario of reformulation and reinterpretation regarding the perspectives on archival knowledge organization, two trends with different approaches have emerged in North America and Europe: postmodern archival science and contemporary diplomatics, respectively. The first one was introduced by Terry Cook, who proposed a reformulation of the basic concepts and the functional analysis method focusing on the process and context of document creation. The second approach originated in Italy and incorporated all the theoretical and methodological models of classic diplomatics. The studies following this new trend were disseminated by Luciana Duranti and aimed to ensure the production, access and use of the documentation generated in the present times focusing on document typology, as opposed by the postmodern approach. The purpose of this study is to elucidate the connection points and distinct features between the two trends concerning the organization of archival knowledge.
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Since its emergence as a discipline, in the nineteenth century (1889), the theory and practice of Archival Science have focused on the arrangement and description of archival materials as complementary and inseparable nuclear processes that aim to classify, to order, to describe and to give access to records. These processes have their specific goals sharing one in common: the representation of archival knowledge. In the late 1980 a paradigm shift was announced in Archival Science, especially after the appearance of the new forms of document production and information technologies. The discipline was then invited to rethink its theoretical and methodological bases founded in the nineteenth century so it could handle the contemporary archival knowledge production, organization and representation. In this sense, the present paper aims to discuss, under a theoretical perspective, the archival representation, more specifically the archival description facing these changes and proposals, in order to illustrate the challenges faced by Contemporary Archival Science in a new context of production, organization and representation of archival knowledge.
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Resenha da obra Contemporary phonology in Brazil, editado por Leda Bisol e Cláudia Regina Brescancini e publicada pela Cambridge Scholars Publising, 2008.
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This paper intends to discuss the relationship between psychoanalysis and aesthetic thinking under the prism of the “unbinding” theory – earlier conceived by the psychoanalyst Andre Green –, linking it to some theories proposed by Hal Foster, art historian and art critic, where we can find the lacanian “real” as the linking concept. One could say, in this linkage made here, that both authors are dealing, in a very particular way, with a question that refers to the theory of the real (as it was conceived by Jacques Lacan), even in the case of Green it is not referred directly; Green’s theory, however, seems to discuss some kind of a regredience that could be linked to the death drive. Accessing the psychoanalytical dispositive, and using it as it is appropriated to the (art) object to be interpreted, Foster, for example, advances in both the field of aesthetic reflection and in the more specific field of psychoanalysis. It should be noted that Foster’s reflection refers strictly to the post-pop images, observed mainly in the 1990’s photography. Thus, I think that this intersection between aesthetics and psychoanalysis might allow us to shed some light on a new art reading possibility towards a “non-applied” psychoanalytical paradigm, which, in my opinion, seems to be an appropriate way to understand some of the contemporary art production.
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Population genetics theory predicts loss in genetic variability because of drift and inbreeding in isolated plant populations; however, it has been argued that long-distance pollination and seed dispersal may be able to maintain gene flow, even in highly fragmented landscapes. We tested how historical effective population size, historical migration and contemporary landscape structure, such as forest cover, patch isolation and matrix resistance, affect genetic variability and differentiation of seedlings in a tropical palm (Euterpe edulis) in a human-modified rainforest. We sampled 16 sites within five landscapes in the Brazilian Atlantic forest and assessed genetic variability and differentiation using eight microsatellite loci. Using a model selection approach, none of the covariates explained the variation observed in inbreeding coefficients among populations. The variation in genetic diversity among sites was best explained by historical effective population size. Allelic richness was best explained by historical effective population size and matrix resistance, whereas genetic differentiation was explained by matrix resistance. Coalescence analysis revealed high historical migration between sites within landscapes and constant historical population sizes, showing that the genetic differentiation is most likely due to recent changes caused by habitat loss and fragmentation. Overall, recent landscape changes have a greater influence on among-population genetic variation than historical gene flow process. As immediate restoration actions in landscapes with low forest amount, the development of more permeable matrices to allow the movement of pollinators and seed dispersers may be an effective strategy to maintain microevolutionary processes.
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The aim of this study was to evaluate the radiopacity of two conventional cements (Zinc Cement and Ketac Cem Easymix), one resin-modified glass ionomer cement (RelyX Luting 2) and six resin cements (Multilink, Bistite II DC, RelyX ARC, Fill Magic Dual Cement, Enforce and Panavia F) by digitization of images. Methods. Five disc-shaped specimens (10×1.0 mm) were made for each material, according to ISO 4049. After setting of the cements, radiographs were made using occlusal films and a graduated aluminum stepwedge varying from 1.0 to 16 mm in thickness. The radiographs were digitized, and the radiopacity of the cements was compared with the aluminum stepwedge using the software VIXWIN-2000. Data (mmAl) were submitted to one-way ANOVA and Tukey's test (=0.05). Results. The Zinc Cement was the most radiopaque material tested (<0.05). The resin cements presented higher radiopacity (<0.05) than the conventional (Ketac Cem Easymix) or resin-modified glass ionomer (RelyX Luting 2) cements, except for the Fill Magic Dual Cement and Enforce. The Multilink presented the highest radiopacity (<0.05) among the resin cements. Conclusion. The glass ionomer-based cements (Ketac Cem Easymix and RelyX Luting 2) and the resin cements (Fill Magic Dual Cement and Enforce) showed lower radiopacity values than the minimum recommended by the ISO standard.
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The portrait, as well as the self-portrait, in his pictorial tradition built a type of own speech. The contemporary technologies offered other ways of representation that break with the tradition, at the same time in which they talk to her. How we may read a contemporary portrait? It is the question that looks for these paper from the work of art “50 Hours: Self-portrait Stolen” of the photographer Rocheli Costi. The inter – relations between others texts are, in the aesthetic texts, the mark of the contemporaneousness producing a format of hypertext, which the reading depends on the connections that the reader is going to draw.