Letter from Robert Bell to Edward Wigglesworth, 1781 June 16

This brief letter from Robert Bell in Boston, Massachusetts, to Professor Edward Wigglesworth concerns the donation of books to the College Library.

College Book 3, 1636-1779

This volume was begun by Thomas Danforth, most likely around 1687, and contains transcriptions of donation records, property inventories, College laws, Overseers and Corporation minutes, and other official documents dating from 1636 onwards. By copying these documents into one volume, Danforth brought together a chronicle of Harvard's early history. Some of its content duplicates that of College Book 1, and other entries were copied from sources which no longer exist, including College Book 2, which was destroyed by fire in 1764. Danforth, who served as College Treasurer from 1650 to 1668, as Steward from 1668 to 1682, and again as Treasurer from 1682 to 1683, is believed to have created this volume as a precautionary measure during the great upheaval surrounding the 1684 annulment of the Royal Charter of the Massachusetts Colony and consequent dissolution of the Harvard Corporation. Some scholars believe he created College Book 3 in fear that the College's original records, from which it was largely derived and copied, might be destroyed.

Diary and commonplace book of Peres Fobes, 1759-1760

The diary and commonplace book of Perez Fobes is written on unlined pages in a notebook with a sewn binding at the top of the pages; only the edge of the original leather softcover remain. The volume holds handwritten entries added irregularly from August 23, 1759 until December 1760 while Fobes was a student at Harvard College. The topics range from the irreverent, to the mundane, to the theological and scientific. The notebook serves to chronicle both his daily activities, such as books he read, lectures he attended, and travel, as well as a place to note humorous sayings, transcribe book passages, or ponder religious ideas such as original sin. In the volume, Fobes devotes considerable space to the subject of astronomy, and drew a picture of the "The Solar System Serundum Coper[nici] with the Or[bit] of 5 Remarkable Comets." At the back of the book, on unattached pages is a short personal dictionary for the letters A-K kept by Fobes.

Student notebook of Jonathan Trumbull, 1724-1725

The bound notebook contains academic texts copied by Harvard student Jonathan Trumbull in 1724 and 1725. The volume includes transcriptions of Harvard Instructor Judah Monis' Hebrew Grammar, Tutor William Brattle's Compendium of Logic, and Fellow Charles Morton's Natural Logic.

Letter from Oliver Wendell to John Thornton Kirkland, 1817

One letter offering Harvard President Kirkland a donation of 100 dollars to acquire a "handsome Christening Cup or Baptismal Basin" for the new College Church, which held services in University Hall.

Memorandum Concerning the Holyoke Bowl, 1904 June 14

One-page typed document reflecting the donation of the Holyoke Caudle Cup by Charlotte A. Hedge in 1903. Provenance information is also included. There is a handwritten note at the bottom of the page regarding the cup’s inclusion in an exhibition catalog published by the Boston Museum of Fine Arts.

Inventory of Silver Plate, Belonging to Harvard College, and in the Keeping of the President, 1886 December 8

Black and white composition book sent to the Harvard College Library containing a typed "copy of notes made in the spring of 1886" by John H. Buck. Includes historical information, and physical descriptions and valuations of the Great Salt, the Stoughton Cup, the Browne Cup, and the christening basin acquired with the donation of Oliver Wendell, as well as notes on other gifts of silver.

[Letter from William Ashurst to Harvard President John Leverett], 1710 July 13

One-page handwritten letter from William Ashurt to President Leverett discussing the annual payment on an unspecified donation, and the progress of the Hopkins' bequest recovery. The folder also contains a handwritten 19th century copy of the letter.

