Trabalho destruído e funcionalização do lazer: possíveis relações em tempos de alta modernidade.

The possible relationships between leisure and labor and its association with the formation of high modernity as a historic and social phenomenon in a historic - dialectic perspective is discussed in this text. A bibliographic research on public documents such as journals, books, monographs and iconography's materials from classic and contemporary authors was carried out. It was concluded that leisure was equipped during the development of modernity and plays a revitalizing role for the labor force and construction of a discipline that is needed for a flexible and heterogeneous labor nowadays which characterize the contemporary societies.

Travessia e impasse: O lugar de Sebastião Uchoa Leite na poesia contemporânea

Sebastião Uchoa Leite's work is circumscribed in a field of tension with tradition, which makes impossible is delimitation to anyone who seeks to draw his poetic profile. The undeniable identification with the modernist masters does not mean the enhancement of such standards; on the contrary, they are contaminated by the crossing of the most diverse references. The ambiguity comes from the fact that the poet neither puts limits in a temporal-spaced territory, nor sets defined directions. His is a hybrid textual project, as in a crossing, which the nomad route places, side by side, the referring speeches from tradition and from the contemporary world.

Oswald de Andrade e a poética da modernidade

In its first part, this essay looks into basic features of Oswald de Andrade's creative thought; in the second part the poem Soidão is analysed to show some of the poetic procedures used by the poet.

Nos gramados do Sul: A seleção baiana de futebol e o torneio do Centenário da Independência em 1922

This article aims to understand how the participation and performance of the state of Bahia at the I Campeonato Brasileiro de Seleções (I Brazilian Soccer Championship), also known as the Torneio do Centenário (Centenary Championship) in 1922 represented an opportunity for the state to claim a centrality in the formation of a national identity associated with soccer. The tournament was conceived as a draft for the formation of a national soccer team that would participate in the VI Campeonato Sul Americano (VI South American Championship) in Brazil. In addition, the event also came to be regarded as a celebration of the fi rst centenary of the Independence, a date that has encouraged the country to refl ect upon its national identity, as well as to reconsider its insertion in modernity. Bahia did well in the tournament, ensuring the second position. As a result, the local press went on to claim the participation of their athletes in the national team and to criticize the disregard of the states of Rio de Janeiro and São Paulo towards the Northern region of the country. The local press would also challenge the policies of the Confederação Brasileira de Desportos (Brazilian Sports Confederation), the CBD, claiming that they favored the Southern states. Moreover, for the local elites the success of Bahia in the tournament represented the strength and greatness of the state, which gave them the right to claim a greater space and role in the destiny of the country. Finally, the performance of Bahia and its consequences have allowed us to question the limits and peculiarities of the formation of a national identity through the sport, at a moment when the country sought to rethink their identity historically marked by disputes and regional tensions.

Reconfigurando la canción, reinventando la nación: La folclorización de la música popular en brasil y en chile en los años cuarenta y cincuenta

At the middle of the twentieth century, between the forties and the fi fties, especially after the Second World War, the endless debate concerning national identity was taken up again in Latin America with a new focus. Mass culture, especially popular music with ties to the music industry, was shaped by its great capacity to spreadshown through its assorted forms of production, circulation and consumption- as one of the main areas of dispute related to the question of what is considered to be national. During that period there were important debates in Brazil and Chile about the selection, preservation and perpetuation of a certain repertoire of popular urban music as being representative of national folk music. These debates, which are analyzed starting from discursive representations driven by the written press, in both the specialized academic and the large-circulation press, constitute the central focus of this article.

A cultural view of the ECLAC proposals

Includes bibliography

The transformation of collective action in Latin America

Includes bibliography

Changes and inequality in Latin American families

Includes bibliography

Investigações acerca do uso da narrativa no teatro contemporâneo

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Inspiração a dois: a dança em contexto crítico dialogia com artes visuais

Pós-graduação em Artes - IA

A modernidade e as massas: uma perspectiva do projeto político nazista através do Mein Kampf de Adolf Hitler

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Fluxos do espiritismo kardecista no Brasil: dentro e fora do continuum mediúnico

Pós-graduação em Ciências Sociais - FFC

Os descaminhos da bem-aventurança: um estudo sobre a origem e os desdobramentos da concepção de crise paradigmática de Boaventura de Sousa Santos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A sociologia contemporânea na sala de aula: (re)pensando algumas perspectivas para o ensino das ciências sociais no ensino médio

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Políticas públicas e direitos humanos em Jürgen Habermas

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)