Playing Kant at the Court of King Arthur

This article contrasts the sense in which those whom Bernard Williams called ‘political realists’ and John Rawls are committed to the idea that political philosophy has to be distinctively political. Distinguishing the realist critique of political moralism from debates over ideal and non-ideal theory, it is argued that Rawls is more realist than many realists realise, and that realists can learn more about how to make a distinctively political vision of how our life together should be organised from his theorising, although it also points to a worrying tendency among Rawlsians to reach for inappropriately moralised arguments. G. A. Cohen’s advocacy of socialism and the second season of HBO’s The Wire are used as examples to illustrate these points.

'The debatable territory where geology and archaeology meet': reassessing the early archaeobotanical work of Clement Reid and Arthur Lyell at Roman Silchester

The first large-scale archaeobotanical study in Britain, conducted from 1899 to 1909 by Clement Reid and Arthur Lyell at Silchester, provided the first evidence for the introduction of Roman plant foods to Britain, yet the findings have thus far remained unverified. This paper presents a reassessment of these archaeobotanical remains, now stored as part of the Silchester Collection in Reading Museum. The documentary evidence for the Silchester study is summarised, before the results are presented for over a 1000 plant remains including an assessment of preservation, identification and modern contamination. The dataset includes both evidence for the presence of nationally rare plant foods, such as medlar, and several archaeophytes. The methodologies and original interpretations of Reid and Lyell’s study are reassessed in light of current archaeobotanical knowledge. Spatial and contextual patterns in the distribution of plant foods and ornamental taxa are also explored. Finally, the legacy of the study for the development of archaeobotany in the 20th century is evaluated.

Arthur Miller: Spirituality Explored

Following the overview of his life, I will discuss in depth various theme that Miller presents in his writing by closely analyzing four of Miller's plays. I will give you a brief setting into which Miller wrote the various plots.

A estética da transitoriedade : Arthur Schnitzler e Sigmund Freud

Esta dissertação tem como objetivo estabelecer relações de natureza comparativa entre textos de áreas afins como Literatura e Psicanálise. Para tanto, parte-se do pressuposto de que a aproximação desses dois campos de conhecimento que têm em comum o texto possibilitam não só as naturais trocas, mas também o reconhecimento de atividades culturais que se complementam.A motivação é a relação textual estabelecida entre os trabalhos de Sigmund Freud e Arthur Schnitzler, intelectuais não só contemporâneos, mas patrícios - ambos austríacos - ligados pela etnia judaica cuja obra, produzida num momento de grande efervescência cultural, apresenta pontos comuns. Enquanto Freud estabelecia os pressupostos de uma nova ciência - a Psicanálise -, Schnitzler produzia sua obra de natureza estética na qual os aspectos de índole psicanalítica eram coincidentes não só quanto à ciência que seria sistematizada por Freud, mas mantinha com ela semelhantes preocupações, em relação à natureza humana, no tocante à transitoriedade. A metodologia do trabalho se baseia nas referências que faz Sigmund Freud, nos textos de divulgação de sua teorias, além de cartas, à obra de cunho estético de Arthur Schnitzler quanto a processos semelhantes de abordagem da prática psicanalítica: o estranho e o duplo, o tabu da virgindade, o ganho secundário e o chiste, assim como das afinidades de natureza estética - elementos analisados de modo a evidenciar o comparativismo no que respeita ao diálogo textual.

Um virtuose do além-mar em terras de Santa Cruz : a obra pianística de Arthur Napoleão (1843-19250

Esta tese trata do significado musical do ponto de vista hermenêutico na obra para piano do pianista-compositor luso-brasileiro Arthur Napoleão (1845-1925). O exame técnicoestético de sua obra pianística adota uma perspectiva relacional entre texto musical e entorno cultural, situando compositor e obra dentro do campo de problematização das várias estéticas que configuraram o Romantismo do século XIX. A elaboração do modelo analítico e as análises empreendidas do corpus musical selecionado compreenderam uma leitura de tipo hermenêutico em que se cruzaram informações contextuais atinentes aos pólos de criação e recepção das obras. Desta forma trataram-se os principais gêneros musicais empregados pelo compositor à luz da recepção de sua carreira de virtuose tanto no Brasil quanto no exterior. O corpus documental é constituído por materiais diversos pesquisados em bibliotecas nacionais e estrangeiras

Extração, caracterização e atividades biológicas de proteínas da espécie cnidoscolus urens (L.) Arthur