" Lines upon the late proceedings of the College Government" collection, 1787-1917

This collection contains various manifestations of a humorous poem, most often called "Lines upon the late proceedings of the College Government," written by classmates John Quincy Adams and John Murray Forbes in 1787. Both Adams and Forbes were members of the class of 1787, and the poem recounts events surrounding the pranks and ensuing punishment of two members of the class behind them, Robert Wier and James Prescott. Wier and Prescott had been caught drinking wine and making "riotous noise," and they were publicly reprimanded by Harvard President Joseph Willard and several professors and tutors, including Eliphalet Pearson, Eleazar James, Jonathan Burr, Nathan Read, and Timothy Lindall Jennison. The poem mocks these authority figures, but it spares Samuel Williams, whom it suggests was the only professor to find their antics humorous.

Receipt book of Francis Kittredge, 1780

Contains instructions for preparing and administering medicine for adults and children, and generalized uses for certain ingredients, written by Dr. Francis Kittredge. Preparations include ointment for scurvy, bone ointment, nerve ointments, procedures to soothe a sore mouth and to stop excessive bleeding, and treatment to kill worms. The materials used to prepare bone ointment include fresh butter, hog fat, chamomile, garlic, and night shade, among other ingredients. The recipe for “simple nerve ointment” instructs the preparer to simmer half a pint of neet foot oil, a pint of rum, and one jell of oil of turpentine over a “gentle fire.” Kittredge writes that oil of St. John’s Wort is effective in treating swelling of the legs, for cold and aches, and for burning and scalds, while oil of Elderflower is indicated for belly aches. The manuscript is housed in a binding created by the Harvard Medical School library. Tipped into the binding is one letter from Frederick O. West, M.D., Harvard Medical School, Boston, Massachusetts, that accompanied his donation of the Kittredge receipt book to the library in 1919. There is also one letter of unknown provenance enclosed with the receipt book, which contains an inventory of the estate of Antipas Brigham, of Grafton, Massachusetts, signed by Worcester County Judge Joseph Wilder on 7 November 1749. It is unclear if this letter has any connection to Frederick O. West or Francis Kittredge.

Winthrop, Robert Charles, 1809-1894, autographed letter signed to James Read Chadwick; Boston, 1 side (3 pages), 1879 January 29

Correspondence regarding the donation of several collections to the Boston Medical Library, including the John Winthrop papers

Poétique de la ville postmoderne : Montréal dans La canicule des pauvres de Jean-Simon DesRochers

La canicule des pauvres (2009) raconte dans le détail la vie quotidienne de vingt-six personnages habitant Le Galant, une ancienne maison de passe transformée en un immeuble locatif situé à Montréal, au cœur du Quartier latin. Cette étude prend acte du fait que ce roman choral dresse un portrait particulier et complexe de la ville. Les questions qu’elle se pose sont de cet ordre : qu’est-ce que cette représentation de Montréal nous apprend de la société québécoise actuelle ? que devient la civilisation urbaine — l’urbanité, au sens ancien du terme — dans le monde de La canicule des pauvres ? comment l’écriture de DesRochers travaille-t-elle les représentations habituelles de la ville, que celles-ci proviennent de l’imaginaire social contemporain ou de la littérature passée ? existe-t-il telle chose qu’une postmodernité montréalaise ? S’inspirant des principes de la sociocritique des textes, la lecture proposée postule que c’est dans la forme même du texte que peut se comprendre le complexe de sens lié à la représentation de Montréal élaborée par le roman. Par les images qu’il en donne, par les modes d’énonciation et de narration, par la façon d’unir l’efficacité des brefs chapitres et l’ampleur de la vision romanesque, par les multiples récits de vie décrits et leurs entrecroisements, le roman donne à lire une ville devenue par bien des côtés étrangère et opaque à ses propres habitants. L’étude comprend quatre parties qui examinent respectivement les principaux traits de la mise en texte, la fragmentation du récit, le motif récurrent du smog et la façon de présenter les relations interindividuelles. Au bout du chemin, la ville apparaît paradoxale, vivante certes, mais sans proposer une manière cohérente et émancipatrice du vivre ensemble.

