Sobre ventanas y espejos. Cultura local, museos nacionales y patrimonio cultural ecuatoriano: contribuciones a un debate (todavía) pendiente

A partir de la conceptualización de historia regional y local como escala de análisis del conflicto social y la acción colectiva, el artículo aborda, de manera preliminar, la problemática que reviste la incorporación del patrimonio cultural local dentro de los repertorios culturales nacionales que integran museos nacionales y parques temáticos. Esta identificación-incorporación trae consigo procesos de segregación cultural que se expresan en los recursos curatoriales y guiones de ruta que articulan los repertorios de objetos que alinderan la identidad nacional o establecen sus límites. Esto se ilustra con dos ejemplos: el Parque Histórico de Guayaquil (o Malecón 1900) y el Museo Nacional. En ambos casos, la incorporación de lo local (asumido como conflictividad sociocultural situada territorialmente) recurre a patrones de representación anacrónicos que reeditan procesos de exclusión social y segregación cultural. A contrapelo, el artículo acude, descriptivamente, al caso de los museos comunitarios de Oaxaca como propuestas de impugnación cultural patrimonial generadas desde las localidades.

Reflexiones sobre artistas y gestores con las políticas culturales del Ministerio de Cultura del Ecuador, período 2011-2012, en el Distrito Metropolitano de Quito

El estudio reflexiona sobre las políticas culturales del Ministerio de Cultura del Ecuador como órgano rector de la política cultural que representa al Gobierno Nacional, a través de su creación en el año 2007, en especial la gestión y administración institucional del año 2011- 2012 y su propuesta de Política para la Revolución Cultural en el año 2011 Aborda la fundamentación teórica y metodológica sobre las políticas culturales, los derechos culturales y el Plan Nacional del Buen Vivir. Así como la reflexión y el criterio sobre artistas y gestores culturales en el ejerció de políticas culturales públicas en la cultura, su incidencia y la relación con los actores culturales y el MCE en el Distrito Metropolitano de Quito. Además realiza un análisis de caso en cuanto a la comunidad, la organización cultural; y de esta manera su relación con el MCE. En el marco del Buen Vivir y su relación Estado - Sociedad para fortalecer procesos culturales en donde la identidad nacional se reflejada a partir de artistas y gestores culturales.

Representaciones identitarias del ecuatoriano en tres films nacionales

La siguiente investigación analiza a lo largo de su desarrollo cómo se construyen las representaciones identitarias del ecuatoriano, en los personajes principales de tres filmes nacionales: Zuquillo Exprés, A tus Espaldas y Prometeo Deportado. Además de definir los elementos socioculturales, audiovisuales, clichés y estereotipos que caracterizan a un personaje principal. Es por ello que el análisis inicia con la indagación de conceptos claves de diferentes autores que permitan establecer el punto de partida para la definición de: identidad, representación, ecuatorianidad, personaje, cine y estereotipo. Una vez entendido la concepción de cada concepto, la investigación da cara a las observaciones de las películas en sí. Primero en conocer el contexto en el que se desarrollan, la época, ambientación e historia y contexto para después identificar los personajes centrales que serán parte del estudio. Conocer cuáles son sus rasgos, tanto físicos, como culturales, de donde provienen, sus gustos, manera de hablar, lugares a los que frecuentan y hasta qué tipo de comida suelen consumir. Así como también identificar en su conjunto los rasgos generales, que en este caso prima la religión y migración como rasgos un tanto repetitivos. Es entonces que la investigación pasa al análisis pasa a la interpretación de las perspectivas con las que se han combinado identidad y representación en cada uno de los personajes y los tipos con los que han sido construidos a través de la visión del director. Es así que se define una lista de estereotipos y elementos con los que se caracteriza la personalidad de los personajes centrales de cada film.

La circulación del darwinismo en el Ecuador (1870-1874) (Debates)

En 1871, el jesuita alemán Theodor Wolf comenzó a difundir el darwinismo en el Ecuador a través de las clases de geología y paleontología que impartía en la Escuela Politécnica. Expuso una posición conciliadora del evolucionismo con el catolicismo, en el contexto de un Estado que promovía la cohesión y la identidad nacional a través de la moral católica y las ciencias como vehículo para el progreso. En este estudio se discuten algunos apuntes que atribuyeron estas enseñanzas como la razón por la cual Wolf se separó de la Politécnica y de la Orden Jesuita en 1874, en el marco de una controversia mayor, en la cual el darwinismo fue determinante.

