804 resultados para 120102 Architectural Heritage and Conservation


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La ciudad y su arquitectura testimonian las culturas que modelan y remodelan sus formas y espacios en el tiempo. Toda comunidad tiene derecho a un ambiente urbano apto para el desarrollo humano sustentable. Desarrollo sustentable, es aquel que asegura la satisfacción de las necesidades del presente, sin comprometer los recursos con que generaciones futuras puedan satisfacer las propias (Naciones Unidas, 1987). Significa el uso racional y responsable de toda clase de recursos, especialmente los no renovables, como el patrimonio arquitectónico. La ciudad de San Juan fue reconstruida bajo influencias de los postulados del Movimiento Moderno tras el terremoto de 1944 que destruyó casi la totalidad de sus edificios patrimoniales. La arquitectura moderna es considerada internacionalmente un patrimonio a legar a las generaciones futuras. En San Juan, las obras residenciales modernas corren el riesgo de ser transformadas o demolidas ante un posible reemplazo por nuevas obras más redituables, por la dinámica del desarrollo urbano y la ausencia de protección que preserve este patrimonio. Es objetivo de este trabajo promover el reconocimiento, valoración y protección, de obras patrimoniales residenciales, exponentes de la modernidad arquitectónica local.

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The downtown main street of small towns is traditionally the economic, cultural, and social heart of the community, thereby requiring particular attention from planners and researchers alike. Considering modern threats to main streets including suburban sprawl and "big box" development, revitalization strategies are essential to ensuring longevity and vitality of small towns’ cores, in terms of economy, built environment, heritage, and identity. The Main Street Approach was established to mitigate challenges by providing a revitalization tool-kit for small Canadian towns, focusing on organization, marketing and promotion, economic and commercial development, and design and physical improvements. To better understand existing municipal tools for downtown revitalization in Ontario, a comparative analysis of the towns of Carleton Place and Perth's policies was conducted using the four pillars of the Main Street Approach as benchmark for best practice, and recommendations for other small towns to better incorporate revitalization policies were suggested.

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Followed by the opportunity of attending an internship at Argo – Art, Heritage and Culture, emerges the opportunity of studying and become responsible for the conservation and restoration of a painting by Jorge Pinheiro (Coimbra, 1931), whom is responsible for a wide artistic production that is vastly renowned and featured in particular and public collections, both nationally and internationally. This dissertation describes the study and the intervention of conservation and restoration of the contemporary painting Feto, executed in 1965 by Jorge Pinheiro, which was carried out during my internship of the Master’s in Science of Conservation, Restoration and Production of Contemporary Art, that took place in the company Argo, between November 2014 and April 2015. The issues in the conservation and restoration of contemporary art, related with the increasingly variety of materials that artists have been using since the beginning of the twentieth century, it’s also one of the main themes explored in this dissertation. From conservation and restoration, to the life and work of an artist, the following dissertation, besides describing in detail all the studies and steps that I took in the conservation and restoration of the oil on canvas painting, Feto (1965), it also reveals a closer look into the life and artistic career of Jorge Pinheiro

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This manuscript is based on a PhD thesis submitted at the Institute of Social Anthropology at the University of Bern in 2014. The dissertation was part of the research project „Xinjiang Uyghur Autonomous Region and Chinese Territoriality. The Development of Infrastructure and Han Migration into the Region“ under the supervision of Prof. Dr. Heinzpeter Znoj and financed by the Swiss National Science Foundation SNSF. Madlen Kobi analyzes the architectural and socio-political transformation of public places and spaces in rapidly urbanizing southern Xinjiang, P.R. China, and in doing so pays particular attention to the cities of Aksu and Kaxgar. As the Xinjiang Uyghur Autonomous Region lies in between China and Central Asia, it is especially characterized by differing political, cultural, and religious influences, and, furthermore, due to its being a multiethnic region, by multiple identities. One might expect cultural and social identities in this area to be negotiated by referring to history, religion, or food. However, they also become visible by the construction and reconstruction, if not demolition, of public places, architectural landmarks, and private residences. Based on ethnographic fieldwork performed in 2011 and 2012, the study explores everyday life in a continuously transforming urban environment shaped by the interaction of the interests of government institutions, investment companies, the middle class, and migrant workers, among many other actors. Here, urban planning, modernization, and renewal form a highly sensitive lens through which the author inspects the tense dynamics of ethnic, religious, and class-based affiliations. She respects varieties and complexities while thoroughly grounding unfolding transformation processes in everyday lived experiences. The study provides vivid insights into how urban places and spaces in this western border region of China are constructed, created, and eventually contested.

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Reprinted from the American architect, the Architectural record and other architectural magazines.

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"Members": v. 28, p. 365-463.

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Description based on: Jan. 31, 1946; title from cover.

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Mode of access: Internet.

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Includes bibliographical references.

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Thesis (Master's)--University of Washington, 2016-06

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Thesis (Ph.D.)--University of Washington, 2016-06