Diplomatic Spin: EU3+3 talks on Iran’s nuclear file. CEPS Commentary, 21 November 2014

The Joint Plan of Action agreed upon with Iran on 24 November 2013 gave negotiators one year to forge a comprehensive agreement that restricts the country’s ability to militarise its nuclear programme. That deadline will lapse in the next few days and diplomats involved in the talks have been trying to rein in expectations that a deal will be struck on time. Satisfying domestic constituencies in Iran and the US is what makes the politics of dealing with the nuclear file so much harder than the physics of slowing down the nuclear programme. Any future deal will have to stand on its own merits, enabling Iran and the EU3+3 to cooperate on the other geopolitical challenges they face. Both parties should therefore balance their demands with what they can realistically offer and make concessions to reach a compromise. The author of this CEPS Commentary argues that if no deal is reached on November 24th, then diplomacy should be allowed to keep on spinning for a few more months.

Did Egypt's Parliamentary Election just trump citizens’ rights? Arab Citizenship Review No. 12, 19 November 2015

Since the Muslim Brotherhood rule was toppled in July 2013, the regime of President Abd al-Fattah al-Sisi has strived to consolidate his one-man rule; he painted the political opposition and civil society as traitors and foreign agents and exploited the fight against terrorism to suppress freedom of expression, justify a crackdown on the press, eclipse justice in courtrooms, throw thousands in prison, and tighten his grip on police forces. The regime has postponed parliamentary elections for some time, while it marginalised and weakened the non-Islamist political parties that helped Sisi take power. He did so by promoting electoral lists with candidates who are loyal to the president, to ensure control over the new assembly and by obstructing any political alliance that could form an opposition. At the same time, the security apparatus has been given free rein to control the public sphere and engineer the electoral process. This may ultimately lead to a parliament that includes no advocates for rights and liberties, which is particularly significant since the incoming assembly will review the huge amount of legislation that President Sisi has issued in the absence of a parliament. In addition, shortly before elections, President Sisi raised questions about the constitution, calling for it to be amended to reduce the powers of the parliament and increase those of the president. It is thus clear that Sisi seeks not only to consolidate his regime, without political opposition, but to free his rule of any effective oversight from society or parliament.

Poétique de la ville postmoderne : Montréal dans La canicule des pauvres de Jean-Simon DesRochers

La canicule des pauvres (2009) raconte dans le détail la vie quotidienne de vingt-six personnages habitant Le Galant, une ancienne maison de passe transformée en un immeuble locatif situé à Montréal, au cœur du Quartier latin. Cette étude prend acte du fait que ce roman choral dresse un portrait particulier et complexe de la ville. Les questions qu’elle se pose sont de cet ordre : qu’est-ce que cette représentation de Montréal nous apprend de la société québécoise actuelle ? que devient la civilisation urbaine — l’urbanité, au sens ancien du terme — dans le monde de La canicule des pauvres ? comment l’écriture de DesRochers travaille-t-elle les représentations habituelles de la ville, que celles-ci proviennent de l’imaginaire social contemporain ou de la littérature passée ? existe-t-il telle chose qu’une postmodernité montréalaise ? S’inspirant des principes de la sociocritique des textes, la lecture proposée postule que c’est dans la forme même du texte que peut se comprendre le complexe de sens lié à la représentation de Montréal élaborée par le roman. Par les images qu’il en donne, par les modes d’énonciation et de narration, par la façon d’unir l’efficacité des brefs chapitres et l’ampleur de la vision romanesque, par les multiples récits de vie décrits et leurs entrecroisements, le roman donne à lire une ville devenue par bien des côtés étrangère et opaque à ses propres habitants. L’étude comprend quatre parties qui examinent respectivement les principaux traits de la mise en texte, la fragmentation du récit, le motif récurrent du smog et la façon de présenter les relations interindividuelles. Au bout du chemin, la ville apparaît paradoxale, vivante certes, mais sans proposer une manière cohérente et émancipatrice du vivre ensemble.