On the morphological nature of spanish adverbs ending in -mente

The morphological status of adverbs ending in -mente in Spanish (-ly in English) has been the object of many studies and continues to be the subject of debate. The two main proposals regarding the morphology of these adverbs treat them as either compounds or derivatives as the result of suffixation, but bothhypotheses present problems. In this study an analysis will be defended which treats -mente as a phrasal affix (cf. Zwicky 1987, Nevis 1985 and Miller 1992). The notion of phrasal affix has been used to describe clitics which, from a morphological standpoint, are similar to affixes but which, simultaneously manifest characteristics of independent words. The argument for analyzing -mente as a phrasal affix is based on both synchronic and diachronic data, including some similarities with object clitic pronouns.

Just the Facts for 2004

The information in “Just the Facts for 2004” is a snapshot of the workforce, collected, compiled, and presented in a format that will aid agencies and decision makers in strategic planning. In many cases, data cover a number of years and are presented to give the reader a sense of trends. While the Department of Administrative Services (DAS), Human Resource Enterprise (HRE) wants to present data in its purist form so readers can draw their own conclusions, we also have a responsibility to clarify anything that may be confusing or misleading. It is important to highlight workforce trends and explain their significance to the work of Iowa state government. The following chapter summaries are intended to do that.

Representar l’univers referencial: estratègies per a la visibilitat dels processos de socialització a la universitat

Sota el nom d’Univers de la Comunicació Audiovisual definim un projecte que té, com a element més significatiu, la representació visual d’un mapa conceptual format per les referències (autors, obres i conceptes) que tant el professorat com l’alumnat hem considerat més significatives del nostre camp d’estudi. L’ Univers... es defineix també com un espai a internet on podem trobar, a més del mapa conceptual, un espais de debat i un conjunt defitxes que interrelacionen el mapa amb les assignatures dels estudis.El projecte busca apropar i potenciar la participació de l’alumnat en el reconeixement ila lectura crítica del seu autors, obres i conceptes de referència, donant visibilitat al procés ifent-lo públic. Des de l’Univers... proposem una nova aproximació a la competència general descrita com a capacitat crítica de naturalesa multidisciplinària que doti a l’alumnat de capacitat derecerca acadèmica i aplicada. Entenem aquesta capacitació crítica com un procés que vadesenvolupant l’alumnat durant tot el grau. Procés que suposa, en una dimensió individual, assolir objectius com el reconeixement, localització i configuració d’un marc referencial propi, i que permet, en la seva dimensió col·lectiva, participar en la definició i concreció d’un marccomú. Amb aquesta aproximació busquem ubicar les competències generals en el centre del procés de socialització que suposa l’etapa de formació universitària, dotant-les d’un entorn propi que, alhora, es relaciona amb l’espai de les assignatures. El projecte Univers... ha estat desenvolupat pel Deganat i la Unitat de Suport a la Innovació Docent dels Estudis de Comunicació Audiovisual de la Universitat Pompeu Fabra durant el curs acadèmic 2006/2007.

Introduction to University and the ICT Sector

The innovative subject “Introduction to ICT” combines a general Introductory Course to the University with elements around the Information and Communication Technologies sector (including the ICT engineer competence profile, market aspects, etc.)This new course has been developed and implemented in three degree programmes offered by the Polytechnic School at Universitat Pompeu Fabra, Barcelona. The course team consists of thirteen teachers,including business professionals, librarians, computer technicians, institutional representatives as well as an educationalist responsible for advising on methodology and study techniques. The subject was designed for a high number of students (260). At the end of the course, we collected quantitative and qualitativeinformation about the students’ satisfaction. The findings show the positive vision that they had about the topics worked during the subject. This paper describes the course, its implementation and evaluation and, of course, the details of the findings that we collected about students' satisfaction.

