Levantamento pedológico semi-detalhado (1:30.000) do Parque Estadual da Mata Seca, Município de Manga - MG.

Um dos pré-requisitos para o sucesso na seleção e implantação de áreas de pesquisa é o conhecimento preciso da distribuição dos solos e de seus atributos na paisagem. Isso pode ser obtido com o levantamento e mapeamento pedológico convencional e/ou através de técnicas de mapeamento digital de solos (MDS). Este trabalho apresenta os solos identificados no Parque Estadual da Mata Seca (PEMS), localizado no município de Manga, região norte do Estado de Minas Gerais. É parte integrante de um projeto maior, cujo objetivo é explorar novas técnicas de MDS em pequenas extensões territoriais, avaliar e validar seus produtos e estabelecer um protocolo de procedimentos para tal. Abrangendo a extensão de 10.281,44 ha, o PEMS tem sua geologia associada a coberturas cenozóicas derivadas de: (a) rochas pelíticocarbonáticas que compõem o Grupo Bambuí, de idade proterozóica, (b) arenitos cretáceos do Grupo Urucuia e, (c) depósitos quarternários resultantes do retrabalhamento do rio São Francisco. Os tipos e diversidade de material de origem foram os fatores preponderantes na formação e distribuição dos solos e na sua relação com os demais elementos formadores da paisagem local. Em termos gerais, a seguinte relação solo-paisagem pode ser observada na área: Latossolos Amarelos e Vermelho-Amarelos distróficos e de textura média ocupam os platôs (chapada) de relevo predominantemente plano, situados nas cotas mais elevadas do PEMS e sob domínio das coberturas relacionadas aos arenitos do Grupo Urucuia. A vegetação de Carrasco é exclusiva e marcante dessa paisagem, seja observando-a in loco, seja por meio de imagens de sensores remotos. Há uma faixa transicional entre esses domínios e aqueles situados em cotas ligeiramente inferiores, que são influenciados exclusivamente pelas rochas calcárias. A existência de eutrofismo associado à textura média em Latossolos Vermelho-Amarelos, Vermelhos, Chernossolos e Cambissolos (latossólicos), bem como a vegetação de Caatinga Arbórea Densa (de médio porte) são evidências do caráter transicional. As paisagens sob domínio das rochas pelítico-carbonáticas em que se desenvolve a Floresta Estacional Decidual Densa de alto porte (Mata Seca) são de maior extensão e complexidade na área. Nelas, o relevo e a proximidade do material de origem exercem ação modificadora na formação dos solos. As seguintes subordens taxonômicas foram observadas nesse domínio fisiográfico:Cambissolos Háplicos, Latossolos Vermelhos e Vermelhos-Amarelos, Chernossolos Háplicos e Argilúvicos, Vertissolos Háplicos, Plintossolos Pétricos, Gleissolos Háplicos e Melânicos. Dentre estas, os Latossolos Vermelho- Amarelos e Vermelhos juntamente aos Cambissolos Háplicos dominam em extensão, distribuindo-se em aproximadamente 87,0% das áreas sob influência calcária. Finalmente, nos depósitos quaternários do rio São Francisco, em relevo plano e sob Floresta Tropical Pluvial Perenifólia, foram mapeados Cambissolos Flúvicos e Neossolos Flúvicos em condições de boa drenagem, enquanto os Gleissolos Háplicos ocorrem nas áreas deprimidas, permanente ou temporariamente inundadas.

?A Certain Idea of Britain': British Cultural Diplomacy in the Middle East, 1945-1957?

Vaughan, J. (2005). ?A Certain Idea of Britain': British Cultural Diplomacy in the Middle East, 1945-1957. Contemporary British History. 19 (2), pp.151-168 RAE2008

The Discontinuity of Cultural Process in the Digital Civilization. Main Dangers

Keynote presentation on ETHICOMP2001.

Angewandte Kulturwissenschaften – Überlegungen zum Studienprogramm einer akademischen Disziplin nach dem cultural turn im Hinblick auf berufliche Perspektiven

The author tries to attract attention for the careers ant the education of that what we call applied Cultural Studies after the cultural turn in the Humanities. He refers to some empirical studies and tries to put it out how differs the several institutes especially in the German spoken academic world. After all the conclusion of the author could be that there is an big demand for specialists in the area of applied cultural studies. The formation or education has to refer widely to a conception or the terminus of every-day-culture, so that it could be a big help in economic, social and education professions.

