1000 resultados para Art urbà
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1898/07 (A1,N7)-1898/12 (A1,N12).
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1898/01 (A1,N1)-1898/06 (A1,N6).
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La calçada á portuguesa forma parte de la identidad de Lisboa y afecta a la imagen de marca de la ciudad. Sin embargo, a pesar de su valor identitario y artístico, la calçada está en peligro de muerte. El tratamiento particularizado del pavimento está en la base de algunas de las operaciones emblemáticas de construcción de la imagen de la ciudad. Desgraciadamente, en el caso de la calçada, estas mismas operaciones demuestran que no responde a muchos de los requisitos de economía, seguridad o accesibilidad universal que exige la ciudad contemporánea. En ese trabajo analizamos los motivos y razones que planean sobre la muerte anunciada de la calçada á portuguesa. Este tipo de pavimento ya ha sido ampliamente estudiado (Paes 1883; Bairrada 1985; Cabrera y Nunes 1990; Matos 2004; Sisti 2006), pero nuestra investigación sitúa a Barcelona como la primera ciudad donde se utiliza este sistema de pavimentación fuera del territorio portugués (Esparza, 2013) lo que nos permite establecer algunos paralelismos entre el sistema de pavimentación de Lisboa y Barcelona que puedan dar luz al debate existente sobre la sobrevivencia o no de este sistema de pavimentación en Lisboa.
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With this article we want to present a state of affairs of the didactics of art in our context, and at the same time we want todiscuss on its pluri- and interdisciplinary construction. We check the different disciplines that configure it and we analysethe paradigm of artistic education as a discipline (DBAE) and its passage to post-modernity. This example focuses thediscussion about the opportunity of adapting holistic educative models and the transition of the current educativeinnovation towards skill models
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The poster will introduce creative practices(art, design, film, video, photography, performance…) which infiltrate in the media and cultural institutions, wiping out momentarily its artistic appearance, hiding or camouflaging, to promote the questioning of certain aspects of contemporary communication and artistic praxis. These practices(labeled as fakes, pranks, mockumentaries, artivism) are mostly intended to criticize and alert about the current status of the authoritative image dominated by discourses of objectivity, participation and excellency.
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We live in an era defined by a wealth of open and readily available information, and the accelerated evolution of social, mobile and creative technologies. The provision of knowledge, once a primary role of educators, is now devolved to an immense web of free and readily accessible sources. Consequently, educators need to redefine their role not just ¿from sage on the stage to guide on the side¿ but, as more and more voices insist, as ¿designers for learning¿.The call for such a repositioning of educators is heard from leaders in the field of technology-enhanced learning (TEL) and resonates well with the growing culture of design-based research in Education. However, it is still struggling to find a foothold in educational practice. We contend that the root causes of this discrepancy are the lack of articulation of design practices and methods, along with a shortage of tools and representations to support such practices, a lack of a culture of teacher-as-designer among practitioners, and insufficient theoretical development.The Art and Science of Learning Design (ASLD) explores the frameworks, methods, and tools available for teachers, technologists and researchers interested in designing for learning Learning Design theories arising from findings of research are explored, drawing upon research and practitioner experiences. It then surveys current trends in the practices, methods, and methodologies of Learning Design. Highlighting the translation of theory into practice, this book showcases some of the latest tools that support the learning design process itself.
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Arkit: )(8.
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Invocatio: M.G.H.
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Arkit: B4.
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Ajankohtaista
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The chemical investigation of the stems and branches of Macroptilium lathyroides led to the isolation of a mixture of β-sitosterol and stigmasterol. The extracts from the roots allowed the isolation of lasiodiplodin, a mixture of stigmast-4-en-6β-ol-3-one and stigmast-4,22-dien-6β-ol-3-one, de-O-methyllasiodiplodin, genistein and lupinalbin A. The structures of the isolated compounds were assigned on the basis of their NMR data, including comparison of their spectral data with values described in the literature. The antibacterial activity of crude extracts from stems, branches and roots was evaluated. This is the first report involving the chemical investigation of this species.
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Separations using supercritical fluid chromatography (SFC) with packed columns have been re-discovered and explored in recent years. SFC enables fast and efficient separations and, in some cases, gives better results than high performance liquid chromatography (HPLC). This paper provides an overview of recent advances in SFC separations using packed columns for both achiral and chiral separations. The most important types of stationary phases used in SFC are discussed as well as the most critical parameters involved in the separations and some recent applications.
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1887 (A12).
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1885 (A10).