1000 resultados para Planejamento familiar Brasil História
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Sero problematizadas as relaes entre literatura e ensino, com nfase na história recente do ensino da literatura (infantil) na educao escolar brasileira. O objetivo discutir a importncia da leitura (literria) da configurao de textos literrios para o processo de formao de leitores, assim como as implicaes para a formao de professores para a educao infantil e anos iniciais do ensino fundamental.
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This paper proposes to investigate a specific fragment of the history of Japanese immigration to Brazil: labor relations during the period before the outcome of World War II. To this end, choosing oral history as a research method, and assumptions of historical materialism as a theoretical framework, we sought to examine the accounts of experiences remembered by a group of elderly women in this community of immigrant settlers. Theys participated both in the So Paulo coffee work in the first decades of the twentieth century, as the planting of cotton, in the 1930s.
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The objective of this article was to argue how to use images (as films, photos and paintings) and lyrics of musics (as rap) to teach History of the African and Afro- Brazilian culture in classroom. Demonstrating how the procedures had been worked in classroom, at Municipal School of Basic Education (EMEF) Maria Pavanatti Favaro, located in Campinas City, in the State of So Paulo-Brazil, and the results that had been reached with the use of those resources.
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The colection História Nova do Brasil, produced and published in the early 1960s by a group of intellectuals of the Instituto Superior de Estudos Brasileiros (ISEB), has become a field of discussion and debate among military and the left after 1964. Accused of promoting communist subversion, the collection had a new methodology to analyze the history of Brazil, with marxist approach. For this and other reasons, copies were seized by military agencies and the authors were indicted in military investigations, accused of violating the National Security Law.
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Since the 60's, the population censuses have revealed a high degree of social inequality in Brazil. The concentration of income, as measured by the Gini index, showed persistently high since then. After the year 2001, we note that the trajectory stability is disrupted and the Gini index begins to show a downward trend. In relation to poverty, there has been two periods in recent history in which there was consistent decrease in the proportion of poor in the years immediately after the Real Plan in 2003 and in the year 2003 onwards. This research aimed to analyze poverty and income distribution in rural Brazil. In this crop sector, it is noted that the average perceived by the rural population is below the Brazilian income and, therefore, there is an increase in the number of poor. In addition, income in rural areas is less concentrated compared to the urban environment. Finally, as occurred in Brazil, there is a rural improvement in indicators of poverty and inequality in the last 10 years. Finally, this paper analyzes the changes that may have contributed to the fall in inequality and rural poverty, including the policy of rural settlement, the credit program to the family farmer (PRONAF) and rural retirement
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Fundao de Amparo Pesquisa do Estado de So Paulo (FAPESP)
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Conselho Nacional de Desenvolvimento Cientfico e Tecnolgico (CNPq)
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This research is a short article about urban dances in Brazil, about how did it came and became popular here, and also it will discuss about the different nomenclatures that exists nowadays: street dance, dances from street or urban dances. As a bibliographic reference, a research was made about the history of those dances in an international context, the creators and all the elements that consists the Hip hop culture: Break dance, grafitte, MC and DJ. The research methodology is characterized as a qualitative, it search for information that can be deeply studded, and the method used was history telling, which prize and brings up the man memory of the facts. The interview was also used as a tool in a previously elaborated script with open questions, so the interviewees could answer their own way and talk as much as they need about the issue. The analyze was made using the Bardin (2009) method. The interviewees are very important at the Hip Hop scenario because their lives were dedicated to the research about urban dances and the Hip Hop culture. During the interview they told how they started to dance and that their first contact with urban dances was made by watching movies that came to Brazil in the eighties. Michael Jackson has also contributed to spread this urban dances at that time with his videos. The main goal of this research is to tell the history of the urban dances, how did they got here, who brought it and how it has spread in Brazil. It justify itself during the fact that exists just a few researches in a scientific way that study this issue, thus the history importance that this contents is to the urban dances in Brazil. My conclusion of this article is that the history has many different ways, a lot of names, and that the urban dances in Brazil has began in many different places at the same time, by films influence that has promoted the styles that had came here in the eighties
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A trajetria do pensamento social no Brasil remonta segunda metade do sculo XIX e envolve muitas correntes, linhagens e famlias intelectuais que enformam as Cincias Sociais no Brasil. Por isso, h controvrsias quanto fundao das Cincias Sociais, considerada, de um lado, por meio da trajetria histrica, e, de outro, pela institucionalizao do trabalho cientfico. O debate ganha complexidade quando so considerados os marcos fundadores, as caractersticas, o significado e as implicaes dessa institucionalizao que, longe de esclarecer a questo, cria novos problemas para o entendimento e avaliao do processo. Rediscutir as circunstncias histrico-sociais e as configuraes intelectuais de sua fundao e desenvolvimento, entendemos ser pertinente e necessrio, sendo esse o propsito deste artigo.
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Ps-graduao em História - FCHS
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The chronicles of Machado de Assis can be read as a historical document or a literary work. Characterized as a hybrid genre, the chronicle allows several readings and interpretations, but its always connected at the time and at the productions context. The aim of this article is to averiguate how Machado de Assis commented the importants subjects of his time, mixing the french classic theater and the brazilians history.