Das teuflische und groteske in der kunst.

Mode of access: Internet.

Negotium perambulans in tenebris; études de démonologie gréco-orientale.

Mode of access: Internet.

Ecclesiae anglicanae trophæa, siue, Sanctor̄ martyrum, qui pro Christo catholicæq̀ fidei veritate asserenda : antiquo recentioriq̀ persecutionum tempore, mortem in Anglia subierunt, passiones, Romæ in Collegio Anglico /

Cavalieri has engraved reproductions of Circignano's frecoes in the church of St. Thomas of Canterbury of the English College in Rome.

Beauty illustrated by an analysis and classification of beauty in woman : with a critical view of the hypotheses of Hume, Hogarth, Burke, Knight, Alison, etc., and the hypotheses of beauty in sculpture and painting, by Leonardo da Vinci, Winckelmann, Mengs, Bossi, etc. /

The plates include one frontispiece, 22 plates numbered I-XXII and one addtional plate numbered XVIb.

Ecclesiae militantis trivmphi, sive, Deo amabilium martyrvm gloriosa pro Christi fide certamina : prout opera RR Patrum Societatis Iesv Collegij Germanici et Hungarici moderator impensa S.D.N. Gregorii PP XIII in ecclesia S. Stephani Rotundi Romae Nicolai Circiniani pictoris manu uisuntur depicta, ad exictandam pior deuotionem /

Cavalieri has engraved reproductions of Circignano's frescoes in S. Stefano Rotondo in Rome.

P. Ouidii Metamorphosis : cum luculentissimis Raphaelis Regij enarrationibus : quibus cũ alia q̃da[m] ascripta sunt : q̃ in exemplarib[us] antea impressis nom inueniuntur : tum eorum apologia : q̃ fuerant a quibusdam reprehensa.

Includes index.

Die Architekturen Raffaels in seinen Fresken, Tafelbildern und Teppichen.

Bibliographical footnotes.

A survey of current internal communications practices in 38 Wisconsin industrial firms.

"This study is the result of a public relations research project in the School of Journalism, University of Wisconsin."

Administrative communication.

Mode of access: Internet.

Matisse in Morocco : the paintings and drawings, 1912-1913 : teachers' packet.

Mode of access: Internet.

Simulation and public communication of ocean response to changing sea ice concentration

Senior thesis written for Oceanography 445

"We do it, but they don't": Multiple categorizations and work team communication

The present study adopted an intergroup approach to information sharing and ratings of work team communication in a public hospital (N = 142) undergoing large-scale restructuring. Consistent with predictions, ratings of communication followed a double ingroup serving bias: while team members reported sending about the same levels of information to double ingroup members (same work team/same occupational group) as they did to partial ingroup members (same work team/different occupational group), they reported receiving less information from partial ingroup members than from double ingroup members and rated the communication that they received from partial ingroup members as less effective. We discuss the implication of these results for the management of information sharing and organizational communication.

Exploring Visitors' Perceptions of Art Gallery Festivals

The contemporary directions of art galleries worldwide are changing as social patterns and demands, and visitor expectations of their experiences at art galleries change. New programs and strategies are being developed in galleries to make these institutions more appealing to people who would not normally visit them. One such strategy is the staging of special events, which in galleries take a variety of forms. As special events are increasingly being employed by galleries to inspire new audiences, it is important that these institutions develop an awareness of how their visitors understand and respond to such events. Festivals are one type of special event that visitors identify as having a distinct role and nature. This paper explores visitors’ perceptions of festivals in art galleries and identifies several characteristics that distinguish festivals from other special events. These characteristics include the focus of the event, the audience attending, the degree of interactivity offered, the timing, and the place at which the event is staged. Understanding visitors’ perceptions and expectations of festivals will enable galleries to develop and further enhance their programs and special events to meet visitors’ needs.