Disentangling sources of incomplete acquisition: an explanation for competence divergence across heritage grammars.

This article brings to light an important variable involved in explaining a type of competence divergence in an instance of bilingual acquisition: heritage speaker (HS) bilingualism. We present results of experiments with European Portuguese (EP) heritage speakers (HSs), showing that they have full morpho-syntactic and semantic competence of inflected infinitives, similar to EP monolinguals. We show this constitutes clear evidence of competence mismatches between heritage speakers of European and Brazilian Portuguese, comparing our results to Rothman’s (2007) experimental evidence that Brazilian Portuguese (BP) heritage speakers lack knowledge of inflected infinitives. These comparative results are especially relevant because inflected infinitives were argued (Pires, 2002, 2006) to have been lost in colloquial BP dialects, although educated monolinguals demonstrate target competence.

Knowledge of A/A'-dependencies on subject extraction with two types of infinitives in non-native Portuguese adult bilingualism

Within generative L2 acquisition research there is a longstanding debate as to what underlies observable differences in L1/L2 knowledge/ performance. On the one hand, Full Accessibility approaches maintain that target L2 syntactic representations (new functional categories and features) are acquirable (e.g., Schwartz & Sprouse, 1996). Conversely, Partial Accessibility approaches claim that L2 variability and/or optionality, even at advanced levels, obtains as a result of inevitable deficits in L2 narrow syntax and is conditioned upon a maturational failure in adulthood to acquire (some) new functional features (e.g., Beck, 1998; Hawkins & Chan, 1997; Hawkins & Hattori, 2006; Tsimpli & Dimitrakopoulou, 2007). The present study tests the predictions of these two sets of approaches with advanced English learners of L2 Brazilian Portuguese (n = 21) in the domain of inflected infinitives. These advanced L2 learners reliably differentiate syntactically between finite verbs, uninflected and inflected infinitives, which, as argued, only supports Full Accessibility approaches. Moreover, we will discuss how testing the domain of inflected infinitives is especially interesting in light of recent proposals that Brazilian Portuguese colloquial dialects no longer actively instantiate them (Lightfoot, 1991; Pires, 2002, 2006; Pires & Rothman, 2009; Rothman, 2007).

Heritage speaker competence differences, language change and input type: inflected infinitives in Heritage Brazilian Portuguese

It has been argued that colloquial dialects of Brazilian Portuguese (BP) have undergone significant linguistic change resulting in the loss of inflected infinitives (e.g., Pires, 2002, 2006). Since BP adults, at least educated ones, have complete knowledge of inflected infinitives, the implicit claim is that they are transmitted via formal education in the standard dialect. In the present article, I test one of the latent predictions of such claims; namely, the fact that heritage speakers of BP who lack formal education in the standard dialect should never develop native-like knowledge of inflected infinitives. In doing so, I highlight two significant implications (a) that heritage speaker grammars are a good source for testing dialectal variation and language change proposals and (b) incomplete acquisition and/or attrition are not the only sources of heritage language competence differences. Employing the syntactic and semantic tests of Rothman and Iverson (2007), I compare heritage speakers' knowledge to Rothman and Iverson's advanced adult L2 learners and educated native controls. Unlike the latter groups, the data for heritage speakers indicate that they do not have target knowledge of inflected infinitives, lending support to Pires' claims, suggesting that literacy plays a significant role in the acquisition of this grammatical property in BP.

Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha

Gracias a su riqueza y complejidad, las imágenes marítimas de Rocha se convirtieron en la fuente principal de los motivos utópicos disponibles en el cine brasileño. En particular, “El Cinema de Retomada” de mediados de los años noventa trajo mitos inaugurales y los impulsos vinculados a la formación de Brasil y la identidad nacional, favoreciendo el retorno del pensamiento utópico. Terra em Transe ofrece un punto de partida para la trayectoria utópica más reciente. Representaría el oscuro período de gobierno del presidente Collor, cuando la transición a la democracia parecía condenada al fracaso, Brasil se había convertido en una nación de emigrantes, y el mar, que un día fue cruzado por los descubridores portugueses, llevó a los personajes hacia la derrota y la muerte, en lugar del paraíso esperado. Desde ese momento, impulsada por un giro económico favorable en el país, la curva se eleva, proporcionando una lectura más positiva de las imágenes del sertón del Cine Nuevo. Películas como Corisco y Dada (Rosemberg Cariry, 1996), Baile perfumado, (Lírio Ferreira y Paulo Caldas, 1997) y Crede-mi (Bia Lessa y Dany Roland, 1997) muestran un sertón colorido junto al mar e imágenes marinas, evidenciando la posibilidad, o incluso la realización del paraíso prometido. Muchas otras películas de los noventa presentaron imágenes del mar y extensiones de agua, ya sea en sus escenas de apertura o en momentos claves en los que adquieren un significado totalmente alegórico. Por ejemplo O Sertão das memorias (José Araújo, 1996), Bocage, o triunfo do amor (Djalma Limongi Batista, 1998), Ação entre amigos (Betro Brant, 1998), Terra do mar (Eduardo Caron y Mirella Martinelli, 1998) y Hans Staden (Luiz Alberto Pereira, 1999). La lista en sí, de ninguna manera exhaustiva, da fe de la importancia del tropo marítimo en el reciente cine brasileño y al rol inaugural de Rocha en la formación de la imaginación cinematográfica de Brasil.

Profissionalização legislativa e padrão de carreira dos deputados estaduais nas Assembleias do Rio de Janeiro e de Minas Gerais

Este trabalho analisa o impacto da profissionalização legislativa no padrão de carreira dos deputados mineiros e fluminenses. Para esta análise, é desenvolvida uma medida de profissionalização que se adapta à realidade brasileira, levando em consideração o índice criado por Squire (1992), o qual argumenta que a profissionalização do Legislativo Estadual, nos Estados Unidos, é decorrente da estrutura governamental que sofreu grandes mudanças nos últimos quarenta anos e que as suas causas e efeitos devem ser estudados cuidadosamente. Para tal fim, foi utilizada uma base de dados de profissionalização referente aos anos de 2002, 2006 e 2010 nas Assembléias Legislativas dos Estados de Minas Gerais (ALMG) e do Rio de Janeiro (ALERJ). A hipótese testada é a de que instituições mais profissionalizadas geram maiores incentivos e recursos para que os deputados tentem a reeleição e obtenham maior êxito na sua estratégia.

Literatura e educação: o bullying nos contos de fada, uma discussão possível

This study investigates how the reading of fairy tales can be an instrument for reflection on the bullying phenomenon in the live of students. Its relevance is present the work with literature as an alternative to facilitate the understanding of children and young people about this violence practice, on the basis of the discussion moments, mediated in the classroom. Methodologically based in the principles of qualitative investigation, setting itself as a bibliographic research, and linked to the content analysis in order to make inferences and construct interpretations from the study of tales that encourage discussion and reflection about the bullying theme. In this work were selected the following stories: Cinderella 1812) and a One-eye, Two-eyes, Three-eyes (1812) of Grimm Brothers; John-Slapstick (1837), The Storks (1838), and The Ugly Duckling (1844) of Andersen, to make possible a more explicit interface between literature and the bullying theme, providing fertile material for moments of debate. Was taken as the theoretical reference studies of Eco (2003), Jouve (2002), Zilberman (2003, 2004), Lajolo (2001), Rabbit (2008), Bettelheim (2007), Amarilha (2004), Held (1980), Beaudoin and Taylor (2006), Fante and Stone (2008), Middelton-Moz and Zawadski (2007), Olweus (2006), Jares (2002, 2006), Beane (2010), La Taille (2006, 2009) and Piaget (1994). The analysis demonstrated that the characteristics inherent in the literature allow the realization of readings in which the bullying theme can be discussed among students, to contribute positively in the education of children and young people and reflect about violence. This is possible way, especially because of the involvement promoted by the reading of literary texts, allowing that students see, in fiction, possibilities of change

O império do desentendimento humano: representações da realidade em textos de dalton trevisan