Towards a user-friendly webservice architecture for statistical machine translation in the PANACEA project

This paper presents a webservice architecture for Statistical Machine Translation aimed at non-technical users. A workfloweditor allows a user to combine different webservices using a graphical user interface. In the current state of this project,the webservices have been implemented for a range of sentential and sub-sententialaligners. The advantage of a common interface and a common data format allows the user to build workflows exchanging different aligners.

Towards the Automatic Merging of Lexical Resources: Automatic Mapping

Lexical Resources are a critical component for Natural Language Processing applications. However, the high cost of comparing and merging different resources has been a bottleneck to have richer resources with a broad range of potential uses for a significant number of languages.With the objective of reducing cost byeliminating human intervention, we present a new method for automating the merging of resources,with special emphasis in what we call the mapping step. This mapping step, which converts the resources into a common format that allows latter the merging, is usually performed with huge manual effort and thus makes the whole process very costly. Thus, we propose a method to perform this mapping fully automatically. To test our method, we have addressed the merging of two verb subcategorization frame lexica for Spanish, The resultsachieved, that almost replicate human work, demonstrate the feasibility of the approach.

A Method Towards the Fully Automatic Merging of Lexical Resources

Lexical Resources are a critical component for Natural Language Processing applications. However, the high cost of comparing and merging different resources has been a bottleneck to obtain richer resources and a broader range of potential uses for a significant number of languages. With the objective of reducing cost by eliminating human intervention, we present a new method towards the automatic merging of resources. This method includes both, the automatic mapping of resources involved to a common format and merging them, once in this format. This paper presents how we have addressed the merging of two verb subcategorization frame lexica for Spanish, but our method will be extended to cover other types of Lexical Resources. The achieved results, that almost replicate human work, demonstrate the feasibility of the approach.

Psychose, cannabis et groupes motivationnels

En s'appuyant sur les acquis démontrés de l'entretien motivationnel individuel chez les patients psychotiques consommateurs de cannabis, une équipe suisse a complété leur prise en charge individuelle par des groupes motivationnels. Le format de ces groupes mobilise davantage ces patients et favorise notamment une mise en scène de la balance décisionnelle.

10 anys del Corpus de l'IULA

En aquest paper, es presenten els criteris de treball que s'han seguit durant els 10 anys en què s'ha anat constituint el corpus de l'IULA. S'exposa l'estat de les dades del corpus, els recursos lèxics utilitzats per al tractament de les dades (diccionaris i etiquetaris) i les eines constituïdes o adaptades. Es dedica especial atenció a la documentació de la cadena de treball de processament del corpus, des de l'adquisició dels textos en format electrònic fins a la seva incorporació definitiva al corpus.

Utilització d'algorismes genètics per a la composició musical

Aquest memòria presenta un estudi sobre l’aplicació dels algorismes genètics per a lacomposició musical. Es descriu un sistema generador d’un conjunt de melodies i les evoluciona, a través de la iteració de l’algorisme, per a obtenir la millor composició possible, segons unconjunt de normes harmòniques i rítmiques definides arbitràriament.Les regles emprades combinen la modelització de diferents aspectes que la teoria i anàlisimusical occidental contemporani defineix com a essencials per a composar melodies agradables a l’oïda humana. Els trets més importants són melodies amb una certa linealitat, harmonia en lespolifonies i un caràcter rítmic en aquestes composicions.S’ha utilitzat el model d’ Implicació – Realització per a afavorir la linealitat i agradabilitat melòdica, un estudi estadístic de ritme i melodia en peces musicals en format MIDI i la definició per part de l’usuari d’una seqüència d’acords o patró amb el qual les melodies generades hi harmonitzaran.L’algoritme sembla generar satisfactòriament melodies que compleixen amb els aspectesavaluats, i amb la possibilitat de definir diferents seqüències d’acords, el sistema esdevé una eina d’ajuda per a realitzar petites composicions o fragments harmònics d’una manera més automatitzada.

