978 resultados para Lafrensen, Nicolas, 1737-1807.


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Political Leadership in France analyzes changes which have taken place over the last 50 years in French politics. When Charles de Gaulle came to power in 1958 the drama surrounding the Fourth Republic's collapse and the focus on an exceptional individual meant that he was able to confer a very particular style of leadership on the new Fifth Republic. De Gaulle's 'performance' was such that he transformed the nature of leadership politics in France, increasing the scope for personal leadership and the emphasis upon the exalted leader. This had major implications for the republic's institutions and for the role of political parties. The five Presidents who came after him – Pompidou, Giscard, Mitterrand, Chirac, and Sarkozy, as well as contenders for the presidency such as Segolene Royal and François Hollande – have each capitalized upon their own political 'persona' and their relationship to the French people. Gaffney takes a new approach to the subject, looking at the mythological and cultural as well as institutional conditions of political performance. This paperback edition includes a new preface.

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The primary issue in this case related to TB’s clear and expressed desire to leave V, in order that she might be admitted to an NHS hospital for treatment of what she believed to be a physical, as opposed to a psychological, condition...

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This article contributes to the body of the developing theoretical research in leadership and presidential studies by adding analysis of what I have termed ‘comportmental style’ as a factor in leader/follower relations. Within institutionalism and the wider structure/agency debate in political science, one of the challenges as regards the study of leadership is to identify factors that offer scope to or else militate against leaders’ performance. The comportmental style of Nicolas Sarkozy (President of the French Republic 2007–2012), deployed in the context of the – changing – institution of the presidency, was a major factor in his extreme unpopularity, and contributed to his defeat in 2012. What this tells us about the nature of the changing French presidency and the role of style will be discussed in the conclusion.

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vom Propst Ribbeck ; [herausgegeben von] Karl Hahn

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gehalten von dem Probst Hanstein

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Entre los documentos del archivo de la Real Sociedad Econó-mica de Amigos del País de Valencia (RSEAPV)1, se encuentra un con-junto muy interesante concerniente a la realización de una medalla por parte de esta sociedad en honor de Manuel Godoy, Príncipe de la Paz. Es en enero de 1807 cuando la RSEAPV decide nombrarlo miembro protector de esa Real Sociedad y, en agradecimiento a su aceptación y su reciente nombramiento al Grande Almirantazgo de España e Yndias, acuña la medalla sobre la cual presento este trabajo. El estudio detallado de los citados documentos nos permitirá ir más allá de las imágenes re-presentadas en el reverso de la misma, proporcionándonos su correcta interpretación dentro del contexto histórico del momento.

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This Bill marks the first occasion on which the British legislature proposed to confer upon authors a lifetime interest in their literary works (with an additional eleven year post-mortem term vesting in their estates), as well as limited rights of translation and abridgement. In addition the draft legislation proposed to render null and void any contract purporting to assign an author's rights to another for a period of longer than ten years.
The commentary describes the background to the Bill, and in particular the attempts of the London book trade to secure more extensive legislative protection in both 1735 and 1737. It argues that the 1737 Bill is significant precisely because it was never made into law, and because it did not suit the best interests of the metropolitan booksellers. Instead, the book trade increasingly turned to the courts to further secure their commercial interests, giving rise to what is commonly referred to as the ‘battle of the booksellers' throughout the next 40 years.

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This case marks the first occasion, following the passage of the Statute of Anne 1710 (uk_1710), on which a living author sought to prevent the infringement of his own copyright before the courts, as well as the first time on which a ‘perpetual' injunction was granted to prevent the further unauthorised reproduction of the work.
The commentary describes the circumstances which led Gay to publish the work himself, by subscription, as well as the success he enjoyed (albeit posthumously) in preventing unauthorised versions of the work from being published. That a ‘perpetual' injunction was granted at the conclusion of the litigation was subsequently interpreted, by advocates of common law copyright, to suggest that, regardless of the Statute of Anne, the Lord Chancellor considered copyright to be a perpetual right.

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Hospital San Nicoláas, Luis García, Liliana García y Herlinda Garcia entre otros. Versalles, C. 1949.

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O repertório português para instrumentos de tecla da segunda metade do século XVIII encontra-se disperso em bibliotecas e arquivos, em Portugal e no estrangeiro, essencialmente sob a forma de manuscrito. Neste repertório, a sonata emerge como um género musical de grande importância. De facto, as duas coleções de sonatas publicadas na época constituem as únicas obras para instrumentos de tecla impressas em Portugal durante todo esse século. O objetivo deste trabalho é realizar um inventário do repertório português composto para instrumentos de tecla durante o período acima descrito, focando a respectiva descrição formal e as características composicionais das sonatas em geral, e na produção de cada compositor português em particular, bem como as suas biografias e perfis. De forma a estudar a sonata portuguesa e o seu desenvolvimento no período compreendido entre 1750–1807, foi realizado um levantamento das obras portuguesas existentes para instrumentos de tecla deste período. Este levantamento foi acompanhado por pesquisas biográficas sobre cada compositor e por uma abordagem analítica baseada na Teoria da Sonata de James Hepokoski e Warren Darcy. A divisão deste período em dois subperíodos demonstra variações significativas na evolução da sonata portuguesa. O estudo deste repertório demonstra que a sonata é o género musical predominante e define o modelo da sonata portuguesa deste período, para além de caracterizar o desenvolvimento da sonata em Portugal em paralelo com o desenvolvimento deste género musical em Itália e Espanha; ABSTRACT: The Sonata Genre in Portugal: Contributions for the Study of the Portuguese Keyboard Repertory from 1750 to 1807 The extant Portuguese repertory of the second half of the eighteenth century for keyboard instruments is dispersed in libraries and archives, in Portugal and abroad, mainly in manuscript form. In that repertory, the sonata emerges as a genre of great importance. Indeed, the two collections of sonatas published at the time are the only works for keyboard instruments printed in Portugal throughout the entire century. The aim of the present work is to make an inventory of the Portuguese repertory written for keyboard instruments during the above-mentioned period, with a focus on its formal description and the compositional characteristics of the sonatas in general and in the production of each Portuguese composer in particular, in addition to the biographies and profiles of the latter. In order to study the Portuguese sonata and its development in the period comprised between 1750–1807, a survey of the existing Portuguese works for keyboard instruments from that period was done. This survey was followed by a research on the biography of each composer and an analytic approach based on the Sonata Theory by James Hepokoski and Warren Darcy. Dividing this period in two sub periods showed significant variations on the evolution of the Portuguese sonata. The study of this repertory shows that the sonata is the predominant musical genre within it and identifies the Portuguese sonata model of this period, besides characterizing the development of the sonata in Portugal in parallel with the development of the same genre in Italy and Spain.

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Introducción Se  ha alegado que durante el periodo colonial la población indígena de Costa Rica era tan escasa como para ser considerada de poca importancia. Monseñor Bernardo Thiel en su:”Monografía de la población de la República de Costa Rica durante el siglo XIX”, afirmó que  1522 la población indígena total de la Provincia de Costa Rica habría alcanzado unos 27 000 almas y que casi un siglo mas tarde en 1611, el  numero total de indígenas se  había reducido a  aproximadamente a la mitad de la cifra antes mencionada. Monseñor Theil publicó su monografía en el año 1902 e infortunadamente, dese entonces sus cálculos han sido considerados acertados, tanto por los costarricenses como por historiadores extranjeros.