This work has the general proposal of studying the composition of the trevisanian fictional universe, the aesthetic expression engineered to formulate this universe, and last, the representations of reality that emanates from this aesthetic-narrative construction. It seemed to us, however, that it would be impossible to cover, even superficially, so vast and voluminous set of texts as the trevisanian. Therefore, so that we could accomplish this task, and still do it in a way that was, at the same time, plausible and thorough, it was necessary an objective cut within that library. Then we selected a book, representative of the whole trevisanian work, which served as the object of study: Cemitério de Elefantes, 1964, one of the first books of short stories by this author. Within this one, we focused even more our sight, then moving towards what we call a reality forked in paralytic world and world in violence . Supported by the theories and methodologies of Auerbach (2011), Candido (2002, 2006), Adorno (2003), Gennete (1995), Friedman (2002), and still moved by the spirit of Russian Formalism (1973), we built our criticism. Our approach was based then in three steps: first we are dedicated to comment the general context of the trevisanian work, supported strongly by reading two of the biggest critics of his literature, Miguel Sanches Neto and Berta Waldman, secondly, we turn us to comment on the detailed formal construction of language and narrative elements of the trevisanian prose; finally we raised our criticism to the level of reading representations of reality, and then we started to comment the construction of the trevisanian fictional universe, focusing in splitting this universe in paralytic world and world in violence

Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60

Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.

O elo entre o serviço social e o judiciário: demandas, desafios e contribuições na defesa de Direitos

Unveiling the link between the Social Services and the Judiciary is the object of this work, since the judiciary is constituted as one of the socio-occupational areas of the profession in the sphere of the state, seize the demands placed on professionals which work becomes relevant , considering that these are embody the multiple expressions of social issues, constituting a challenge to social work, while influencing the contributions that the profession has engendered in the defense and expansion rights. It constitutes an analysis from the standpoint of theoretical and methodological basis Qualiquantitative taking for granted the rights violations against children and adolescents in their social, legal and historical guide to the topic. For this we used a theoretical Marxist Behring (2009), Colman (2008), Faleiros (2205), Faria (1999, 2001), Fávaro (2007, 2008), Iamamoto (1985, 1992, 2002, 2006, 2007) Yazbek, Marx (1983), Netto (1994), Nicholas (1984), Pequeno (2009), Rizinni (1997, 2008), Santos (2009), Sales (2006), Telles (1999), Tonet (2009), among others. Besides literature, empirical research conducted through semi-structured interviews using a script and written records and systematic observation / free during interviews. The subjects were 06 social workers from the area of the judiciary to act on Justice for Children and Youth, Family Court and NOADE in Natal / RN. The research aims to analyze the demands and challenges of Social Services and their contribution in ensuring and enforcing rights in courts nowadays. The route established between knowledge and method involves conceptual analysis on the Judiciary, Social Services, and Child and Adolescent Rights. Seize-up in this study the existing contradictions in confronting the multiple expressions of social issues in the context of the judiciary. The research allowed us to identify relevant aspects regarding the challenges and demands placed Social Service; limits on defense and expansion of their rights and contradictions within sociojurídico. For being one of the judiciary institutions that comprise the system warranty rights, social workers also face difficulties in implementing the professional doing since the ills posed by current sociability capital focus in everyday spaces socio-occupational presented here. On the other hand, is commendable acting those protagonists who believe, defend and contribute to the defense and expansion rights

Study of the decay B-s(0)->(DsDs(*))-D-(*)

We report a study of the decay B-s(0)->(DsDs(*))-D-(*) using a data sample corresponding to 1.3 fb(-1) of integrated luminosity collected by the D0 experiment in 2002-2006 during run II of the Fermilab Tevatron collider. One D-s((*)) meson was partially reconstructed in the decay D-s ->phi mu nu, and the other D-s((*)) meson was identified using the decay D-s ->phi pi where no attempt was made to distinguish D-s and D-s(*) states. For the branching fraction Br(B-s(0)->(DsDs(*))-D-(*)) we obtain a 90% C.L. range [0.002,0.080] and central value 0.039(-0.017)(+0.019)(stat)(-0.015)(+0.016)(syst). This was subsequently used to make the most precise estimate of the width difference Delta Gamma(CP)(s) in the B-s(0)-(B)over bar(s)(0) system: Delta Gamma(CP)(s)/Gamma(s)=0.079(-0.035)(+0.038)(stat)(-0.030)(+0.031)(syst).