Selvitys Eduskunnan lisärakennuksen taidekilpailusta

The purpose of this thesis was to investigate how and why an art competition was arranged to select pieces for the parliamentary annexe building in Helsinki. There is an emphasis on the cultural production aspects of the research. For the purpose of comparison, the thesis also examines how art acquisition takes place in the cities of Helsinki, Salo and Vantaa, and how the so-called percentage principle has been used in these cities The research method involved thematic interviewing of four persons with central positions on the competition jury. Questions were also sent by e-mail to experts and other people with knowledge of the subject area. Although art competitions have been arranged in Finland for decades, very little relevant literature exists. In addition to the interviews, other relevant literature was also referred to, including parliamentary records. The crucial questions concerned why the art competition for the parliamentary annexe was arranged and whether, indeed, it is possible to compete artistically in this manner. The thesis also examined the relationship between art and architecture and how the best works were selected from the vast range of submissions. The answers were both honest and interesting. The thesis presents a step-by-step analysis of the competition's progress over two stages, and according to the specific rules for such competitions as laid out in Suomen Taiteilijaseura. Strict adherence to the rules of the competition created a number of problems, some of which are also studied. The primary reason for staging a competition was to be as democratic as possible, and eliminating any possibility of nominating a particular artist or artists to realise their own work within the annexe. The competition opened up the possibility to consider various artistic proposals, and no genres were ruled out in advance. This format ensured a good response and a total of 1719 proposals were received, of which six were eventually selected. One conclusion was that open competition may not be the best way to gather artistic proposals in such circumstances, but it is very democratic.

Mielikuvien luominen traileroinnilla : tutkimuskohteena Big Brother Suomi

The thesis studies the launch campaign of Big Brother Finland, especially from the viewpoint of on-air promotion. Interest to the subject arose when participating in the campaign as an on-air promotion planner together with Subtv's marketing director, on-air promotion editor and the channel's advertising agency. The launch of the campaign was a challenge due to the format, since not a lot of information can be revealed before the start of the program. When the planning started, all the material consisted of two logos. The first season of the Finnish version of Big Brother begun on Subtv August 2005. The goal of the program was to become a topic of discussion on TV on the fall 2005 and to raise the profile of the channel. The goal of the launch was to get good ratings for the first episode. The launch campaign was also supposed to open up the format to the viewers and to arouse interest in the show. Secrecy and the size of the program were set to be the marketing tones of the launch. Although partly different messages were told via on-air promotion and external media, the campaign was congruent in visual design. In the study, interviews of Subtv's staff, campaign plans and notes were used as research material. From the aspect of affecting images and emotions, the finished campaign promos and other on-air elements were analyzed. In on-air promotion, all choices in audio and visual design affect the outcome and therefore the images that the viewer constructs. The two promo series were made to affect emotions and to awaken curiosity. Other on-air elements were merely used to present program information. The campaign and the series were accepted with enthusiasm. The launch of the second season was even more massive than the first. Participation in the launch campaign of Big Brother Finland was an essential experience in the development of professional identity. When one has taken part in the creation of a massive campaign from scarce materials, tools are given to future assignments in the field of on-air promotion.

Pot modificar un canvi urbanístic l'economia d'un barri? : El cas de Ciutat Vella i el cluster cultural

Tots hem sentit a parlar del canvi del Raval en aquests últims anys. Actualment la majoria del jovent no només hi estudia sinó que hi passa la major part del seu tempsd’oci, en bars, restaurants, museus, galeries d’art, comerços...Nosaltres ens hem preguntat: Per què el Raval ha canviat tant? S’han fet molts treballs, molts estudis, s’han intentat trobar les diverses causes que han produït aquest fenòmen.Més específicament ens hem preguntat: Pot ser que degut a la construcció del cluster cultural format pel MACBA i el CCCB, entre d’altres, s’hagi produït aquest canvi?Així doncs, en aquest treball intentarem contestar ambdues preguntes. Intentarem ser precisos, concisos, breus i clars; esperem que us resulti interessant.