The extraction, chemical and structural characterization of a wide variety of compounds derived from plants has been a major source of bioactive molecules. Several proteases have been isolated in the plant kingdom, with numerous pharmacological and biotechnological applications. Among the proteases isolated from plants, are the fibrinogenolytic, with relevant application in the treatment of disorders in the coagulation cascade, in addition to potential use as a tool in clinical laboratories. In this study, in addition to evaluating the effects of the protein extract of Cnidoscolus urens (L.) Arthur (Euphorbiaceae) in the coagulation cascade also investigates the presence of antimicrobial activity and characterizes the proteolytic activity detected in this extract, aiming to determine their potential pharmacological and biotechnological application. In this way, crude protein extracts obtained from the leaves of C. urens in Tris-HCl 0.05M, NaCl 0.15M, pH 7.5, were precipitated in different concentrations of acetone, and assessed for the presence of proteolytic activity in azocaseína and fibrinogen. The most active fraction (F1.0) in these tests was chosen for assessment of biological activity and biochemical characterization. The Aα chain and Bβ of fibrinogen were completely cleaved at a concentration of 0.18 μg/μL of protein fraction in 4 minutes. Fibrinogenolytic activity presented total inhibition in the presence of E-64 and partial in the presence of EDTA. The fraction demonstrated coagulant activity in plasm and reduced the APTT, demonstrating acting on the factors coagulation of the intrinsic pathway and common, not exerting effects on the PT. Fibrinolytic activity on plasma clot was detected only in SDS-PAGE in high concentrations of fraction, and there were no defibrinating. Although several proteases isolated from plants and venomous animals are classically toxic, the fraction F1.0 of C. urens not expressed hemorrhagic nor hemolytic activities. Fraction F1.0 also showed no antimicrobial activity. In proteolytic activity on the azocasein, the optimal pH was 5.0 and optimum temperature of 60ºC. The enzyme activity has been shown to be sensitive to the presence of salts tested, with inhibition for all compounds. The surfactant triton did not influence the enzyme activity, but the tween-20 and SDS inhibited the activity. In the presence of reducing agents increase in enzyme activity occurred, a typical feature of enzymes belonging to the class of cysteine proteases. Several bands with proteolytic activity were detected in zymogram, in the region of high-molecular-weight, which were inhibited by E-64. In this study, we found that C. urens presents in its constitution cysteine proteases with fibrinogenolytic and procoagulant activity, which may be isolated, with potential application in treatment of bleeding disorders, thrombolytic and clinical laboratory

Um estudo do processo de reconhecimento histórico: o caso de Arthur Cayley

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Fora do palco, dentro da vida: o contista Arthur Azevedo e o Rio de Janeiro de sua época

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Teatro a vapor de Arthur Azevedo: um olhar satírico sobre o Rio de Janeiro do início do século XX

Pós-graduação em Estudos Literários - FCLAR

A psicanálise entre a higiene mental e a escola nova na obra de Arthur Ramos: contribuições à história da educação no Brasil

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Arthur Poerner entre estudantes e intelectuais (1965-1968): representações intelectuais no jornal Folha da Semana e no livro O Poder Jovem

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Arthur Cornwall Papers - Accession 289

The Arthur Cornwall Papers consist of personal, professional, genealogical and reference files of writer, musician, and historian Arthur Cornwall. The collection contains correspondence, radio scripts, feature articles, genealogical research notes, photographs, scrapbooks, and newspaper clippings. Of particular value are the genealogical files which contain exhaustive research relating to the Cornwall-Cornwell and Colvin families of Chester County. The collection includes genealogical research on many other Chester County families, such as Bennett, Coleman, Feaster, Hardin, Loving, Tims, Wylie, and Yongue. Included are many community histories.

Vom Innen und Außen der Blicke - Aus Arthur Schnitzlers TRAUMNOVELLE wird Stanley Kubricks EYES WIDE SHUT

Die Arbeit verfolgt Genese und Wirkungsgeschichte von Stanley Kubricks letztem Film EYES WIDE SHUT (GB 1999) mit dem Anliegen, durch die intensive Auseinandersetzung mit den narrativen und ästhetischen Gestaltungsfaktoren eines einzelnen Films den kalkulierten Einsatz filmsprachlicher Mittel nachzuvollziehen und den solcherart kreierten (Be-) Deutungsspielraum zu diskutieren. Dabei kommen die hinter Kubricks Inszenierungsentscheidungen erkennbaren Intentionen ebenso zur Sprache wie rezeptive Muster auf seiten des Publikums.Den ersten Untersuchungskomplex bildet die adaptierte Literaturvorlage, Arthur Schnitzlers TRAUMNOVELLE (1926), die sowohl hinsichtlich ihrer inhaltlich-thematischen als auch ihrer sprachlich-erzähltechnischen Gestaltung gewürdigt wird. Kernstück der Arbeit bildet eine detaillierte, wirkungsbezogene Analyse der Inszenierungskomponenten einzelner Szenen, die hinsichtlich ihres von Regieentscheidungen geprägten Zusammenspiels betrachtet und häufig mit den jeweiligen literarischen Gestaltungsmerkma-len der Vorlage verglichen werden. Auf diese Weise wird Kubricks kreative Leistung eines Transfers von einer bedeutenden Novelle hin zu einem künstlerisch eigenständigen Film erfaßt. Dabei fällt unter anderem auf, daß die Gedankengänge Fridolins im Film durch ein subtiles Netzwerk von Andeutungen, Auslassungen und inneren Querverweisen ersetzt wurden, welches der individuellen Zuschauerwahrnehmung einen hohen Stellenwert zuweist – der Betrachter rückt gewissermaßen ins Zentrum des Films, soll den Platz des recht blaß bleibenden Protagonisten einnehmen, der nur als Stellvertreter fungiert.