Juventud y parque de Yamaguchi en Pamplona

A día de hoy son muchos los jóvenes que acuden al parque de Yamaguchi situado en la ciudad de Pamplona. Allí realizan diferentes actividades sociales en solitario o en compañía de familiares y amigos. La presente investigación pretende estudiar la distribución, usos y prácticas sociales que los jóvenes llevan a acabo en este parque. Para ello, se utilizan dos instrumentos para la recogida de datos. Por un lado, entrevistas realizadas a jóvenes que se encuentran en el mismo parque y, por otro lado, el análisis de la distribución de la juventud en el parque por medio de un trabajo de campo.

El alumnado de origen extranjero: integración e identidad cultural

De acuerdo a la normativa de TFEs el repositorio no puede dar acceso a este trabajo. Para consultarlo póngase en contacto con el tutor del trabajo. Puede acceder al resumen del mismo pinchando en el pdf adjunto

A imagem de um destino turístico cultural

Dissertação de Mestrado apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Mestre em Ciências Empresariais.

Ferias artesanales realizadas en el Parque Nacional de Bogotá, por Artesanías de Colombia.

13 hojas : ilustraciones, fotografías

Fotografías de imágenes presentando viviendas, objetos y situaciones sociales tradicionales.

31 hojas : ilustraciones, fotografías a color

C 174 INST-D 2013. 355 Réplicas talladas en piedra de esculturas precolombinas (San Agustín - Huila)

5 fotografías a color.

Singing Through Struggle: Music as a Mode of Cultural Exchange in African American Border City Churches After Emancipation, 1862-1890

This project investigates how religious music, invested with symbolic and cultural meaning, provided African Americans in border city churches with a way to negotiate conflict, assert individual values, and establish a collective identity in the post- emancipation era. In order to focus on the encounter between former slaves and free Blacks, the dissertation examines black churches that received large numbers of southern migrants during and after the Civil War. Primarily a work of history, the study also employs insights and conceptual frameworks from other disciplines including anthropology and ritual studies, African American studies, aesthetic theory, and musicology. It is a work of historical reconstruction in the tradition of scholarship that some have called "lived religion." Chapter 1 introduces the dissertation topic and explains how it contributes to scholarship. Chapter 2 examines social and religious conditions African Americans faced in Baltimore, MD, Philadelphia, PA, and Washington, DC to show why the Black Church played a key role in African Americans' adjustment to post-emancipation life. Chapter 3 compares religious slave music and free black church music to identify differences and continuities between them, as well as their functions in religious settings. Chapters 4, 5, and 6 present case studies on Bethel African Methodist Episcopal Church (Baltimore), Zoar Methodist Episcopal Church (Philadelphia), and St. Luke’s Protestant Episcopal Church (Washington, DC), respectively. Informed by fresh archival materials, the dissertation shows how each congregation used its musical life to uphold values like education and community, to come to terms with a shared experience, and to confront or avert authority when cultural priorities were threatened. By arguing over musical choices or performance practices, or agreeing on mutually appealing musical forms like the gospel songs of the Sunday school movement, African Americans forged lively faith communities and distinctive cultures in otherwise adverse environments. The study concludes that religious music was a crucial form of African American discourse and expression in the post-emancipation era. In the Black Church, it nurtured an atmosphere of exchange, gave structure and voice to conflict, helped create a public sphere, and upheld the values of black people.

Cultural revolution: reflections on an exchange

This paper considers an on-going exchange programme between the Boole Library, University College Cork (UCC) and Hangzhou Municipal Library, South East China. The authors describe the exchange and their impressions of working in a different library setting.

A cultural study on communication and technology with specific reference to media in China

This dissertation examines the role of communications technology in social change. It examines secondary data on contemporary China arguing that many interpretations of events in China are unsuitable at best and at worst conceptually damages our understanding of social change in China. This is especially the case in media studies under the ‘democratic framework’. It proposes that there is an alternative framework in studying the media and social change. This alternative conceptual framework is termed a zone of interpretative development offering a means by which to discuss events that take place in a mediated environment. Taking a theoretical foundation using the philosophy of Mikhail Bakhtin this dissertation develops a platform with which to understand communication technology from an anthropological perspective. Three media events from contemporary China are examined. The first examines the Democracy Wall event and the implications of using a public sphere framework. The second case examines the phenomenon of the Grass Mud Horse, a symbol that has gained popular purchase as a humorous expression of political dissatisfaction and develops the problems seen in the first case but with some solutions. Using a modification of Lev Vygotskiĭ’s zone of proximal development this symbol is understood as an expression of the collective recognition of a shared experience. In the second example from the popular TV talent show contests in China further expressions of collective experience are introduced. With the evidence from these media events in contemporary China this dissertation proposes that we can understand certain modes of communication as occurring in a zone of interpretative development. This proposed anthropological feature of social change via communication and technology can fruitfully describe meaning-formation in society via the expression and recognition of shared experiences.